| 000 | 01449camuu2200301 a 4500 | |
| 001 | 000000777834 | |
| 005 | 20020820153245 | |
| 008 | 990108s2000 nyua b 000 0 eng | |
| 010 | ▼a 99010274 | |
| 020 | ▼a 1890951021 (cloth) | |
| 020 | ▼a 189095103X (paper) | |
| 040 | ▼a DLC ▼c DLC ▼d C#P ▼d VVC ▼d UKM ▼d 211009 | |
| 041 | 1 | ▼a eng ▼h fre |
| 049 | 1 | ▼l 111217672 |
| 050 | 0 0 | ▼a N72.T4 ▼b F713 2000 |
| 082 | 0 0 | ▼a 709/.03/4 ▼2 21 |
| 090 | ▼a 709.034 ▼b F814aE | |
| 100 | 1 | ▼a Francastel, Pierre. |
| 240 | 1 0 | ▼a Art et technique. ▼l English |
| 245 | 1 0 | ▼a Art technology in the nineteenth and twentieth centuries / ▼c Pierre Francastel ; foreword by Yve-Alain Bois ; translated by Randall Cherry. |
| 246 | 3 | ▼a Art and technology in the nineteenth and twentieth centuries |
| 260 | ▼a New York : ▼b Zone Books ; ▼a Cambridge, Mass. : ▼b Distributed by MIT Press , ▼c 2000. | |
| 300 | ▼a 331 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references. | |
| 505 | 0 | ▼a The myths of mechanization -- Technology and architecture in the nineteenth century -- Versatility of the object -- Mechanization and figurative style in the nineteenth century -- The stages of architecture after 1900 -- The problem of abstract art -- The success and value of contemporary art -- Eternal art and the work of art. |
| 650 | 0 | ▼a Art and technology ▼x History ▼y 19th century. |
| 650 | 0 | ▼a Art and technology ▼x History ▼y 20th century. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 709.034 F814aE | 등록번호 111217672 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
A nuanced study of the effects of technology on the traditional concerns of artists and other symbol-makers.
Although the work of Pierre Francastel (1900-1970) has long carried the label "sociology of art," it bears little resemblance to anything conventionally sociological. For too long Francastel has been unavailable to English-language readers, and hence known only through erroneous and secondhand characterizations. This translation of Art and Technology should open the way for a rediscovery and reconsideration of this brilliant, often misunderstood thinker. Unlike adherents of the dominant schools of Anglo-American and German art history, Francastel was not obsessed with establishing a quasi-scientific methodology as the basis for his studies. But as art history itself is being reshaped by the culture of technology, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value. The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms. Francastel's vision of the indeterminate, shifting relation between the aesthetic and the technological will be of crucial interest to anyone interested in the history of art, architecture, and design.
A nuanced study of the effects of technology on the traditional concerns of artists and other symbol-makers.
정보제공 :
목차
CONTENTS Foreword / by Yve-Alain Bois = 7 Introduction = 17 PART ONE ART MEETS THE MACHINE Ⅰ The Myths of Mechanization = 29 Ⅱ Technology and Architecture in the Nineteenth Century = 87 PART Two METAMORPHOSIS OF THE OBJECT Introduction = 127 Ⅲ Versatility of the Object = 133 Ⅳ Mechanization and Figurative Style in the Nineteenth Century = 169 PART THREE TWENTIETH-CENTURY ART FORMS Introduction = 185 Ⅴ The Stages of Architecture After 1900 = 193 Ⅵ The Problem of Abstract Art = 243 PART FOUR THE FUNCTION OF ART IN MECHANIZED SOCIETY Ⅶ The Success an(i Value of Contemporary Art = 275 Ⅷ Eternal Art and the Work of Art = 321