| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045916750 | |
| 005 | 20170928102053 | |
| 008 | 170927s1996 ilua b 001 0 eng d | |
| 010 | ▼a 96023224 | |
| 020 | ▼a 0226534774 (alk. paper) | |
| 020 | ▼a 0226534782 (pbk. : alk. paper) | |
| 035 | ▼a (KERIS)REF000003690814 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a ML3506 ▼b .M64 1996 |
| 082 | 0 0 | ▼a 781.65/136 ▼2 23 |
| 084 | ▼a 781.65136 ▼2 DDCK | |
| 090 | ▼a 781.65136 ▼b M755s | |
| 100 | 1 | ▼a Monson, Ingrid T. ▼q (Ingrid Tolia). |
| 245 | 1 0 | ▼a Saying something : ▼b jazz improvisation and interaction / ▼c Ingrid Monson. |
| 260 | ▼a Chicago : ▼b University of Chicago Press, ▼c c1996. | |
| 300 | ▼a xii, 253 p. : ▼b ill. ; ▼c 23 cm. | |
| 490 | 1 | ▼a Chicago studies in ethnomusicology |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Jazz ▼x History and criticism. |
| 650 | 0 | ▼a Improvisation (Music). |
| 830 | 0 | ▼a Chicago studies in ethnomusicology. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.65136 M755s | 등록번호 111779169 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
A close-up exploration of the role of the rhythm section in jazz ensemblers
This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.정보제공 :
목차
List of Illustrations Acknowledgments Introduction Talking to Musicians Grooving and Feeling Music, Language, and Cultural Styles: Improvisation as Conversation Intermusicality Interaction, Feeling, and Musical Analysis Ethnomusicology, Interaction, and Poststructuralism Coda Notes Interviews Recordings Bibliography Index