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Apply media & techniques to fit any design task Architectural Representation Handbook Traditional and Digital Techniques for Graphic Communication Thanks to the impact of computer graphics on architecture, there are more architectural representation techniques, conventions, and styles than ever. Luckily, the Architectural Representation Handbook helps you make sense of it all. Not only does it give you a solid overview of these tools, but, just as importantly, it guides you toward the tools that will work best for any phase of your project. In this groundbreaking book, architect, designer, and prominent educator Paul Laseau covers the entire scope of architectural representation--traditional, new media, hybrid, and emerging--and their roles in design. The Architectural Representation Handbook brings showcase examples of representation into specific design contexts, giving architects, designers, and others a real sense of their variety, subtlety, and usefulness as tools for navigating the full spectrum of architecture. In one complete volume, you’ll find a representation of the dimensions of architecture through a rich array of conventions and techniques from the conceptual to the perceptual, the concrete to the abstract, the personal to the public, the subjective to the objective. You’ll also discover an extensive set of illustrations, organized in relation to the design activities of seeing, thinking, and communication--a “vocabulary” of architectural drawing. To maximize the potential of representation tools and techniques for your next design job, go with your best option of all: the Architectural Representation Handbook. ENDORSEMENTS FROM LEADING-EDGE FIRMS "I am enthusiastic about the book. It is innovative to tie representation so intimately and so rigorously to design thinking. It has instant credibility because Paul wrote it." Tim White, FAMU "The strength of this book is that it approaches drawing from the viewpoint of its role in the design process--and also address the reader's natural inclination to look for useful and specific techniques." Frank Ching, author of Design Drawing and Architecture: Form, Space, and Order

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CONTENTS

PREFACE = ⅶ

1. REPRESENTATION IN DESIGN = 1

 Representation as Seeing = 4

 Representation as Thinking = 8

 Representation as Communication = 10

 Representation Dimensions = 12

 The Future of Representation = 23

REPRESENTATION AS SEEING = 25

2. CONVENTIONS = 27

 Orthographic Projections = 28

 Paraline Projections = 42

 Perspective Projections = 47

3. VIEW SELECTION = 63

 Eye­Level View = 65

 Aerial View = 66

 Worm's­Eye View = 69

 Distortion = 70

 View Framing = 72

 Vignettes = 75

 View Combinations = 76

 Composite and Simultaneous Views = 80

REPRESENTATION AS THINKING = 85

4. MODELING = 87

 Massing = 88

 Context = 90

 Light = 92

 Atmosphere = 100

 Contrast = 102

5. EDITING = 107

 Negative Space = 111

 Selection = 112

 Transparency = 114

 Skeleton = 116

 Disassemblies = 118

 Explodametrics = 120

6. DIAGRAMMING = 123

 Abstraction = 125

 Symbols = 126

 Relationships = 130

 Classification／Hierarchy = 132

 Dynamics／Movement = 134

 Change／Transformation = 136

 Process = 138

REPRESENTATION AS COMMUNICATION = 141

7. MEDIA = 143

 Mountes Presentations = 144

 Slide Presentations = 148

 Computer Graphics = 150

 Video = 154

 Instruments = 156

 Electronic Instruments = 158

8. VOCABULARY = 163

 Scale = 163

 Format = 164

 Definition = 166

 Identity = 168

 Attitude = 170

 Mood = 172

 Style = 174

 Color = 177

 Symbolic Color = 185

9. EXPLORATIONS = 187

 Arrangements = 190

 Glide Perspective = 192

 Split Projection = 194

 Reverse Perspective = 196

 Montage and Other Combinations = 198

REPRESENTATION CASE STUDIES = 203

10. RESEARCH = 205

11. DESIGN = 233

12. COMMUNICATION = 255

CONCLUSION = 285

BIBLIOGRAPHY = 286

INDEX = 292