| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045823566 | |
| 005 | 20251125150341 | |
| 008 | 150212s2015 nyu b 001 0 eng d | |
| 010 | ▼a 2014034066 | |
| 020 | ▼a 9781107083882 (hardback) | |
| 020 | ▼a 9781107445741 (ppperback) | |
| 035 | ▼a (KERIS)REF000017531583 | |
| 040 | ▼a DLC ▼b eng ▼c DLC ▼d 211009 ▼e rda | |
| 043 | ▼a e-uk--- | |
| 050 | 0 0 | ▼a PR888.M63 ▼b J69 2014 |
| 082 | 0 0 | ▼a 823/.9109112 ▼2 23 |
| 084 | ▼a 823.9109112 ▼2 DDCK | |
| 090 | ▼a 823.9109112 ▼b J89m | |
| 100 | 1 | ▼a Joyce, Simon, ▼d 1963- ▼0 AUTH(211009)176508. |
| 245 | 1 0 | ▼a Modernism and naturalism in British and Irish fiction, 1880-1930 / ▼c Simon Joyce. |
| 260 | ▼a New York : ▼b Cambridge University Press, ▼c 2015. | |
| 300 | ▼a viii, 216 p. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 190-210) and index. | |
| 520 | ▼a "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton"-- ▼c Provided by publisher. | |
| 650 | 0 | ▼a Modernism (Literature) ▼z Great Britain. |
| 650 | 0 | ▼a English fiction ▼x History and criticism. |
| 650 | 0 | ▼a English fiction ▼x Irish authors ▼x History and criticism. |
| 650 | 0 | ▼a Naturalism in literature. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 823.9109112 J89m | 등록번호 111731147 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf, but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton.
Through studies of individual writers, this book reveals the inextricable connection between naturalism and literary modernism.
정보제공 :
목차
1. How Zola crossed (and didn't cross) the English Channel; 2. Portraits and artists: impressionism and naturalism; 3. A naturalism for Ireland; 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel; 5. The voice of witlessness: Virginia Woolf and the poor.
정보제공 :