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| 005 | 20091214141959 | |
| 008 | 060112s2006 enk b 001 0 eng | |
| 010 | ▼a 2006001071 | |
| 015 | ▼a GBA476875 ▼2 bnb | |
| 020 | ▼a 0415288819 (hbk.) | |
| 020 | ▼a 9780415288811 (hbk.) | |
| 020 | ▼a 0203506855 (ebk.) | |
| 020 | ▼a 9780203506851 (ebk.) | |
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| 040 | ▼a DLC ▼c DLC ▼d BWKUK ▼d BAKER ▼d YDXCP ▼d OCLCQ ▼d UKM ▼d BTCTA ▼d DLC ▼d 211009 | |
| 043 | ▼a e-uk-en | |
| 050 | 0 0 | ▼a PR428.P64 ▼b L36 2006 |
| 082 | 0 0 | ▼a 820.9/35509031 ▼2 22 |
| 090 | ▼a 820.9355 ▼b L218p | |
| 100 | 1 | ▼a Lamb, Mary Ellen , ▼d 1946-. |
| 245 | 1 4 | ▼a The popular culture of Shakespeare, Spenser, and Jonson / ▼c Mary Ellen Lamb. |
| 260 | ▼a London ; ▼a New York : ▼b Routledge , ▼c 2006. | |
| 300 | ▼a x, 271 p. ; ▼c 24 cm. | |
| 490 | 1 | ▼a Routledge studies in Renaissance literature and culture ; ▼v 2 |
| 504 | ▼a Includes bibliographical references (p. [241]-263) and index. | |
| 600 | 1 0 | ▼a Shakespeare, William, ▼d 1564-1616 ▼x Criticism and interpretation. |
| 600 | 1 0 | ▼a Spenser, Edmund, ▼d 1552?-1599 ▼x Criticism and interpretation. |
| 600 | 1 0 | ▼a Jonson, Ben, ▼d 1573?-1637 ▼x Criticism and interpretation. |
| 650 | 0 | ▼a English literature ▼y Early modern, 1500-1700 ▼x History and criticism. |
| 650 | 0 | ▼a Popular culture in literature. |
| 650 | 0 | ▼a Popular culture ▼z England ▼x History ▼y 16th century. |
| 650 | 0 | ▼a Popular culture ▼z England ▼x History ▼y 17th century. |
| 830 | 0 | ▼a Routledge studies in Renaissance literature and culture ; ▼v 2. |
| 945 | ▼a KINS |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 820.9355 L218p | 등록번호 111558272 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Breaking new ground by considering productions of popular culture from above, rather than from below, this book draws on theorists of cultural studies, such as Pierre Bourdieu, Roger Chartier and John Fiske to synthesize work from disparate fields and present new readings of well-known literary works.
Using the literature of Shakespeare, Spenser and Jonson, Mary Ellen Lamb investigates the social narratives of several social groups ? an urban, middling group; an elite at the court of James; and an aristocratic faction from the countryside. She states that under the pressure of increasing economic stratification, these social fractions created cultural identities to distinguish themselves from each other ? particularly from lower status groups. Focusing on Shakespeare’s A Midsummer Night's Dream and Merry Wives of Windsor, Spenser's Faerie Queene, and Jonson's Masque of Oberon, she explores the ways in which early modern literature formed a particularly productive site of contest for deep social changes, and how these changes in turn, played a large role in shaping some of the most well-known works of the period.
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목차
Acknowledgements 1. Producing Popular Cultures Part 1: Fairies, Old Wives Tales, and Hobbyhorses: Rising to (In)visibility 2. Taken by the Fairies 3. Old Wives’ Tales 4. Hobbyhorses and Fellow Travellers Part 2: William Shakespeare 5. A Midsummer Night’s Dream: Breeching the Binary 6. Merry Wives of Windsor: Domestic Nationalism and the Refuse of the Realm Part 3: Edmund Spenser 7. The Faerie Queene: Vanishing Fairies and Dissolving Courtiers Part 4: Ben Jonson 8. Oberon, The Fairy Prince (1611) and The Great Fairy Caper; The Sad Shepherd (c. 1637) and the Topography of the Devil’s Arse Conclusion Notes Bibliography Index
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