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Craft

Craft (5회 대출)

자료유형
단행본
개인저자
Harrod, Tanya.
서명 / 저자사항
Craft / edited by Tanya Harrod.
발행사항
London :   Whitechapel Gallery ;   Cambridge, Massachusetts :   The MIT Press,   c2018.  
형태사항
238 p. ; 21 cm.
총서사항
Documents of contemporary art
ISBN
9780854882663 (Whitechapel) 9780262535830 (pbk. : alk. paper)
서지주기
Includes bibliographical references (p. 233-234) and index.
일반주제명
Handicraft --Social aspects.
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010 ▼a 2018022607
020 ▼a 9780854882663 (Whitechapel)
020 ▼a 9780262535830 (pbk. : alk. paper)
035 ▼a (KERIS)REF000018680384
040 ▼a DLC ▼b eng ▼c DLC ▼e rda ▼d DLC ▼d 211009
050 0 0 ▼a TT145 ▼b .C77 2018
082 0 0 ▼a 745.5 ▼2 23
084 ▼a 745.5 ▼2 DDCK
090 ▼a 745.5 ▼b C885
130 0 ▼a Craft (M.I.T. Press)
245 1 0 ▼a Craft / ▼c edited by Tanya Harrod.
260 ▼a London : ▼b Whitechapel Gallery ; ▼a Cambridge, Massachusetts : ▼b The MIT Press, ▼c c2018.
300 ▼a 238 p. ; ▼c 21 cm.
490 1 ▼a Documents of contemporary art
504 ▼a Includes bibliographical references (p. 233-234) and index.
650 0 ▼a Handicraft ▼x Social aspects.
700 1 ▼a Harrod, Tanya.
830 0 ▼a Documents of contemporary art.
945 ▼a KLPA

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/서고7층/ 청구기호 745.5 C885 등록번호 111800432 (5회 대출) 도서상태 대출가능 반납예정일 예약 서비스 B M

컨텐츠정보

책소개

Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. A vital resource through which to understand the ways technologies, materials, techniques and tools are investigated through the lens of craft in contemporary art.


정보제공 : Aladin

목차

CRAFT AS A FLEXIBLE CATEGORY. What is architecture, 1919 / Walter Gropius -- What I believe, 1922 / W.R. Lethaby -- The division of the arts, 1962 / George Kubler -- Tactile sensibility, 1966 / Anni Albers -- Is anything done by hand?, 1968 / David Pye -- Something from nothing (Toward a definition of women''s ''hobby art''), 1978 / Lucy R. Lippard -- Readymade or handmade?, 1997 / Joan Key -- The technology of enchantment and the enchantment of technology, 1992 / Alfred Gell -- Textile art--who are you?, 2001 / Sarat Maharaj -- Skill and deskilling in art after the readymade, 2007 / John Roberts -- Craft as supplemental, 2007 / Glenn Adamson -- Making is knowing, 2012 / Ulrich Lehmann -- Eleven (contradictory) propositions in response to the question: What is contemporary craft?, 2013 / Julia Bryan-Wilson -- The art of medicine: Materiality and thread, 2017 / Roger Kneebone -- FOLK VERNACULAR MODERN. Letter to Alfred Schaer, 1924 / Rainer Maria Rilke -- The wheelwright''s shop, 1924 / George Sturt -- Finished! replaced by a tin can, 1925 / Le Corbusier -- The storyteller, 1936 / Walter Benjamin -- All out to be folkelig, 1944 / Henry Heerup -- Mario Merz''s cones, 2011 / Victoria Mitchell -- Sheila Hicks, 1969 / Claude L�evi-Strauss -- The white bird, 1988 / John Berger -- Gee''s Bend modern, 2003 / Richard Kalina -- In conversation with Laurie Britton Newell, 2007 / Lu Shengzhong -- Ana Lupas, 2017 / Juliet Bingham -- Nearing the moon to earth, 2010 / Alessandro Poli
THROUGH THE MIRROR OF PRODUCTION. Division of labour and manufacture, 1854 / Karl Marx -- Art and industry, 1934 / Herbert Read -- The life of the artisan, 1946 / Ettore Sottsass -- In conversation with Jeanne Siegel, 1970 / Carl Andre -- Sparks from the plastic anvil: the craftsman in technology, 1973 / Reyner Banham -- The artisan, 1973 / Jean Baudrillard -- The assembly line, 1978 / Robert Linhart -- Zeroes + ones: digital women + the new technoculture, 1998 / Sadie Plant -- Needles, 2007 / Paulo Herkenhoff -- Mechanic mythologist: David Smith, 2008 / Robert Slifkin -- Quarrymen in Tuscany, 2009 / Giovanni Contini -- Labour made visible: Antje Ehmann & Harun Farocki''s Eine Einstellung zur Arbeit, 2015 / Hollyamber Kennedy -- Soil so good: Neil Brownsword''s reinventions, 2017 / Ezra Shales -- FRAGILE DISTINCTIONS. My ceramics, 1939 / Lucio Fontana -- Black Mountain College and the crafts, 2005 / Edmund de Waal -- Subversive majesty: Peter Voulkos'' Rocking Pot, 1992 / Garth Clark -- Statement, 1981 / Alison Britton -- Fear of clay, 1982 / John Perreault -- On furniture, 1986 / Donald Judd -- The hatred of the object, 1995 / Phyllida Barlow -- Classification an its consequences: the case of fibre art, 2002 / Elissa Auther -- Thoughts in a vat: Thinking through Annie Cattrell, 2004 / Cathy Gere -- Looks brilliant on paper but who exactly is going to make it?, 2006 / Mia Fineman -- Production notes, 2007 / Bridget Riley -- Handspring Puppet Company, 2009 / Adrian Kohler and Basil Jones -- In conversation with Okwui Enwezor, 2011 / El Anatsui -- Manifesto gesamtkunsthandwerk, 2011 / Karl Fritsch, Martino Gamper and Francis Upritchard -- Object lesson, 2012 / Ulrich Lehmann -- Seeing may be believing, 2012 / Rochelle Steiner -- Marker to market: Ruth Asawa reappraised, 2015 / Sarah Archer -- The plant: notes on Troy town art policy, 2016 / Aaron Angell -- The story behind the artwork, 2016 / Jessi Reaves
RESISTANCE AND COUNTER-FABRICATION. Gandhi, cloth and self-government, 1989 / Susan S. Bean -- Pots, politics, paradise, 2000 / Kenneth E. Silver -- The undesignable, 2006 / Zhang Qing -- Magdalena Abakanowicz, 1994 / Babara Rose -- autoprogettazione?, or make it yourself?, 1974 / Enzo Mari -- Elaine Reichek''s ''Native Intelligence'', 1992 / Nancy Princenthal -- Thread of attachment, 2007 / Claire Pajaczowska -- Aesthetic inheritances: history worked by hand, 2007 / bell hooks -- Martin Puryear: Artisan, 2008 / Michael Auping -- Knitting is..., 2008 / Sabrina Gschwandtner -- The toaster project, 2011 / Thomas Thwaites -- Scaling up: Theaster Gates, Jr, and his toolkit, 2013 / Ethan W. Lasser -- The complexity of a legacy, 2013 / Studio Formafantasma & Libby Sellers -- Live from disseminated, 2016 / Jenni Sorkin.

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