| 000 | 01113camuu2200265 a 4500 | |
| 001 | 000000638777 | |
| 005 | 19990629143449 | |
| 008 | 911003s1992 ilu b 001 0 eng | |
| 010 | ▼a 91037919 /MN | |
| 020 | ▼a 0226568423 (cloth : alk. paper) | |
| 040 | ▼a DLC ▼c DLC ▼d UKM ▼d CSJ | |
| 049 | ▼l 111129739 | |
| 050 | 0 0 | ▼a ML3834 ▼b .N39 1992 |
| 082 | 0 0 | ▼a 781.2/4111 ▼2 20 |
| 090 | ▼a 781.24111 ▼b N231a | |
| 100 | 1 | ▼a Narmour, Eugene , ▼d 1939-. |
| 245 | 1 4 | ▼a The analysis and cognition of melodic complexity: ▼b the implication-realization model / ▼c Eugene Narmour. |
| 260 | ▼a Chicago : ▼b University of Chicago Press , ▼c 1992. | |
| 300 | ▼a xii, 431 p. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 397-400) and indexes. | |
| 505 | 0 | ▼a The basic theory of melodic implication and realization -- Part 1. Combinational structures of contrasting parentage -- Part 2. Combinational structures of similar parentage -- Part 3. Structural chaining -- Part 4. Networks -- Part 5. Conclusion |
| 650 | 0 | ▼a Melodic analysis. |
| 650 | 0 | ▼a Music ▼x Psychology. |
| 653 | 0 | ▼a Melody |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.24111 N231a | 등록번호 111129739 (4회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
In this work, Eugene Narmour continues to develop the unique theories of musical perception and cognition first set forth in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research.
Narmour explains the cognitive operations by which listeners assimilate and ultimately encode complex melodic structures, and goes on to show how sixteen melodic archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways.
Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. Illustrated with over 250 musical examples, The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.
Narmour explains the cognitive operations by which listeners assimilate and ultimately encode complex melodic structures, and goes on to show how sixteen melodic archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways.
Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. Illustrated with over 250 musical examples, The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.
정보제공 :
목차
CONTENTS Preface = ⅸ 1 The Basic Theory of Melodic Implication and Realization = 1 PART 1 COMBINATIONAL STRUCTURES OF CONTRASTING PARENTAGE List of Most Common Symbols = 44 2 Combinational Structures : Process Reversed ［PR］, Process Registrally Reversed ［PVR］, Duplication Registrally Reversed ［DVR］, and Process Intervallically Reversed ［PIR］ = 45 3 Combinational Structures : Closural Reversal of Intervallic Process ［IPR, IPVR, IPIR］, Intervallic Duplication ［IDR, IDVR, IDIR］, and Registral Process ［VPR, VPVR, VPIR］ = 71 4 Combinational Structures : Various Reversals Joined to Various Processes and Various Duplications ［RP, RVP, RIP, RD, RID ； IRP, IRVP, IRIP, IRID ； VRP, VRIP, VRID］ = 92 PART 2 COMBINATIONAL STRUCTURES OF SIMILAR PARENTAGE 5 Process and Duplication Combined with Intervallic Duplication and Intervallic Process ［PID, PIP, IPID, IDIP, DIP, VPID, VPIP］ = 117 6 Intervallic Process and Intervallic Duplication Combined with Process and Registral Process ［IPP, IDP, IPVP, IDVP］ ； Process Combined with Registral Process ［PVP, VPP］ ； Intervallic Process Combined with Itself ［IPIP］ = 141 7 Same－Parentage Combinations of Reversal, Intervallic Reversal, and Registral Reversal ［VRR, RVR, VRIR, IRVR, RIR, IRR ； RR, IRIR, VRVR］ = 160 PART 3 STRUCTURAL CHAINING 8 Chains Mixing Structures of Varying Parentage （Part 1） = 177 9 Chains Mixing Structures of Varying Parentage （Part 2） = 190 10 The Theory of Melodic Chaining : Noncongruence between Dissonance ［⒳, X, ⓧ］ and Meter （b） = 202 PART 4 NETWORKS 11 Structural Networking : Articulative （ar）, Formarional （fm）, and Transformational Dissonance in Melody = 231 12 Delayed Realization : The Time Tag of Implied Continuation ［PT］ = 256 PART 5 CONCLUSION 13 Some Aspects of Melodic Grouping = 293 14 The Values, Limitations, and Techniques of Encoding Low－Level Cognitive Structures in Melody = 330 Appendix 1 : The General Hypothetical Theoretical Rules = 361 Appendix 2 : Glossary of Symbols = 370 Appendix 3 : Examples from Early Music = 379 Appendix 4 : Examples from Other Cultures = 386 Appendix 5 : Catalog of Archetypes and Combinational Structures = 390 References = 397 Index of Musical Examples = 401 General Index = 409