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Country soul [electronic resource] : making music and making race in the American South

Country soul [electronic resource] : making music and making race in the American South

자료유형
E-Book(소장)
개인저자
Hughes, Charles L.
서명 / 저자사항
Country soul [electronic resource] : making music and making race in the American South / Charles L. Hughes.
발행사항
Chapel Hill :   University of North Carolina Press,   c2015.  
형태사항
1 online resource (xii, 264 p.) : ill.
ISBN
9781469623245(electronic bk.) 1469623242(electronic bk.)
요약
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama—what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.   Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
일반주기
Title from e-Book title page.  
내용주기
Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle.
서지주기
Includes bibliographical references and index.
이용가능한 다른형태자료
Issued also as a book.  
일반주제명
Popular music --Alabama --Muscle Shoals --1961-1970 --History and criticism. Popular music --Tennessee --Memphis --1961-1970 --History and criticism. Popular music --Tennessee --Nashville --1961-1970 --History and criticism. Popular music --Alabama --Muscle Shoals --1971-1980 --History and criticism. Popular music --Tennessee --Memphis --1971-1980 --History and criticism. Popular music --Tennessee --Nashville --1971-1980 --History and criticism. Soul music --Alabama --Muscle Shoals --History and criticism. Soul music --Tennessee --Memphis --History and criticism. Country music --Tennessee --Nashville --History and criticism. Music and race --Southern States.
주제명(지명)
Muscle Shoals (Ala.) --Music --20th century --History and criticism.
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URL
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100 1 ▼a Hughes, Charles L.
245 1 0 ▼a Country soul ▼h [electronic resource] : ▼b making music and making race in the American South / ▼c Charles L. Hughes.
260 ▼a Chapel Hill : ▼b University of North Carolina Press, ▼c c2015.
300 ▼a 1 online resource (xii, 264 p.) : ▼b ill.
500 ▼a Title from e-Book title page.
504 ▼a Includes bibliographical references and index.
505 0 ▼a Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle.
520 ▼a In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama—what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.   Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
530 ▼a Issued also as a book.
538 ▼a Mode of access: World Wide Web.
650 0 ▼a Popular music ▼z Alabama ▼z Muscle Shoals ▼y 1961-1970 ▼x History and criticism.
650 0 ▼a Popular music ▼z Tennessee ▼z Memphis ▼y 1961-1970 ▼x History and criticism.
650 0 ▼a Popular music ▼z Tennessee ▼z Nashville ▼y 1961-1970 ▼x History and criticism.
650 0 ▼a Popular music ▼z Alabama ▼z Muscle Shoals ▼y 1971-1980 ▼x History and criticism.
650 0 ▼a Popular music ▼z Tennessee ▼z Memphis ▼y 1971-1980 ▼x History and criticism.
650 0 ▼a Popular music ▼z Tennessee ▼z Nashville ▼y 1971-1980 ▼x History and criticism.
650 0 ▼a Soul music ▼z Alabama ▼z Muscle Shoals ▼x History and criticism.
650 0 ▼a Soul music ▼z Tennessee ▼z Memphis ▼x History and criticism.
650 0 ▼a Country music ▼z Tennessee ▼z Nashville ▼x History and criticism.
650 0 ▼a Music and race ▼z Southern States.
651 0 ▼a Muscle Shoals (Ala.) ▼x Music ▼y 20th century ▼x History and criticism.
651 0 ▼a Alabama ▼x Music ▼y 20th century ▼x History and criticism.
651 0 ▼a Memphis (Tenn.) ▼x Music ▼y 20th century ▼x History and criticism.
651 0 ▼a Tennessee ▼x Music ▼y 20th century ▼x History and criticism.
651 0 ▼a Nashville (Tenn.) ▼x Music ▼y 20th century ▼x History and criticism.
856 4 0 ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=965058
945 ▼a KLPA
991 ▼a E-Book(소장)

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/e-Book 컬렉션/ 청구기호 CR 781.642089 등록번호 E14004534 도서상태 대출불가(열람가능) 반납예정일 예약 서비스 M

컨텐츠정보

목차

Introduction. There''s a redneck in the soul band
We only had this one thing in common : we liked all types of music : Arthur Alexander, FAME studios, and the birth of the country-soul triangle
I got what I got the hard way : the music and mythology of the Memphis sound
Selling soul : black music and black power in Memphis
Take the white music and make it sound black : how the Muscle Shoals sound became white
Pride and prejudice : race and country music in the era of backlash
The south''s gonna do it again : the racial politics of the new southern music of the 1970s
Disco and down home blues : country and soul at the end of the 1970s
Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle.

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