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| 005 | 20030901115413 | |
| 008 | 000501s2001 enk b 001 0 eng | |
| 010 | ▼a 00033705 | |
| 020 | ▼a 0521793459 | |
| 040 | ▼a DLC ▼c DLC ▼d C#P ▼d UKM ▼d 211009 | |
| 043 | ▼a e-uk-en ▼a n-us--- | |
| 049 | 1 | ▼l 111248617 |
| 050 | 0 0 | ▼a PR478.P64 ▼b F47 2001 |
| 082 | 0 0 | ▼a 820.9/00912 ▼2 21 |
| 090 | ▼a 820.900912 ▼b F369m | |
| 100 | 1 | ▼a Ferrall, Charles. |
| 245 | 1 0 | ▼a Modernist writing and reactionary politics / ▼c Charles Ferrall. |
| 260 | ▼a Cambridge, UK ; ▼a New York : ▼b Cambridge University Press, ▼c 2001. | |
| 300 | ▼a viii, 202 p. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 186-198) and index. | |
| 650 | 0 | ▼a English literature ▼y 20th century ▼x History and criticism. |
| 650 | 0 | ▼a Modernism (Literature) ▼z Great Britain. |
| 650 | 0 | ▼a Politics and literature ▼z Great Britain ▼x History ▼y 20th century. |
| 650 | 0 | ▼a American literature ▼y 20th century ▼x History and criticism. |
| 650 | 0 | ▼a Politics and literature ▼z United States ▼x History ▼y 20th century. |
| 650 | 0 | ▼a Literature and society ▼x History ▼y 20th century. |
| 650 | 0 | ▼a Fascism in literature. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 820.900912 F369m | 등록번호 111248617 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism, preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, and Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers insights into the relation between modernist aesthetics, technology and avant-gardism.
Ferrall offers insights into the relation between modernist aesthetics, technology and politics.
정보제공 :
목차
CONTENTS Acknowledgements = ⅷ Introduction = 1 1 W. B. Yeats and the family romance of Irish nationalism = 21 2 Ezra Pound and the poetics of literalism = 43 3 'Neither Living nor Dead' : T. S. Eliot and the uncanny = 71 4 The homosocial and fascism in D. H. Lawrence = 115 5 'Always a ` Deux' : Wyndham Lewis and his doubles = 135 Notes = 157 Works cited = 186 Index = 199