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Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global.
This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.

The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.

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[volume. vol.1]----------
CONTENTS
Acknowledgements = xiii
General Introduction = 1
Introduction = 8
PART A. The making of popular music : meanings and values = 13
 1 Conspiracies of meaning : music-hall and the knowingness of popular culture / PETER BAILEY = 15
 2 Francis James Child and the 'ballad consensus' / DAVE HARKER = 43
 3 Classic blues / LEROI JONES(IMAMU AMIRI BARAKA) = 63
 4 Ring shout! Literary studies, historical studies, and black music inquiry / SAMUEL A. FLOYD, JR = 73
PART B. The making of popular music : machines and media = 95
 5 A voice without a face. Popular music and the phonograph in the 1890s / DAVE LAING = 97
 6 The record industry : the growth of a mass medium / PEKKA GRONOW = 108
 7 The early days of the gramophone industry in India. Historical, social and musical perspectives / GERRY FARRELL = 130
 8 The presentation of silent films, or music as anaesthesia / GILLIAN B. ANDERSON = 155
PART C. Being musician = 195
 9 Making music together / ALFRED SCHUTZ = 197
 10 The professional dance musician and his audience / HOWARD S. BECKER = 213
 11 Music among friends : the social networks of amateur musicians / ROBERT A. STEBBINS = 227
 12 Musicians' magazines in the 1980s : the creation of a community and a consumer market / PAUL TH$$\acute E$$BERGE = 245
 13 Women and the electric guitar / MAVIS BAYTON = 270
PART D. Music, entertainment and dance = 283
 14 'Everybody's doin' it' : the Pre-World WarⅠdance craze, the Castles and the Modern American Girl / LEWIS A. ERENBERG = 285
 15 Kristen Klatvask fra Vejle : Danish pub music, mythscapes and 'local camp' / ALF BJ$$\ddot O$$RNBERG ; OLA STOCKFELT = 302
 16 The dancer from the dance : the musical and dancing crowds of clubbing / BEN MALBON = 321
PART E. Music and everyday life = 343
 17 'Universal' music and the case of death / PHILIP TAGG = 345
 18 Adequate modes of listening / OLA STOCKFELT = 375
 19 Chewing gum for the ears : children's television and popular music / KAREN LURY = 392
[volume. vol.2]----------
CONTENTS
Acknowledgements = ⅸ
Introduction = 1
PART A. Music and commerce = 5
 20 Between two worlds : art and commercialism in the record industry / JON STRATTON = 7
 21 Between corporation and consumer : culture and conflict in the British Record Industry / KEITH NEGUS = 24
 22 Flexibility, post-Fordism and the music industry / DAVID HESMONDHALGH = 42
 23 A sweet lullaby for 'world music' / STEVEN FELD = 62
 24 I want my MP3 : who owns Internet music? / REEBEE GAROFALO = 87
PART B. Music and technology = 105
 25 Art vs technology : the strange case of popular music / SIMON FRITH = 107
 26 An intermediary between production and consumption : the producer of popular music / ANTOINE HENNION = 123
 27 Rationalization and democratization in the new technologies of popular music / ANDREW GOODWIN = 147
 28 'This is a sampling sport'. Digital sampling, rap music and the law in cultural production / THOMAS SCHUMACHER = 169
PART C. Music and media = 191
 29 Radio space and industrial time : the case of music formats / JODY BERLAND = 193
 30 Form and female authorship in music video / LISA A. LEWIS = 208
 31 A postscript for the nineties / JANE FEUER = 228
 32 'I hope you're enjoying your party'. MTV in war-torn Bosnia / LIDA HUJIC = 241
 33 Music and meaning in the commercials / NICHOLAS COOK = 253
PART D. The ideology of rock = 271
 34 Why 1955? Explaining the advent of Rock Music / RICHARD A. PETERSON = 273
 35 Rock and Roll mythology : race and sex in 'Whole Lotta Shakin' Going On' / BERNARD GENDRON = 297
 36 Another boring day in paradise : rock and roll and the empowerment of everyday life / LAWRENCE GROSSBERG = 311
 37 Forging masculinity : heavy metal sounds and images of gender / ROBERT WALSER = 343
 38 Rock tastes - on rock as symbolic capital. A study of young people's music tastes and music-making / MATS TRONDMAN = 373
 39 The future of rock : discourses that struggle to define a genre / JOHAN FORN$$\ddot A$$S = 393
 40 Rock aesthetics and musics of the world / MOTTI REGEV = 412
[volume. vol.3]----------
CONTENTS
Acknowledgements = ⅸ
Introduction = 1
PART A. Genres = 5
 41 A theory of musical genres : two applications / FRANCO FABBRI = 7
 42 Classical music as popular music / JAMES PARAKILAS = 36
 43 Genre, performance and ideology in the early songs of Irving Berlin / CHARLES HAMM = 55
 44 Reconstructing the Blues : reflections on the 1960s Blues Revival / JEFF TODD TITON = 65
 45 The dialectic of hard-core and soft-shell country music / RICHARD A. PETERSON = 87
PART B. Rhythm = 101
 46 The invention of 'African rhythm' / KOFI AGAWU = 103
 47 Motion and feeling through music / CHARLES M.H. KEIL = 118
 48 'Play it again Sam'. Some notes on the productivity of repetition in popular music / RICHARD MIDDLETON = 136
PART C. Song = 171
 49 The dialogue of courtship in popular songs / DONALD HORTON = 173
 50 Why do songs have words? / SIMON FRITH = 186
 51 The Mise-en-Sc$$\grave e$$ne of Suffering - French Chanteuses R$$\acute e$$alistes / GINETTE VINCENDEAU = 213
 52 The electro-acoustic mirror : voices in American pop / DAVID BRACKETT = 232
PART D. Performance = 249
 53 Elvis Presley / HENRY PLEASANTS = 251
 54 Brass Bands / BRIAN JACKSON ; DENNIS MARSDEN = 264
 55 Little Red Rooster v The Honky Tonk Woman : Mick Jagger, sexuality, style and image / SHEILA WHITELEY = 279
 56 Betta Midler and the piracy of identity / JANE M. GAINES = 310
PART E. Formal analysis = 323
 57 On the Fetish-Character in music and the regression of listening / THEODOR W. ADORNO = 325
 58 Problems in analyzing elements of mass culture : notes on the popular song and other artistic products / NORMAN K. DENZIN = 350
 59 Randy Newman's Americana / PETER WINKLER = 355
 60 Rhythm, rhyme and rhetoric in the music of Public Enemy / ROBERT WALSER = 385
[volume. vol.4]----------
CONTENTS
Acknowledgements = ⅸ
Introduction = 1
PART A. Music and sociability = 5
 61 'Let all the world hear all the world's music' : popular music-making and music education / JOHN BLACKING = 7
 62 Towards an aesthetic of popular music / SIMON FRITH = 32
 63 Pathways in urban living / RUTH FINNEGAN = 48
 64 Systems of articulation, logics of change : communities and scenes in popular music / WILL STRAW = 79
 65 Place, exchange and meaning : Black Sea musicians in the West of Ireland / MARTIN STOKES = 101
PART B. Music, mationality and imagined community = 117
 66 Honky Tonk : the music of the Southern working class / BILL C. MALONE = 119
 67 Paul Simon's Graceland, South Africa and the mediation of musical meaning / LOUISE MEINTJES = 126
 68 'My love is in America' : migration and Irish music / GRAEME SMITH = 164
 69 Sounds authentic : Black Music, ethnicity and the challenge of a changing same / PAUL GILROY = 182
PART C. Ethnomusicology = 207
 70 Contando la Cama Vac$$\acute i$$a : love, sexuality and gender relationships in Dominican Bachata / DEBORAH PACINI HERNANDEZ = 209
 71 Somos el Per$$\acute u$$ : 'Cumbia Andina' and the children of Andean migrants in Lima / THOMAS TURINO = 231
 72 Nationalism on stage : music and change in Soviet Ukraine / CATHERINE WANNER = 249
 73 Fantasies of home : The antinomies of modernity and the music of Ladysmith Black Mambazo / VEIT ERLMAN = 266
PART D. Music, modernity and postmodernity = 283
 74 The search for Petula Clark / GLENN GOULD = 285
 75 Modern music culture : on shock, pop and synthesis / GEORGINA BORN = 293
 76 Cruising around the historical bloc. Postmodernism and popular music in East Los Angeles / GEORGE LIPSITZ = 324
 77 A style nobody can deal with. Politics, style and the postindustrial city in Hip Hop / TRICIA ROSE = 341
Index = 361