| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000046008511 | |
| 005 | 20191210094240 | |
| 008 | 191206s2009 enk b 001 0 eng d | |
| 010 | ▼a 2008018656 | |
| 020 | ▼a 0415396018 (hbk) | |
| 020 | ▼a 0203888677 (ebk) | |
| 020 | ▼a 9780415396011 (hbk) | |
| 020 | ▼a 9780203888674 (ebk) | |
| 020 | ▼a 9780415884013 (pbk) | |
| 035 | ▼a (KERIS)REF000015735799 | |
| 040 | ▼a DLC ▼c DLC ▼d BTCTA ▼d C#P ▼d BWX ▼d CDX ▼d YDXCP ▼d BWK ▼d DLC ▼d 211009 | |
| 043 | ▼a e-uk--- | |
| 050 | 0 0 | ▼a PR756.W6 ▼b B73 2009 |
| 082 | 0 4 | ▼a 823/.5099287 ▼2 23 |
| 084 | ▼a 823.5099287 ▼2 DDCK | |
| 090 | ▼a 823.5099287 ▼b B827f | |
| 100 | 1 | ▼a Bray, Joe. |
| 245 | 1 4 | ▼a The female reader in the English novel : ▼b from Burney to Austen / ▼c Joe Bray. |
| 260 | ▼a Abingdonm, Oxon : ▼b Routledge, ▼c 2009. | |
| 300 | ▼a viii, 200 p. ; ▼c 24 cm. | |
| 490 | 1 | ▼a Routledge studies in eighteenth-century literature ; ▼v 5 |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Introduction: texts, bodies, readers -- "The easy communication of sentiments": Frances Burney, Charlotte Smith and the complications of sympathy -- "Reading responsive emotions": memoirs of Emma Courtney and memoirs of modern philosophers -- Elizabeth Inchbald: "reading as a critic, or rather as an author" -- Comparing "likeness" with "likeness": Belinda and the portrait -- "absorbed attention": Catherine Morland, Anne Elliot and Fanny Price. |
| 650 | 0 | ▼a English prose literature ▼y 18th century ▼x History and criticism. |
| 650 | 0 | ▼a Women ▼x Books and reading ▼z Great Britain ▼x History ▼y 18th century. |
| 650 | 0 | ▼a English prose literature ▼y 19th century ▼x History and criticism. |
| 650 | 0 | ▼a Women ▼x Books and reading ▼z Great Britain ▼x History ▼y 19th century. |
| 650 | 0 | ▼a Women and literature ▼z Great Britain ▼x History ▼y 18th century. |
| 650 | 0 | ▼a Women and literature ▼z Great Britain ▼x History ▼y 19th century. |
| 650 | 0 | ▼a Authors and readers ▼z Great Britain ▼x History ▼y 18th century. |
| 650 | 0 | ▼a Authors and readers ▼z Great Britain ▼x History ▼y 19th century. |
| 650 | 0 | ▼a Literature and society ▼z Great Britain ▼x History ▼y 18th century. |
| 650 | 0 | ▼a Literature and society ▼z Great Britain ▼x History ▼y 19th century. |
| 830 | 0 | ▼a Routledge studies in eighteenth-century literature ; ▼v 5. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 823.5099287 B827f | 등록번호 111819994 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This book examines how reading is represented within the novels of the late eighteenth and early nineteenth century. Contemporary accounts portrayed the female reader in particular as passive and impressionable; liable to identify dangerously with the world of her reading. This study shows that female characters are often active and critical readers, and develop a range of strategies for reading both texts and the world around them. The novels of Frances Burney, Charlotte Smith, Mary Hays, Elizabeth Inchbald, Maria Edgeworth and Jane Austen (among others) reveal a diversity of reading practices, as how the heroine reads is often more important than what she reads. The book combines close stylistic analysis with a consideration of broader intellectual debates of the period, including changing attitudes towards sympathy, physiognomy and portraiture.
In the second half of the eighteenth century the female reader was a frequent topic of cultural debate and moral concern. This book examines the variety of ways in which women ‘read’ the social world in the late eighteenth and early nineteenth-century novel.
정보제공 :
목차
Introduction: Texts, Bodies, Readers Chapter 1: ''The Easy Communication of Sentiments'': Frances Burney, Charlotte Smith and the Complications of Sympathy Chapter 2: ''Reading Responsive Emotions'': Memoirs of Emma Courtney and Memoirs of Modern Philosophers Chapter 3: Elizabeth Inchbald: ''Reading as a Critic, or Rather as an Author'' Chapter 4: Comparing ''Likeness'' with ''Likeness'': Belinda and the Portrait Chapter 5: ''Absorbed Attention'': Catherine Morland, Anne Elliot and Fanny Price Conclusion