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Designed to meet the needs of the two-year theory curriculum for music majors, this straightforward market-leading text emphasizes practicality and ease of use for both the student and the instructor. Its outstanding ancillaries, which include a collection of audio examples on CD (for both the text and workbook), Finale Workbook Software, and an extensive Instructor's Manual, round out the comprehensive teaching package.

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Preface To the Student	
Fundamentals	
Elements of Pitch	
The Keyboard and Octave	
Registers Notation of the Staff	
The Major Scale	
The Major Key Signatures	
Minor Scale	
Minor Key Signatures	
Scale Degree Names Intervals	
Perfect, Major, and Minor Intervals	
Augmented and Diminished Intervals	
Inversion of Intervals	
Consonant and Dissonant Intervals	
Summary	
Elements of Rhythm	
Rhythm Durational Symbols	
Beat and Tempo Meter	
Division of the Beat	
Simple Time	
Signatures Compound Time Signatures	
Time Signatures	
Summarized More on Durational Symbols	
Summary	
Introduction to Triads and Seventh Chords	
Introduction Triads	
Seventh Chords Inversions of Chords	
Inversion Symbols and Figured Bass	
Lead Sheet Symbols	
Recognizing Chords in Various Textures	
Summary	
Diatonic Chords in Major and Minor Keys	
Introduction The Minor Scale	
Diatonic Triads in Major Diatonic Triads in Minor Diatonic	
Seventh Chords in Major Diatonic	
Seventh Chords in Minor	
Summary	
Diatonic Triads	
Principles of Voice Leading	
Introduction	
The Melodic Line Notating Chords	
Voicing a Singe Triad Parallel Motion	
Summary	
Root Position Part Writing	
Introduction	
Root Position	
Part Writing with Repeated Roots	
Root Position	
Part Writing with Roots a 4th (5th)	
Apart Root Position	
Part Writing with Roots a 3rd (6th)	
Apart Root Position	
Part Writing with Roots a 3rd(7th)	
Apart Instrumental Ranges and Transpositions	
Summary	
Harmonic Progression	
Introduction	
Sequences and the Circle of Fifths	
The I and V Chords	
The II Chord	
The VI Chord	
The III Chord	
The VII Chord	
The IV Chord	
Common Exceptions Differences in the Minor Mode Progressions	
Involving Seventh Chords	
Harmonizing a Simple Melody	
Conclusion	
Summary	
Triads in First Inversion	
Introduction Bass Arpeggiation	
Substituted First Inversion Triads	
Parallel Sixth Chords	
Part Writing First Inversion Triads	
Soprano-Bass Counterpoint	
Summary	
Triads in Second Inversion	
Introduction Bass Arpeggiation and the Melodic Bass	
The Cadential Six-Four	
The Passing Six-Four	
The Pedal Six-Four	
Part Writing for Second Inversion Triads	
Summary	
Cadences, Phrases, and Periods Musical Form Cadences	
Cadences and Harmonic Rhythm Motives and Phrases Mozart: ''An die Freude'' Period Forms	
Summary	
Non Chord Tones 1	
Introduction	
Classification of Non-Chord Tones	
Passing Tones	
Neighboring Tones	
Suspensions and Retardations	
Figured Bass and Lead Sheet Symbols	
Embellishing a Simple Texture	
Summary	
Non-Chord Tones 2	
Appoggiaturas Escape Tones	
The Neighbor Group Anticipations	
The Pedal Point Special Problems in the Analysis of Non-Chord Tones	
Summary	
Diatonic Seventh Chords	
The V7 Chord	
Introduction	
General Voice-Leading Considerations	
The V7 in Root Position	
The V7 in Three Parts	
Other Resolutions of the V7	
The Inverted V7 Chord	
The V6/5 Chord	
The V4/3 Chord	
The V4/2 Chord	
The Approach to the Seventh	
Summary	
The II7 and VII7 Chords	
Introduction	
The II7 Chord	
The VII7 Chord in Major	
The VII7 Chord in Minor	
Summary	
Other Diatonic Seventh Chords	
The IV7 Chord	
The VI7 Chord	
The I7 Chord	
The III7 Chord	
Seventh Chords and the Circle-of -Fifths Progression	
Summary	
Chromaticism 1	
Secondary Functions 1	
Chromaticism and Altered Chords	
Secondary Functions Secondary Dominant Chords	
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