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| 005 | 20240820110923 | |
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| 010 | ▼a 2020010046 | |
| 020 | ▼a 9781496830098 ▼q (hardback) | |
| 020 | ▼a 9781496830104 ▼q (trade paperback) | |
| 020 | ▼z 9781496830111 ▼q (epub) | |
| 020 | ▼z 9781496830128 ▼q (epub) | |
| 020 | ▼z 9781496830135 ▼q (pdf) | |
| 020 | ▼z 9781496830142 ▼q (pdf) | |
| 035 | ▼a (KERIS)REF000019321367 | |
| 040 | ▼a MsSM/DLC ▼b eng ▼e rda ▼c DLC ▼d 211009 | |
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| 050 | 0 0 | ▼a ML3502.K6 ▼b A64 2020 |
| 082 | 0 0 | ▼a 781.63/164095195 ▼2 23 |
| 084 | ▼a 781.63164 ▼2 DDCK | |
| 090 | ▼a 781.63164 ▼b A545s | |
| 100 | 1 | ▼a Anderson, Crystal S., ▼e author. |
| 245 | 1 0 | ▼a Soul in Seoul : ▼b African-American popular music and K-pop / ▼c Crystal S. Anderson. |
| 260 | ▼a Jackson, Mississippi : ▼b University Press of Mississippi, ▼c 2020. | |
| 264 | 1 | ▼a Jackson, Mississippi : ▼b University Press of Mississippi, ▼c 2020. |
| 300 | ▼a xxii, 188 p. : ▼b ill. ; ▼c 23 cm. | |
| 336 | ▼a text ▼b txt ▼2 rdacontent | |
| 337 | ▼a unmediated ▼b n ▼2 rdamedia | |
| 338 | ▼a volume ▼b nc ▼2 rdacarrier | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Acknowledgements -- Introduction -- "Listen to the music": African-American popular music and K-pop -- "A song calling for you": Korean pop groups -- "Soul breeze": Korean R&B groups and soloists -- "Rewriting the résumé": mainstream Korean hip-hop artists -- Conclusion -- Discography -- References -- Index. |
| 520 | ▼a "K-pop reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: Black Popular Music and K-pop, Crystal Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary Korean popular music (K-pop) references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans, who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary"--Provided by publisher. | |
| 650 | 0 | ▼a Popular music ▼z Korea (South) ▼x African American influences. |
| 650 | 0 | ▼a Popular music ▼z Korea (South) ▼x History and criticism. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.63164 A545s | 등록번호 111900406 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul, Crystal Anderson examines the most important and often overlooked aspect of K-pop: the music itself.
K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references.
K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.
About the Author
Crystal S. Anderson is affiliate faculty in Korean studies, Department of Modern and Classical Languages at George Mason University. She is author of Soul in Seoul: African American Popular Music and K-pop and Beyond ""The Chinese Connection"": Contemporary Afro-Asian Cultural Production, both published by University Press of Mississippi. Her work has appeared in African American Review, Ethnic Studies Review, and Extrapolation.정보제공 :
저자소개
크리스털 앤더슨(지은이)
미국 조지메이슨대학교 아프리카계 미국학과African-American Studies와 예술대학에서 강의하며, 초국적 미국학, 흑인 국제주의, 글로벌 아시아학 및 대중음악을 연구한다. 자신의 첫번째 저서인 『중화 연결성 너머: 현대 아프로-아시아 문화 생산Beyond the Chinese Connection: Contemporary Afro-Asian Cultural Production』(2013)에서 이소룡Bruce Lee의 영화를 이용해 1990년대 이후의 소설, 영화, 애니메이션에서 표현된 흑인과 아시아인의 이문화異文化 간 역학을 분석했다. 케이팝과 관련해서는 연구논문뿐만 아니라 여러 디지털 인문학 프로젝트를 수행하고 있다. 예를 들어, KPK: 케이팝 콜렉티브KPK: K-pop Kollective는 2010년 세 명의 미국인 학자들에 의해 설립된 가장 오래된 케이팝 공공 학술 사이트이며, 케이팝컬처KPOPCULTURE는 케이팝의 음악, 안무, 창작 인력에 대한 정보를 큐레이션하고 기록하는 교육용 사이트이다. 아시아 대중문화의 베테랑 블로거이기도 한 앤더슨은 케이팝 뉴스 사이트인 헬로케이팝Hellokpop의 부편집장을 역임한 바 있다.