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| 001 | 000046165431 | |
| 005 | 20231221152536 | |
| 008 | 231124s2022 ilua b 001 0 eng | |
| 010 | ▼a 2021041556 | |
| 020 | ▼a 9780226816494 ▼q (cloth) | |
| 020 | ▼a 9780226816500 ▼q (paperback) | |
| 020 | ▼a 0226816508 ▼q (paperback) | |
| 020 | ▼z 9780226816517 ▼q (ebook) | |
| 035 | ▼a (KERIS)REF000019739049 | |
| 040 | ▼a ICU/DLC ▼b eng ▼e rda ▼c DLC ▼d 211009 | |
| 042 | ▼a pcc | |
| 050 | 0 0 | ▼a PR408.S845 ▼b D36 2022 |
| 082 | 0 0 | ▼a 820.9/3548 ▼2 23 |
| 084 | ▼a 820.93548 ▼2 DDCK | |
| 090 | ▼a 820.93548 ▼b D184j | |
| 100 | 1 | ▼a Daniel, Drew, ▼d 1971-. |
| 245 | 1 0 | ▼a Joy of the worm : ▼b suicide and pleasure in early modern English literature / ▼c Drew Daniel. |
| 260 | ▼a Chicago : ▼b University of Chicago Press, ▼c 2022. | |
| 264 | 1 | ▼a Chicago : ▼b University of Chicago Press, ▼c 2022. |
| 300 | ▼a 279 p. : ▼b ill. ; ▼c 23 cm. | |
| 336 | ▼a text ▼b txt ▼2 rdacontent | |
| 337 | ▼a unmediated ▼b n ▼2 rdamedia | |
| 338 | ▼a volume ▼b nc ▼2 rdacarrier | |
| 490 | 1 | ▼a Thinking literature |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Introduction: Renaissance self-finishing -- Failed seriousness in the old Arcadia and Gallathea -- Slapstick and synapothanumenon in Antony and Cleopatra -- Trolling decorum in Hamlet and Timon of Athens -- The Open window in Biathanatos -- Inventing suicide in Religio Medici -- A cartoon about suicide prevention in Paradise Lost -- Smiling at daggers in Cato, a Tragedy -- Epilogue. |
| 520 | ▼a "Voluntary death in literature is not always a matter of tragedy. Drew Daniel identifies a surprisingly common aesthetic attitude that he calls "the joy of the worm," after Cleopatra's embrace of the deadly asp in Shakespeare's play-a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between "self-killing" and "suicide." Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of early modern literary scenes and passages, dating from 1534 to 1713, that complicates this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. The "joy of the worm" emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate "trolling," but can also underwrite powerful feelings of belonging, devotion, and love"--Provided by publisher. | |
| 650 | 0 | ▼a English literature ▼y Early modern, 1500-1700 ▼x History and criticism. |
| 650 | 0 | ▼a Suicide in literature. |
| 830 | 0 | ▼a Thinking literature. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 820.93548 D184j | 등록번호 111889245 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy.
In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls "joy of the worm," after Cleopatra's embrace of the deadly asp in Shakespeare's play--a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between "self-killing" and "suicide." Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. "Joy of the worm" emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate "trolling," but can also underwrite powerful feelings of belonging, devotion, and love.정보제공 :
목차
Introduction: Renaissance Self-Finishing Chapter 1 Failed Seriousness in the Old Arcadia and Gallathea Chapter 2 Slapstick and Synapothanumenon in Antony and Cleopatra Chapter 3 Trolling Decorum in Hamlet and Timon of Athens Chapter 4 The Open Window in Biathanatos Interlude Inventing Suicide in Religio Medici Chapter 5 A Cartoon about Suicide Prevention in Paradise Lost Chapter 6 Smiling at Daggers in Cato, a Tragedy Epilogue Acknowledgments Notes Index