| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045919609 | |
| 005 | 20171102154100 | |
| 008 | 171102s2006 ctuac bc 001 0 eng d | |
| 010 | ▼a 2006920589 | |
| 020 | ▼a 030012032X (Yale) | |
| 035 | ▼a (KERIS)REF000017889244 | |
| 040 | ▼a JHE ▼c JHE ▼d BAKER ▼d MoSR ▼d MoKNA ▼d CtY ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a N6888.A5 ▼b A4 2006 |
| 082 | 0 4 | ▼a 709.22 ▼2 23 |
| 084 | ▼a 709.22 ▼2 DDCK | |
| 090 | ▼a 709.22 ▼b A332 | |
| 245 | 0 0 | ▼a Albers and Moholy-Nagy : ▼b from the Bauhaus to the New World / ▼c edited by Achim Borchardt-Hume. |
| 246 | 3 0 | ▼a From the Bauhaus to the New World |
| 260 | ▼a New Haven, CT : ▼b Yale University Press, ▼c 2006. | |
| 300 | ▼a 190 p. : ▼b ill. (some col.), ports. ; ▼c 28 cm. | |
| 500 | ▼a "First published 2006 by order of the Tate Trustees by Tate Publishing, a division of Tate Enterprises, Ltd., London"--T.p. verso. | |
| 500 | ▼a Catalog of an exhibition held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and at the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007. | |
| 504 | ▼a Includes bibliographical references (p. 176-178) and index. | |
| 600 | 1 0 | ▼a Albers, Josef ▼v Exhibitions. |
| 600 | 1 0 | ▼a Moholy-Nagy, László, ▼d 1895-1946 ▼v Exhibitions. |
| 610 | 2 0 | ▼a Bauhaus ▼v Exhibitions. |
| 650 | 0 | ▼a Modernism (Art) ▼v Exhibitions. |
| 700 | 1 | ▼a Borchardt-Hume, Achim. |
| 710 | 2 | ▼a Tate Modern (Gallery). |
| 710 | 2 | ▼a Kunsthalle Bielefeld. |
| 710 | 2 | ▼a Whitney Museum of American Art. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 과학도서관/Sci-Info(2층서고)/ | 청구기호 709.22 A332 | 등록번호 121242222 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This beautifully illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s greatest innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America.
Spanning four decades and featuring works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design, Albers and Moholy-Nagy reveals for the first time the range of achievement of these two important figures and is essential to our understanding of the evolution of Modernism.
Spanning four decades and featuring works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design, Albers and Moholy-Nagy reveals for the first time the range of achievement of these two important figures and is essential to our understanding of the evolution of Modernism.
정보제공 :
목차
From the Bauhaus: Plates 9 Two Bauhaus Histories Achim Borchardt-Hume; 66 Mechano-Facture: Dada/Constructivism and the Bauhaus Michael White; 79 Laszlo Moholy-Nagy: The Transitional Years Terence A. Senter; 85 The Bauhaus Idea in America Hal Foster; 92 ''I Want the Eyes to Open'': Josef Albers in the New World Nicholas Fox Weber; 103 Laszlo Moholy-Nagy: Transnational Hattula Moholy-Nagy; 111 To the New World: Plates 117 Artists'' Writings Josef Albers; Laszlo Moholy-Nagy; 154 Chronology 163 Footnotes 170 Selected Bibliography 176 List of Exhibited Works 179 Index 188