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Women and popular music : sexuality, identity, and subjectivity

Women and popular music : sexuality, identity, and subjectivity (3회 대출)

자료유형
단행본
개인저자
Whiteley, Sheila, 1941-
서명 / 저자사항
Women and popular music : sexuality, identity, and subjectivity / Shelia Whiteley.
발행사항
New York :   Routledge,   2000.  
형태사항
x, 246p. : ill. ; 24cm.
ISBN
0415211891 (alk. paper) 0415211905 (pbk. : alk. paper)
서지주기
Includes bibliographical references and index.
일반주제명
Women musicians. Popular music -- Social aspects. Feminism and music.
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020 ▼a 0415211891 (alk. paper)
020 ▼a 0415211905 (pbk. : alk. paper)
040 ▼a DLC ▼c DLC ▼d 244002
042 ▼a pcc
049 0 ▼l 151104366
050 0 0 ▼a ML82 ▼b .W48 2000
082 0 0 ▼a 781.64/082 ▼2 21
090 ▼a 781.64082 ▼b W594w
100 1 ▼a Whiteley, Sheila, ▼d 1941-
245 1 0 ▼a Women and popular music : ▼b sexuality, identity, and subjectivity / ▼c Shelia Whiteley.
260 ▼a New York : ▼b Routledge, ▼c 2000.
263 ▼a 0006
300 ▼a x, 246p. : ▼b ill. ; ▼c 24cm.
504 ▼a Includes bibliographical references and index.
650 0 ▼a Women musicians.
650 0 ▼a Popular music ▼x Social aspects.
650 0 ▼a Feminism and music.

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 세종학술정보원/인문자료실2(2층)/ 청구기호 781.64082 W594w 등록번호 151104366 (3회 대출) 도서상태 대출가능 반납예정일 예약 서비스 B M ?

컨텐츠정보

책소개

Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture. Sheila Whiteley begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones. She explores the ways in which artists like Joplin and Joni Mitchell confronted issues of sexuality and freedom, redefining women's participation in the industry, and assesses the personal cost of their achievements. She considers how stars such as Annie Lennox, Madonna and k.d. lang have confronted issues of gender stereotyping and sexuality, through pop videos for 'Justify My Love' and 'Sweet Dreams (Are Made of This)', and looks at the enduring importance of the singer-songwriter through artists such as Tracey Chapman. Lastly, she assesses the contribution of contemporary artists including Tori Amos, P.J. Harvey and Courtney Love, and asks whether the Spice Girls are just a 'cartoon feminist pop group' or if they provide positive role models for teenage girls.

From Janis Joplin to P.J. Harvey, Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture.


정보제공 : Aladin

목차

CONTENTS
Acknowledgements = ⅸ
Introduction = 1
1 Wonderful world, beautiful people : The 1960s' counter culture and its ideological relationship to women = 22
2 Repressive representations : Patriarchy, Femininities and 1960s' rock = 32
3 The personal is political : Women's liberation, sexuality, gender, freedom and repression = 44
4 Try, just a little bit harder : Janis Joplin and the search for personal identity = 51
5 The times they are a­changin' : Folk and the singer songwriter = 72
6 The lonely road : Joni Mitchell, Blue and female subjectivity = 78
7 Daughrers of chaos : Patti Smith, Siouxsie Sioux and the feminisation of rock = 95
8 Challenging the feminine : Annie Lennox, androgyneity and illusions of identity = 119
9 Madonna, eroticism, autoeroticism and desire = 136
10 k.d. lang, a certain kind of woman = 152
11 Talkin' 'bour a revolution : Tracy Chapman, political uprisings, domestic violence and love = 171
12 Authenticity, truthfulness and community : Tori Amos, Courtney Love, P.J. Harvey and Bj o ·· rk = 196
13 Artifice and the imperatives of commercial success : From Brit Pop to the Spice Girls = 214
Discography = 230
Index = 236

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