상세정보

This four volume set demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism. It collects together original Pre-Raphaelite materials comprising fiction, prose, verse, literary criticism and illustration, from key figures, and those less-known in the movement.
A unique range of writings on art, design, architecture, philosophy, religion, science, and politics is presented in the following themed volumes:
* literature and literary criticism
* autobiographies and diaries from Pre-Raphaelites such as William Morris, George du Maurier, Dante Gabriel Rossetti and Algernon Swinburne
* philosophy, design and art criticism
* social and cultural critique.
A new introduction to the set provides an indispensable overview of the Pre-Raphaelites and their works, and highlights the precise themes and contexts of the material selected.

This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.

정보제공 :

[volume. vol.1]----------
CONTENTS
Chronological table of primary texts = xviii
Irtroduction = 1
1 Titlepage, The Germ = 33
2 THOMAS WOOLNER, 'My Beautiful Lady' = 34
3 COVENTRY PATMORE, 'The Seasons' = 39
4 CHRISTINA ROSSETTI, 'Dream Land' = 39
5 WILLIAM MICHAEL ROSSETTI, from 'Review of The Bothie of Toper-na-fuosich by Arthur Hugh Clough' = 40
6 JOHN LUCAS TUPPER, 'A Sketch From Nature' = 41
7 JAMES COLLINSON, 'The Child Jesus' = 42
8 'ELLEN ALLEYN', 'A Pause of Thought' = 52
9 WILLIAM BELL SCOTT, 'Morning Sleep' = 53
10 CALDER CAMPBELL, 'Sonnet' = 56
11 WALTER DEVERELL, 'The Light Beyond' = 57
12 DANTE GABRIEL ROSSETTI, 'The Blessed Damozel' = 58
13 WILLIAM MICHAEL ROSSETTI, 'Cordelia' = 62
14 'ELLEN ALLEYN', 'Sweet Death' = 64
15 DANTE GABRIEL ROSSETTI 'From the Cliffs : Noon' = 65
16 JOHN LUCAS TUPPER, 'Viola and Olivia' = 66
17 DANTE GABRIEL ROSSETTI, 'Sonnets For Pictures' = 67
18 JOHN LUCAS TUPPER, 'Smoke' from 'Papers of "The M. S. Society"' = 70
19 WILLIAM MICHAEL ROSSETTI, 'Review of Christmas Eve and Easter Day by Robert Browning' = 74
20 WILLIAM MICHAEL ROSSETTI, 'The Evil Under the Sun' = 79
21 WILLIAM MORRIS, 'The Defence of Guenevere' = 80
22 WILLIAM MORRIS, 'The Haystack in The Floods' = 88
23 WILLIAM MORRIS, 'Summer Dawn' = 92
24 WILLIAM MORRIS, 'The Story of the Unknown Church' = 93
25 WALTER PATER, 'Poems by William Morris' = 100
26 SEBASTIAN EVANS, 'The Seven Fiddlers' = 111
27 JOHN PAYNE, from 'The Romaunt of Sir Floris' = 112
28 GEORGE DU MAURIER, A Legend of Camelot = 115
29 ALFRED TENNYSON, 'Isabel' = 125
30 ALFRED TENNYSON, 'Adeline' = 126
31 ALFRED TENNYSON, 'The Epic : Morte d'Arthur' = 128
32 'OWEN MEREDITH', 'Queen Guenevere' = 136
33 ALGERNON SWINBURNE, 'Laus Veneris' = 138
34 ALGERNON SWINBURNE, 'Prelude' and extract from 'Tristram and Iseult' = 149
35 ALGERNON SWINBURNE, 'To William Bell Scott' = 157
36 'ALGERNON CHARLES SIN-BURN', 'Octopus' = 157
37 ALGERNON SWINBURNE, from 'Tennyson and Musset' = 159
38 ALGERNON SWINBURNE, from 'Matthew Arnold's New Poems'(1867) = 161
39 MATTHEW ARNOLD, Preface, Essays in Criticism = 170
40 MATTHEW ARNOLD, 'The Function of Criticism at the Present Time' = 174
41 MATTHEW ARNOLD, 'Calais Sands' = 179
42 ANDREW LANG, 'Of Modern English Poetry' = 180
43 PHILIP BOURKE MARSTON, 'Shake Hands and Go' = 185
44 PHILIP BOURKE MARSTON, 'To a Child' = 187
45 PHILIP BOURKE MARSTON, 'Before Battle' = 189
46 PHILIP BOURKE MARSTON, 'Upon the Shore' = 191
47 PHILIP BOURKE MARSTON, 'Shameless Love' = 193
48 PHILIP BOURKE MARSTON, 'Stricken!' = 193
49 PHILIP BOURKE MARSTON, `Above Love' = 194
50 PHILIP BOURKE MARSTON, 'The First Kiss' = 195
51 PHILIP BOURKE MARSTON, 'Dreamless Life' = 195
52 PHILIP BOURKE MARSTON, 'Life in Memory' = 196
53 PHILIP BOURKE MARSTON, 'The New Religion' = 197
54 PHILIP BOURKE MARSTON, 'A Parable' = 197
55 PHILIP BOURKE MARSTON, 'Past and Present' = 198
56 GEORGE MEREDITH, 'A Ballad of Fair Ladies in Revolt' = 199
57 ERNEST DOWSON, from 'The Pierrot of the Minute' = 209
58 ERNEST DOWSON, 'Epigram' = 210
59 ERNEST DOWSON, 'To His Mistress' = 211
60 ERNEST DOWSON, 'To William Theodore Peters on His Renaissance Cloak' = 212
61 RICHARD WATSON DIXON, 'Havelock's March' = 213
62 ARTHUR O'SHAUGHNESSY, 'Europe' = 217
63 ARTHUR O'SHAUGHNESSY, 'Living Marble' = 223
64 ARTHUR O'SHAUGHNESSY, 'Black Marble' = 224
65 ARTHUR O'SHAUGHNESSY, 'The Line of Beauty' = 224
66 ARTHUR O'SHAUGHNESSY, 'Pentelicos' = 225
67 ARTHUR O'SHAUGHNESSY, 'Paros' = 226
68 ARTHUR O'SHAUGHNESSY, 'Carrara' = 226
69 ARTHUR O'SHAUGHNESSY, 'Dialogue Between Two Venuses' = 228
70 ELIZABETH SIDDAL, 'Love and Hate'(1857?) = 233
71 ELIZABETH SIDDAL, 'Early Death'(1862?) = 234
72 ELIZABETH SIDDAL, 'A Year and A Day'(1857?) = 235
73 ELIZABETH SIDDAL, 'At Last'(1861?) = 236
74 CHRISTINA ROSSETTI, 'After Death' = 237
75 CHRISTINA ROSSETTI, 'Mariana' = 238
76 CHRISTINA ROSSETTI, 'Resurgam' = 238
77 CHRISTINA ROSSETTI, 'The P. R. B.' 1(1853) = 239
78 CHRISTINA ROSSETTI, 'The P. R. B.' 2(1853) = 240
79 DANTE GABRIEL ROSSETTI, from 'The House of Life' = 240
80 DANTE GABRIEL ROSSETTI, 'On Refusal of Aid Between Nations' = 242
81 DANTE GABRIEL ROSSETTI, 'On the Vita Nuova of Dante' = 243
82 DANTE GABRIEL ROSSETTI, 'On Certain Elizabethan Revivals' = 243
83 DANTE GABRIEL ROSSETTI, 'To Philip Bourke Marston, inciting me to Poetic Work' = 244
84 DANTE GABRIEL ROSSETTI, 'Untimely Lost' = 245
85 DANTE GABRIEL ROSSETTI, 'Five English Poets' = 245
86 DANTE GABRIEL ROSSETTI, 'The Palimpsest' = 248
87 DANTE GABRIEL ROSSETTI, 'The Philtre' = 248
88 'THOMAS MAITLAND', 'The Fleshly School of Poetry : Mr D. G. Rossetti' = 249
89 DANTE GABRIEL ROSSETTI, 'The Stealthy School of Criticism' = 251
90 DANTE GABRIEL ROSSETTI, 'Ebenczer Jones'(1870) = 257
91 ALGERNON SWINBURNE, 'The Poems of Dante Gabriel Rossetti'(1870) = 258
92 WALTER PATER, 'Dante Gabriel Rossetti'(1883) = 284
93 ROBERT BUCHANAN, 'The Journey's End' = 291
94 ROBERT BUCHANAN, 'Sailor's Love' = 293
95 ROBERT BUCHANAN, 'Artist and Model'(1866-70) = 294
96 ROBERT BUCHANAN, 'Pygmalion the Sculptor'(1864) = 299
97 ROBERT BROWNING, 'Andrea Del Sarto' = 310
98-9 THOMAS WOOLNER, from Pygmalion = 316
100 COVENTRY PATMORE, 'Thomas Woolner's "Tiresias"' = 319
101 COVENTRY PATMORE, 'To Alicia, Seeking to Make Me a Radical' = 321
102 OLIVER MADOX BROWN, 'Sonnet Written at the Age of Thirteen for a Picture by Mrs Stillman' = 321
103 OLIVER MADOX BROWN, 'Dismal Jemmy' = 322
104 OLIVER MADOX BROWN, 'The Last Story' = 327
105-6 THEODORE WATTS-DUNTON, from Aylwin = 330
107 THEODORE WATTS-DUNTON, 'Christina Rossetti : The Two Christmastides' = 335
108 THEODORE WATTS-DUNTON, 'In a Graveyard : Oliver Madox Brown. November 12, 1874' = 336
109 WILLIAM BELL SCOTT, 'I Go to be Cured at Avilion(To a Picture Painted 1847)' = 337
110 WILLIAM BELL SCOTT, 'On the Inscription, Keats' Tombstone(English Cemetery, Rome)' = 339
111 WILLIAM BELL SCOTT, 'To the Artists Called P. R. B.' = 340
112 WILLIAM BELL SCOTT, 'Fragment of a Sonnet by Raphael : (Found Written on the Back of a Sketch)' = 341
113-14 WILLIAM ALLINGHAM, from 'On Poetry' = 341
115 WILLIAM ALLINGHAM, 'The Maids of Elfen-Mere' = 350
116 WILLIAM ALLINGHAM, 'Reverie' = 352
117 WILLIAM ALLINGHAM, 'A Wife' = 352
118 WILLIAM ALLINGHAM, 'Three Sisters of Haworth' = 353
119 WILLIAM ALLINGHAM, 'Express(from Liverpool, Southwards)' = 354
120 WILLIAM ALLINGHAM, 'The Stolen Path' = 355
121 WILLIAM ALLINGHAM, 'In Dream-World" = 357
122 WILLIAM ALLINGHAM, 'Vivant!' = 357
123 WILLIAM ALLINGHAM, 'Poesis Humana' = 358
124 WILLIAM ALLINGHAM, 'George Levison; or, The Schoolfellows' = 359
125 JAMES SMETHAM, 'Sorrow on the Sea' = 366
126 JAMES SMETHAM, 'Blank Verse' = 367
127 JAMES SMETHAM, 'The Painter and the Poet' = 368
128 JAMES SMETHAM, 'An Evening Landscape' = 369
129-30 FREDERIC W. H. MYERS, 'Argument', from The Renewal of Youth and Other Poems = 370
131 WILLIAM MICHAEL ROSSETTI, Preface, Poems by the Late John L. Tupper = 373
132 JOHN LUCAS TUPPER, 'Eden After Sixty Centuries' = 376
133 JOHN LUCAS TUPPER, 'In the Garden' = 378
134 JOHN LUCAS TUPPER, 'A Woman's Beauty' = 379
135 JOHN LUCAS TUPPER, 'A Good-bye' = 380
136 JOHN LUCAS TUPPER, 'Idols' = 380
137 JOHN LUCAS TUPPER, 'An Epidemic' = 382
138 JOHN LUCAS TUPPER, 'Aliens' = 383
139 JOHN LUCAS TUPPER, 'Progress of the Species' = 384
140 JOHN LUCAS TUPPER, 'Things Unperceived - Uses Undiscerned' = 386
141 JOHN LUCAS TUPPER, 'To My Friend Holman Hunt' = 387
[volume. vol.2]----------
CONTENTS
142 WILLIAM MICHAEL ROSSETTI ed., 'Miss Siddal's Poetry' = 1
143 WILLIAM MICHAEL ROSSETTI ed., 'Dante Rossetti to Madox Brown' = 5
144-5 DANTE GABRIEL ROSSETTI, Letters to William Allingham = 6
l46-8 WILLIAM ALLINGHAM, from A Diary = 16
149-50 WILLIAM MICHAEL ROSSETTI ed., from 'Some Early Correspondence of Dante Gabriel Rossetti' = 22
151-2 WILLIAM MICHAEL ROSSETTI ed., from 'Madox Brown's Diary, 1847-1856' = 27
153-4 WILLIAM MICHAEL ROSSETTI ed., from 'The P. R. B. Journal, 1849-1853' = 36
155-62 JAMES SMETHAM, from Letters of James Smetham = 43
163-6 ARTHUR HUGH CLOUGH, from 'Memoir' of A. H. Clough = 67
167 ARTHUR HUGH CLOUGH, from 'Amours de Voyage' = 77
168-9 MACKENZIE BELL, from Christina Rossetti : A Biographical and Critical Study = 81
170 WILLIAM MICHAEL ROSSETTI ed., from 'Memoir' = 89
171-2 MALCOLM BELL, from Sir Edward Burne-Jones : A Record and Review = 90
173-4 GEORGIANA BURNE-JONES, from Memorials of Edward Burne-Jones = 93
175-7 FORD H. M. HUEFFER, from Ford Madox Brown : A Record of His Life and Work = 97
178-9 AMY WOOLNER ed., from Thomas Woolner, Sculptor and Poet : His Life in Letters = 112
180-1 JOHN P. SEDDON, from Memoir and Letters of The Late Thomas Seddon, Artist = 116
182 CHRISTINA ROSSETTI, Maude : Prose and Verse = 122
183-5 WILLIAM BELL SCOTT ed., from David Scott's Memoir and Journal in Italy = 152
186 ANNA MARY HOWITT, from An Art-Student in Munich = 158
187 WILLIAM BELL SCOTT, from Autobiographical Notes = 160
188 WILLIAM BELL SCOTT, 'The Few Truly Pre-Raphaelite Pictures of the Three P. R. B.'s - Walter Deverell and Charles Collins' = 163
189-90 FREDERIC W. H. MYERS, from Fragments of Inner Life(An Autobiographical Sketch) = 171
191-2 THEODORE WATTS-DUNTON, from 'Rossetti and Charles Wells : A Reminiscence of Kelmscott Manor' = 192
193-4 FREDERICK GEORGE STEPHENS, from William Holman Hunt and His Works : A Memoir of the Artist's Lift with Description of His Pictures = 198
195-6 H. C. MARILLIER, from 'The "Pre-Raphaelite Brotherhood"' = 207
197-217 WILLIAM HOLMAN HUNT, from Pre-Raphaelitism and the Pre-Raphaelite Brotherhood = 213
[volume. vol.3]----------
CONTENTS
218 JOHN LUCAS TUPPER, 'The Subject in Art. No. 1' = 1
219 DANTE GABRIEL ROSSETTI, 'Hand and Soul' = 7
220 'JOHN SEWARD', 'The Purpose and Tendency of Early Italian Art' = 17
221 'ELLEN ALLEYN, 'Song' = 23
222 FORD MADOX BROWN, 'On the Mechanism of a Historical Picture' = 24
223 'ELLEN ALLEYN, 'A Testimony' = 27
224 JOHN LUCAS TUPPER, 'The Subject in Art. No. 2' = 27
225 WILLIAM MICHAEL ROSSETTI, 'Praeraphaelitism'(1851) = 34
226 JOHN RUSKIN, from Pre-Raphaelitism = 39
227 DAVID MASSON, 'Pre-Raphaelitism in Art and Literature' = 69
228-30 ERNEST CHESNEAU, from 'The Pre-Raphaelites' = 88
231 FREDERICK GEORGE STEPHENS, from Dante Gabriel Rossetti : Painter and Poet = 96
232 DAVID SCOTT, from British, French and German Painting = 99
233 WILLIAM DYCE, from Theory of the Fine Arts : An Introductory Lecture = 103
234 WILLIAM ALLINGHAM, 'Painter and Critic' = 108
235 GEORGE FREDERICK WATTS, from 'Thoughts on Art' = 124
236 JOHN RUSKIN, from 'On the Nature of Gothic Architecture' = 125
237 JOHN RUSKIN, from 'Pre-Raphaelitism' = 139
238 JOHN RUSKIN, from 'Realistic Schools of Painting : Rossetti and Holman Hunt' = 149
239 JOHN RUSKIN, from 'Mythic Schools of Painting : E. Burne-Jones and G. F. Watts' = 150
240 FRANCIS TURNER PALGRAVE, from Essay on the First Century of Italian Engraving = 153
241 WALTER PATER, Preface, Studies in the History of the Renaissance = 159
242 WALTER PATER, from 'The School of Giorgione' = 162
243 WILLIAM BELL SCOTT, from 'Tombs and Monuments' = 163
244 WILLIAM BELL SCOTT, from Antiquarian Gleanings in the North of England = 167
245 WILLIAM MICHAEL ROSSETTI, 'The Gothic' from "The Epochs of Art as Represented in the Crystal Palace,' = 170
246 WILLIAM MICHAEL ROSSETTI, from 'Critiques on Contemporary Painters and Designers : Madox Brown' = 173
247 JAMES SMETHAM, from 'Essay on Blake' = 180
248 DANTE GABRIEL ROSSETTI, from 'Supplementary' = 183
249 DANTE GABRIEL ROSSETTI, 'Exhibition of Sketches and Drawings in Pall Mall East, 1851' = 188
250 JOANNA MARY BOYCE, 'The Royal Academy Exhibition : Sculpture' = 191
251 VERNON LUSHINGTON, 'Two Pictures' = 197
252 FRANCIS TURNER PALGRAVE, 'Poetry and Prose in Art'(1865) = 199
253 FRANCIS TURNER PALGRAVE, 'On Some Recent Pictures by Mr. Holman Hunt'(1864) = 204
254 ALGERNON SWINBURNE, 'Notes on Some Pictures of 1868' = 208
255-6 P. T. FORSYTH, from 'Rossetti ; or The Religion of Natural Passion' = 219
257 FORD H. M. HUEFFER, 'Work' = 224
258 R0BERT ROSS, from Aubrey, Beardsley = 228
259 ROBERT ROSS. from 'Mr. Holman Hunt at the Leicester Gallerics(an inspection)' = 230
260 JOHN D. SEDDING, from 'Religion and Art'(1886) = 231
261 JOHN D. SEDDING, from 'The Handicrafts in Old Days'(1890) = 232
262 EDWARD POYNTER, 'On the Study of Nature' = 234
263 EDWARD POYNTER, from 'The Influence of Art on Social Life' = 237
264 GEORGE FREDERICK WATTS, Preface, Plain Handicrafts = 238
265 SELWYN IMAGE, 'Of Design and of The Study, of Nature' = 240
266 WALTER CRANE, Preface, The Claims of Decorative Art = 244
267 WALTER CRANE, 'The Claims of Decorative Art' = 245
268 WALTER CRANE, 'The Architecture of Art' = 248
269 MARIAN ALFORD, from 'Style' = 255
270 MARIAN ALFORD, from 'Furniture' = 257
271 MAY MORRIS, Dedicatory Note ; 'Historical Glance' = 258
272-3 GLEESON WHITE, from English Illustration. 'The Sixties' : 1855-1870 = 262
274 H. H. ARMSTEAD, 'A Dream' = 266
275-6 GLEESON WHITE, from English Illustration. 'The Sixties' : 1855-1870 = 267
277 JOHN EVERETT MILLAIS, 'Sketches of Armour'(1845) = 280
278 DANTE GABRIEL ROSSETTI, 'The Palace of Art' = 281
279 WILLIAM HOLMAN HUNT, 'Godiva' = 282
280 JOHN EVERETT MILLAIS, 'The Day-Dream'('The Sleeping Palace') = 283
281 MATTHEW JAMES LAWLESS, 'Faint Heart never won Fair Ladye' = 284
282 WILLIAM BELL SCOTT, Book-plate design(1878) = 285
283 FORD MADOX BROWN, Titlepage, Byron's Poetical Work = 286
284 FORD MADOX BROWN, Two cartoons for glass = 287
285 ELIZABETH SIDDAL, Design for a capital = 288
286 LINLEY SAMBOURNE, '"Sweet Little Buttercup" or Art Embroidery' = 289
287 MAY MORRIS, Design for appliqu$$\acute e$$ = 290
288 SELWYN IMAGE, 'Spring' = 291
[volume. vol.4]----------
CONTENTS
289 'OUTIS', Preface, Hiatus = 1
290 'OUTIS', 'Indirect but Peculiar Functions of Art' = 3
291 WILLIAM CAVE THOMAS, Introduction, Suggestions For a Crystal College = 15
292 WILLIAM CAVE THOMAS, 'Practical Suggestions for Elementary Schools' = 20
293 MATTHEW ARNOLD, from A French Eton ; or Middle-Class Education and The State = 24
294-5 FREDERIC W. H. MYERS, from 'Tennyson as Prophet'(1889) = 27
296-9 FREDERIC W. H. MYERS, from 'Modern Poets and Cosmic Law' = 36
300-2 WILLIAM ALLINGHAM, from 'Modern Prophets' = 42
303-4 WILLIAM CAVE THOMAS, from 'The Quantitative Analysis of the Beautiful and Elements of Harmonic Proportion' = 54
305 GEORGE I. F. TUPPER, 'Mental Scales' from 'Papers of "The M. S. Society"' = 58
306 'LAURA SAVAGE', 'Modern Giants' = 59
307 FREDERIC W. H. MYERS, from 'Rossetti and the Religion of Beauty' = 62
308 JOHN ADDINGTON SYMONDS, from 'Ideals of Love' = 64
309 JOHN ADDINGTON SYMONDS, from 'Culture' = 70
310 MATTHEW ARNOLD, 'Introduction' and 'Sweetness and Light' = 72
311 RICHARD WATSON DIXON, from The Close of the Tenth Century of the Christian Era = 90
312 JOHN ADDINGTON SYMONDS, from The Renaissance = 91
313 COVENTRY PATMORE, 'Courage in Politics' = 93
314 COVENTRY PATMORE, 'Dreams' = 96
315 GEORGE FREDERICK WATTS, from, 'Our Race As Pioneers' = 98
316 VAL PRINSEP, from Imperial India : An Artist's Journals = 100
317 WILLIAM ALLINGHAM, from 'Ramble The Second. At Winchester' = 105
318 WILLIAM ALLINGHAM, from 'Ramble The Fifth. Exeter and Elsewhere' = 112
319 WILLIAM ALLINGHAM, from 'Ramble The Seventh. Bideford and Clovelly' = 114
320 WILLIAM ALLINGHAM, from 'Ramble The Eighth. Up the Vale of Blackmore' = 115
321 WILLIAM ALLINGHAM, 'Ramble The Eleventh. At Liverpool' = 118
322 WILLIAM ALLINGHAM, from 'Ramble The Twelfth. In a Strange Land'(1871) = 128
323 WILLIAM ALLINGHAM, from 'Ramble The Twenty-First. In London'(1870) = 131
324 WILLIAM ALLINGHAM, 'Green London' = 134
325 JOHN RUSKIN, 'The British Museum' = 147
326 JOHN RUSKIN, from 'Of Queens' Gardens' = 148
327 JOHN RUSKIN, from 'Gentillesse' = 148
328 WILLIAM MORRIS, 'Why Not?' = 149
329 WILLIAM MORRIS, 'The Dull Level of Life,' = 152
330 WILLIAM MORRIS, 'Individualism at The Royal Academy' = 154