| 000 | 01174camuu2200313 a 4500 | |
| 001 | 000045656375 | |
| 005 | 20110711101721 | |
| 008 | 110711s1992 maua b 001 0 eng d | |
| 010 | ▼a 92001165 | |
| 020 | ▼a 0262082128 (hb.) | |
| 020 | ▼a 0262581418 (pbk.) | |
| 035 | ▼a (KERIS)REF000014109329 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 043 | ▼a e-gx--- | |
| 050 | 0 0 | ▼a NA1353.M4 ▼b H39 1992 |
| 082 | 0 0 | ▼a 720/.92 ▼2 22 |
| 084 | ▼a 720.92 ▼2 DDCK | |
| 090 | ▼a 720.92 ▼b H425m | |
| 100 | 1 | ▼a Hays, K. Michael. |
| 245 | 1 0 | ▼a Modernism and the posthumanist subject : ▼b the architecture of Hannes Meyer and Ludwig Hilberseimer / ▼c K. Michael Hays. |
| 260 | ▼a Cambridge, Mass. : ▼b MIT Press, ▼c c1992. | |
| 300 | ▼a 336 p. : ▼b ill. ; ▼c 24 cm. | |
| 500 | ▼a Based on the author's thesis (doctoral--Massachusetts Institute of Technology) | |
| 504 | ▼a Includes bibliographical references (p. [290]-329) and index. | |
| 600 | 1 0 | ▼a Meyer, Hannes, ▼d 1889-1954 ▼x Criticism and interpretation. |
| 600 | 1 0 | ▼a Hilberseimer, Ludwig ▼x Criticism and interpretation. |
| 650 | 0 | ▼a Functionalism (Architecture) ▼z Germany. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 과학도서관/Sci-Info(2층서고)/ | 청구기호 720.92 H425m | 등록번호 121211101 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Drawing on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, K. Michael Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously articulated "posthumanist" position was actually developed in the modernist architecture of Hannes Meyer and Ludwig Hilberseimer. He reinterprets their buildings, projects, and writings as constructions of this new category of subjectivity.Posthumanism is an aesthetic and epistemological response to technological modernization. It embraces the antiindividualist consequences of technological progress and, in the case of Hannes Meyer, attempts to turn the perceptual effects of modernity to explicitly collectivist sociopolitical ends. As the case of Hilberseimer shows, posthumanism also harbors a contradiction--the ecstatic surrender of the subject to the very forces that assure its dissolution.Situating his analysis within the wider domain of artistic practices and the history of the subject--as well as in relation to architects such as Adolf Loos, Mies van der Rohe, Walter Gropius, and Le Corbusier--Hays examines the ideological underpinnings of urban and architectural projects long rejected as antihumanist.
정보제공 :
목차
CONTENTS acknowledgments = ⅸ introduction = 3 hannes meyer and the radicalization of perception = 23 Co-op Vitrine and the Representation of Mass Production = 25 Contra the Bourgeois Interior: Co-op Zimmer = 55 Co-op Building between Avant-garde and Instrumentalization: The Petersschule = 83 The Bauhaus and the Radicalization of Building = 121 reproduction and negation: the cognitive project of neue sachlichkeit = 149 ludwig hilberseimer and the inscription of the paranoid subject = 185 The Crisis of Humanism, the Dissolution of the Object = 187 Hope beyond Chaos: Expressionism and Dadaism = 213 Groszstadtarchitektur and Weimar-stimmung: The Construction of the Paranoid Subject = 241 conclusion: posthumanism and postmodernism = 279 notes = 290 illustration credits = 330 index = 332