| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045836433 | |
| 005 | 20150618151732 | |
| 008 | 150617s2009 nyua 000 0 eng d | |
| 015 | ▼a GBA961434 ▼2 bnb | |
| 020 | ▼a 9780061714573 (hbk.) | |
| 020 | ▼a 0061714577 (hbk.) | |
| 035 | ▼a (KERIS)REF000016898995 | |
| 040 | ▼a UKM ▼c UKM ▼d BTCTA ▼d YDXCP ▼d UVV ▼d TXA ▼d IOG ▼d BDX ▼d UKBOL ▼d 211009 | |
| 050 | 4 | ▼a TR679 ▼b .K565 2009 |
| 082 | 0 4 | ▼a 779.974692092 ▼2 23 |
| 084 | ▼a 779.974692 ▼2 DDCK | |
| 090 | ▼a 779.974692 ▼b K71n | |
| 100 | 1 | ▼a Knight, Nick, ▼d 1958-. |
| 245 | 1 0 | ▼a Nick Knight / ▼c introduction by Charlotte Cotton. |
| 260 | ▼a New York, NY : ▼b Collins Design ; ▼a Enfield : ▼b Publishers Group UK [distributor], ▼c 2009. | |
| 300 | ▼a 264 p. : ▼b col. ill. ; ▼c 33 cm. | |
| 520 | 8 | ▼a Nick Knight is among the world's most influential fashion photographers. This book is a collection of Knight's important images as well as previously unpublished photographs. |
| 600 | 1 0 | ▼a Knight, Nick, ▼d 1958-. |
| 650 | 0 | ▼a Fashion photography ▼v Pictorial works. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 779.974692 K71n | 등록번호 111737613 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Nick Knight is among the world's most influential and visionary image makers. As a fashion photographer, he has consistently challenged conventional notions of beauty and is renowned for his groundbreaking creative collaborations with designers including Alexander McQueen, Comme des GarÇons, and John Galliano. Advertising campaigns for clients such as Christian Dior, Yohji Yamamoto, Shiseido, Jil Sander, Swarovski, and Yves Saint Laurent, as well as award-winning editorials for W, Vogue, Dazed & Confused, Visionaire, and i-D magazines, among others, have kept Knight at the vanguard of progressive image making for the past three decades. This incredible volume—with all images selected by Knight—is a midcareer retrospective of his work, from 1990 to the present day. With an introduction by Charlotte Cotton, curator of photography at the Los Angeles County Museum of Art, the book includes work for major advertising campaigns for Dior, Louis Vuitton, and Levi Strauss, as well as numerous prestigious fashion publications. It features collaborative work with BjÖrk, Michael Clark, Peter Saville, Gareth Pugh, Massive Attack, and Hussein Chalayan, photographs of the natural world, exquisite editorial images for Vogue, and models who defy fashion's stereotypes. It also includes examples of Knight's ground-breaking performance and film work on his Web site, SHOWstudio.com, the first to seriously consider how contemporary fashion photography would be shaped and expanded by the Internet—and is the contemporary reference point for many of the most innovative ideas and experiences of fashion today. With more than 300 striking images reflecting Knight's extraordinary vision and fearless experimentation, this volume is a landmark in both the genres of photography and fashion.
정보제공 :
저자소개
닉 나이트(사진)
호주의 퀸즐랜드 대학(Queensland University)에서 학사학위(1974)를, 런던대학(the University of London)의 SOAS(School of Oriental and African Studies)에서 석사학위(1977)와 박사학위(1983)를 취득하였다. 이후 1981년부터 2008년까지 호주의 그리피스대학(Griffith University)의 교수로 재직하였다. 닉 나이트는 중국에 관한 다양한 주제를 다룬 저작들을 저술하였으며, 특히 마오쩌둥 사상과 중국 혁명의 지도자들에 대한 연구를 중점적으로 수행하였다. 주요 논문과 저술로는 “Mao Zedong's On Contradiction and On Practice: Pre-Liberation Texts”, China Quarterly, vol.84, 1980; Soviet Philosophy and Mao Zedong's ‘Sinification of Marxism’, Journal of contemporary Asia, vol.20, no.1, 1990; Marxism and Asia(1985, 공저), Mao Zedong on Dialectical Materialism: Writings on Philosophy, 1937(1990, 편저), Critical Perspectives on Mao Zedong's Thought(1997, 공저); Li Da and Marxist Philosophy in China(1996), Marxist Philosophy in China: From Qu Qiubai to Mao Zedong 1923-1945(2005); China-Japan relations on the twenty-first century: creating a future past?(2008, 공저); Imagining Globalization in China: Debates on Ideology, Politics, and Culture(2008) 등이 있다.
