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| 005 | 20170613120249 | |
| 008 | 170612s2006 paua b 001 0 eng d | |
| 010 | ▼a 2005042431 | |
| 015 | ▼a GBA597459 ▼2 bnb | |
| 020 | ▼a 0812239059 (hdbk. : alk. paper) | |
| 020 | ▼a 9780812239058 | |
| 020 | ▼a 9780812220223 (pbk.) | |
| 035 | ▼a (KERIS)REF000011934388 | |
| 040 | ▼a DLC ▼c DLC ▼d BAKER ▼d UKM ▼d C#P ▼d MNY ▼d DLC ▼d 211009 | |
| 043 | ▼a e-uk-en | |
| 050 | 0 0 | ▼a PR428.N39 ▼b W39 2006 |
| 082 | 0 0 | ▼a 820.9/36/09031 ▼2 23 |
| 084 | ▼a 820.93609031 ▼2 DDCK | |
| 090 | ▼a 820.93609031 ▼b W341b | |
| 100 | 1 | ▼a Watson, Robert N. |
| 245 | 1 0 | ▼a Back to nature : ▼b the green and the real in the late Renaissance / ▼c Robert N. Watson. |
| 260 | ▼a Philadelphia : ▼b University of Pennsylvania Press, ▼c c2006. | |
| 300 | ▼a viii, 436 p. : ▼b ill. ; ▼c 25 cm. | |
| 504 | ▼a Includes bibliographical references (p. [397]-417) and index. | |
| 505 | 0 | ▼a Ecology, epistemology, and empiricism -- Theology, semiotics, and literature -- As you liken it : simile in the forest -- Shades of green : Marvell's garden and the mowers -- Metaphysical and cavalier styles of consciousness -- The retreat of God, the passions of nature, and the objects of Dutch painting -- Nature in two dimensions : perspective and presence in Ryckaert, Vermeer, and others -- Metal and flesh in The merchant of Venice : shining substitutes and approximate values -- Thomas Traherne : the world as present. |
| 650 | 0 | ▼a English literature ▼y Early modern, 1500-1700 ▼x History and criticism. |
| 650 | 0 | ▼a Nature in literature. |
| 650 | 0 | ▼a Pastoral literature, English ▼x History and criticism. |
| 650 | 0 | ▼a Philosophy of nature in literature. |
| 650 | 0 | ▼a Human ecology in literature. |
| 650 | 0 | ▼a Renaissance ▼z England. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 820.93609031 W341b | 등록번호 111774231 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Sweeping across scholarly disciplines, Back to Nature shows that, from the moment of their conception, modern ecological and epistemological anxieties were conjoined twins. Urbanization, capitalism, Protestantism, colonialism, revived Skepticism, empirical science, and optical technologies conspired to alienate people from both the earth and reality itself in the seventeenth century. Literary and visual arts explored the resulting cultural wounds, expressing the pain and proposing some ingenious cures. The stakes, Robert N. Watson demonstrates, were huge.
Shakespeare's comedies, Marvell's pastoral lyrics, Traherne's visionary Centuries, and Dutch painting all illuminate a fierce submerged debate about what love of nature has to do with perception of reality.
정보제공 :
목차
Part I Introduction: The Green and the Real 1 Ecology, Epistemology, and Empiricism 3 2 Theology, Semiotics, and Literature 36 Part II Paradoxes: Alienation from Nature in English Literature 3 As You Liken It: Simile in the Forest 77 4 Shades of Green: Marvell''s Garden and the Mowers 108 Part III Reformations: Protestant Politics, Poetics, and Paintings 5 Metaphysical and Cavalier Styles of Consciousness 137 6 The Retreat of God, the Passions of Nature, and the Objects of Dutch Painting 166 7 Nature in Two Dimensions: Perspective and Presence in Ryckaert, Vermeer, and Others 226 Part IV Solutions: The Consolations of Mediation 8 Metal and Flesh in The Merchant of Venice: Shining Substitutes and Approximate Values 257 9 Thomas Traherne: The World as Present 297 Conclusion 324 Notes 337 Bibliography 397 Index 419 Acknowledgments 437
