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| 001 | 000046108989 | |
| 005 | 20220307111912 | |
| 008 | 220302s2013 ncua b 001 0 eng c | |
| 010 | ▼a 2013005282 | |
| 020 | ▼a 9780822353799 (cloth : alk. paper) | |
| 020 | ▼a 0822353792 (cloth : alk. paper) | |
| 020 | ▼a 9780822353928 (pbk. : alk. paper) | |
| 020 | ▼a 082235392X (pbk. : alk. paper) | |
| 035 | ▼a (KERIS)REF000017052547 | |
| 040 | ▼a NcD/DLC ▼b eng ▼c NcD ▼e rda ▼d DLC ▼d 211009 | |
| 042 | ▼a pcc | |
| 043 | ▼a a-ja--- ▼a n-us--- | |
| 050 | 0 0 | ▼a ML3534.6.J3 ▼b N68 2013 |
| 082 | 0 0 | ▼a 781.630952 ▼2 23 |
| 084 | ▼a 781.630952 ▼2 DDCK | |
| 090 | ▼a 781.630952 ▼b N935j | |
| 100 | 1 | ▼a Novak, David, ▼d 1969-. |
| 245 | 1 0 | ▼a Japanoise : ▼b music at the edge of circulation / ▼c David Novak. |
| 260 | ▼a Durham : ▼b Duke University Press, ▼c 2013. | |
| 264 | 1 | ▼a Durham : ▼b Duke University Press, ▼c 2013. |
| 300 | ▼a x, 292 p. : ▼b ill. ; ▼c 25 cm. | |
| 336 | ▼a text ▼2 rdacontent | |
| 337 | ▼a unmediated ▼2 rdamedia | |
| 338 | ▼a volume ▼2 rdacarrier | |
| 490 | 1 | ▼a Sign, storage, transmission |
| 504 | ▼a Includes bibliographical references (p. 259-278) and index. | |
| 505 | 0 | ▼a Scenes of liveness and deadness -- Sonic maps of the Japanese underground -- Listening to Noise in Kansai -- Genre Noise -- Feedback, subjectivity, and performance -- Japanoise and technoculture -- The future of cassette culture. |
| 650 | 0 | ▼a Noise music ▼z Japan ▼x History and criticism. |
| 651 | 0 | ▼a Japan ▼x Relations ▼z United States. |
| 651 | 0 | ▼a United States ▼x Relations ▼z Japan. |
| 830 | 0 | ▼a Sign, storage, transmission. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.630952 N935j | 등록번호 111859840 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.
For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?
In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback--its sonic and cultural layers and vibrations--Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.
정보제공 :
저자소개
데이비드 노박(지은이)
피자헛, KFC, 타코벨의 모기업인 ‘얌브랜드’의 회장 겸 CEO다. 1988년 펩시코의 마케팅 팀장으로 시작하여 12년간 피자헛, KFC, 타코벨 등 3개사 사장을 역임했다. 2000년 47세의 젊은 나이에 얌브랜드의 CEO 자리에 올라, 사람을 먼저 생각하는 인간적인 경영철학으로 매출 부진의 위기에 빠진 회사를 흑자로 반전시켰다. <포춘Fortune>이 선정한 ‘최고의 기업가’, <하버드 비즈니스 리뷰Harvard Business Review>가 선정한 ‘세계에서 가장 실적이 탁월한 100대 경영인’, <인스티튜셔널 인베스터Institutional Invester>가 선정한 ‘최고의 CEO’, <배런스Barron’s>이 선정한 ‘최고의 글로벌 CEO’, <치프 이그제큐티브Chief Executive>가 선정한 ‘올해의 CEO’에 이름을 올리는 등 그의 경영 능력은 전 세계적으로 인정받고 있다. ‘투자의 귀재’ 워렌 버핏은 “미식축구 선수를 스카우트하듯 CEO를 뽑는다면 노박이 1순위다. 그에게 버크셔 해서웨이의 경영을 맡기고 싶다!”라고 극찬했다.
목차
Acknowledgments vii Introduction 1 1. Scenes of Liveness and Deadness 28 2. Sonic Maps of the Japanese Underground 64 3. Listening to Noise in Kansai 92 4. Genre Noise 117 5. Feedback, Subjectivity, and Performance 139 6. Japanoise and Technoculture 169 7. The Future of Cassette Culture 198 Epilogue: A Strange History 227 Notes 235 References 259 Index 279