| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045980910 | |
| 005 | 20190418141757 | |
| 006 | m d | |
| 007 | cr | |
| 008 | 190416s2016 maua ob 001 0 eng d | |
| 019 | ▼a 957683623 | |
| 020 | ▼a 9780262335447 (electronic bk.) | |
| 020 | ▼a 0262335441 (electronic bk.) | |
| 020 | ▼a 9780262034852 | |
| 020 | ▼a 0262034859 | |
| 035 | ▼a (OCoLC)957590578 ▼z (OCoLC)957683623 | |
| 040 | ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d P@U ▼d IDEBK ▼d EBLCP ▼d YDX ▼d 211009 | |
| 050 | 0 0 | ▼a ML3836 |
| 082 | 0 0 | ▼a 781.4/2 ▼2 23 |
| 084 | ▼a 781.42 ▼2 DDCK | |
| 090 | ▼a 781.42 | |
| 100 | 1 | ▼a Huron, David Brian. |
| 245 | 1 0 | ▼a Voice leading ▼h [electronic resource] : ▼b the science behind the musical art / ▼c David Huron. |
| 260 | ▼a Cambridge, MA : ▼b MIT Press, ▼c c2016. | |
| 300 | ▼a 1 online resource (viii, 263 p.) : ▼b ill. | |
| 500 | ▼a Title from e-Book title page. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Preface; 1 Introduction; Plan; 2 The Canon; Rules of Voice Leading Reviewed; 3 Sources and Images; Hearing; The Packaging of Partials; Localization Cues; The Pleasures of Stereo; The Theater of the Mind; Auditory Streams; The Pleasures of Puzzle Solving; Reprise; 4 Principles of Image Formation; Harmonicity; Harmonic Fusion; Toneness; Reprise; 5 Auditory Masking; More about Masking; Auditory Irritation; Consonance; Reprise; 6 Connecting the Dots; Continuity; Pitch Proximity; Melodic Motion: The Yodel Boundary; Pitch Co-Modulation; Reprise; 7 Preference Rules |
| 505 | 8 | ▼a Preference Rules from Multiple PrinciplesReprise; 8 Types of Part-Writing; Onset Synchrony; Why Does Homophony Exist?; Yet More Preference Rules; Scene Density; Timbre; Source Location; Reprise; 9 Embellishing Tones; Turn Taking; Reprise; 10 The Feeling of Leading; Time's Arrow; Going Somewhere: Voice Leading; Imitative Part-Writing; Pause; Reprise; 11 Chordal-Tone Doubling; Reprise; 12 Direct Intervals Revisited; The Muddled Middle; Reprise; 13 Hierarchical Streams; The Harmonic Forest; Reprise; 14 Scene Setting; Acousmatic Scenes; Designing Musical Scenes; Why the Baroque Canon?; Reprise |
| 505 | 8 | ▼a 15 The Cultural ConnectionThe Sound of Speech; Language and Closure; A Lesson; Reprise; 16 Ear Teasers; Musical Scene Analysis; Plural Pleasures: Accommodating Multiple Goals; Reprise; 17 Conclusion; Pleasure; Setting Scenes; A Revised Voice-Leading Canon; Performance Considerations; Coda; Afterword; Acknowledgments; Notes; 1 Introduction; 2 The Canon; 3 Sources and Images; 4 Principles of Image Formation; 5 Auditory Masking; 6 Connecting the Dots; 7 Preference Rules; 8 Types of Part-Writing; 9 Embellishing Tones; 10 The Feeling of Leading; 11 Chordal-Tone Doubling |
| 505 | 8 | ▼a 12 Direct Intervals Revisited13 Hierarchical Streams; 14 Scene Setting; 15 The Cultural Connection; 16 Ear Teasers; 17 Conclusion; Afterword; References; Index |
| 520 | ▼a An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. | |
| 530 | ▼a Issued also as a book. | |
| 538 | ▼a Mode of access: World Wide Web. | |
| 650 | 0 | ▼a Harmony. |
| 650 | 0 | ▼a Music ▼x Psychological aspects. |
| 650 | 0 | ▼a Musical perception. |
| 856 | 4 0 | ▼3 EBSCOhost ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1344315 |
| 945 | ▼a KLPA | |
| 991 | ▼a E-Book(소장) |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 781.42 | 등록번호 E14011596 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
목차
Contents; Preface; 1 Introduction; Plan; 2 The Canon; Rules of Voice Leading Reviewed; 3 Sources and Images; Hearing; The Packaging of Partials; Localization Cues; The Pleasures of Stereo; The Theater of the Mind; Auditory Streams; The Pleasures of Puzzle Solving; Reprise; 4 Principles of Image Formation; Harmonicity; Harmonic Fusion; Toneness; Reprise; 5 Auditory Masking; More about Masking; Auditory Irritation; Consonance; Reprise; 6 Connecting the Dots; Continuity; Pitch Proximity; Melodic Motion: The Yodel Boundary; Pitch Co-Modulation; Reprise; 7 Preference Rules Preference Rules from Multiple PrinciplesReprise; 8 Types of Part-Writing; Onset Synchrony; Why Does Homophony Exist?; Yet More Preference Rules; Scene Density; Timbre; Source Location; Reprise; 9 Embellishing Tones; Turn Taking; Reprise; 10 The Feeling of Leading; Time''s Arrow; Going Somewhere: Voice Leading; Imitative Part-Writing; Pause; Reprise; 11 Chordal-Tone Doubling; Reprise; 12 Direct Intervals Revisited; The Muddled Middle; Reprise; 13 Hierarchical Streams; The Harmonic Forest; Reprise; 14 Scene Setting; Acousmatic Scenes; Designing Musical Scenes; Why the Baroque Canon?; Reprise 15 The Cultural ConnectionThe Sound of Speech; Language and Closure; A Lesson; Reprise; 16 Ear Teasers; Musical Scene Analysis; Plural Pleasures: Accommodating Multiple Goals; Reprise; 17 Conclusion; Pleasure; Setting Scenes; A Revised Voice-Leading Canon; Performance Considerations; Coda; Afterword; Acknowledgments; Notes; 1 Introduction; 2 The Canon; 3 Sources and Images; 4 Principles of Image Formation; 5 Auditory Masking; 6 Connecting the Dots; 7 Preference Rules; 8 Types of Part-Writing; 9 Embellishing Tones; 10 The Feeling of Leading; 11 Chordal-Tone Doubling 12 Direct Intervals Revisited13 Hierarchical Streams; 14 Scene Setting; 15 The Cultural Connection; 16 Ear Teasers; 17 Conclusion; Afterword; References; Index