| 000 | 00865camuu2200253 a 4500 | |
| 001 | 000045600703 | |
| 005 | 20100629181400 | |
| 008 | 100629s2010 nyua 000 0 eng d | |
| 015 | ▼a GBA9A6481 ▼2 bnb | |
| 020 | ▼a 9780870707476 (hbk.) | |
| 020 | ▼a 0870707477 (hbk.) | |
| 040 | ▼a StDuBDS ▼b eng ▼c StDuBDS ▼d Uk ▼d 211009 | |
| 082 | 0 4 | ▼a 709.2 ▼2 22 |
| 090 | ▼a 709.2 ▼b A161m | |
| 100 | 1 | ▼a Abramovic, Marina. |
| 245 | 1 0 | ▼a Marina Abramovic : ▼b the artist is present / ▼c edited by Klaus Biesenbach. |
| 260 | ▼a New York : ▼b Museum of Modern Art , ▼c 2010. | |
| 300 | ▼a 224 p. : ▼b col. ill. ; ▼c 31 cm. + ▼e 1 CD-ROM. | |
| 600 | 1 0 | ▼a Abramovic, Marina ▼v Exhibitions. |
| 650 | 0 | ▼a Performance art ▼v Exhibitions. |
| 700 | 1 | ▼a Biesenbach, Klaus Peter , ▼d 1954- |
| 710 | 2 | ▼a Museum of Modern Art (New York, N.Y.) |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 709.2 A161m | 등록번호 111585606 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Since the beginning of her career in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist is Present accompanies an exhibition at The Museum of Modern Art that documents approximately fifty of the artists ephemeral, time- and media-based works from throughout her career. The book will also discuss a unique element of the Museums retrospective, live performance: a new work created for the occasion, and performed by the artist herself; and recreations of Abramovics works by other performers the first such to be undertaken in a museum setting. The book spans over four decades of Abramovics early interventions, and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Its essays examine Abramovics ideas of time, duration, and the reperformance of performance art as a way to extend it into posterity. Marina Abramovic also includes a CD, an audio recording of the artists own voice, guiding the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.
Since the beginning of her career, in Belgrade in the late 1960s, Marina Abramoviæ has been a pioneer of performance art, creating some of the most important works in the field. This catalogue documents approximately fifty of the artist's ephemeral time - and media-based works from throughout her career, including re-creations by other performers and a new work performed by the artist for the exhibition. The volume spans more than four decades of Abramovic's interventions, sound pieces, video works, installations, photographs, and solo performances as well as her collaborative performances with the German artist Ulay (Uwe Laysiepen).
An accompanying CD with audio commentary by Abramoviæ guides the reader through the book.
Since the beginning of her career in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist is Present accompanies an exhibition at The Museum of Modern Art that documents approximately fifty of the artist's ephemeral, time- and media-based works from throughout her career. The book will also discuss a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by the artist herself; and recreations of Abramovic's works by other performers - the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions, and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Its essays examine Abramovic's ideas of time, duration, and the reperformance of performance art as a way to extend it into posterity. Marina Abramovic also includes a CD, an audio recording of the artist's own voice, guiding the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.
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