| 000 | 01349camuu2200337 a 4500 | |
| 001 | 000000796001 | |
| 005 | 20021203115646 | |
| 008 | 001004s2001 enka b 001 0 eng | |
| 010 | ▼a 00050367 | |
| 020 | ▼a 0521660289 (hardbound) | |
| 040 | ▼a DLC ▼c DLC ▼d C#P ▼d UKM ▼d 211009 | |
| 043 | ▼a e-uk--- ▼a n-us--- | |
| 049 | 1 | ▼l 111231056 |
| 050 | 0 0 | ▼a PR478.M6 ▼b B84 2001 |
| 082 | 0 0 | ▼a 780/.08 ▼2 21 |
| 090 | ▼a 780.08 ▼b B925L | |
| 100 | 1 | ▼a Bucknell, Brad. |
| 245 | 1 0 | ▼a Literary modernism and musical aesthetics : ▼b Pater, Pound, Joyce, and Stein / ▼c Brad Bucknell. |
| 260 | ▼a Cambridge, UK: ▼a New York : ▼b Cambridge University Press, ▼c 2001. | |
| 300 | ▼a xii, 288 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 271-284) and index. | |
| 600 | 1 0 | ▼a Pater, Walter, ▼d 1839-1894 ▼x Aesthetics. |
| 600 | 1 0 | ▼a Pound, Ezra, ▼d 1885-1972 ▼x Aesthetics. |
| 600 | 1 0 | ▼a Joyce, James, ▼d 1882-1941 ▼x Aesthetics. |
| 600 | 1 0 | ▼a Stein, Gertrude, ▼d 1874-1946 ▼x Aesthetics. |
| 650 | 0 | ▼a English literature ▼y 20th century ▼x History and criticism. |
| 650 | 0 | ▼a Music and literature ▼x History ▼y 20th century. |
| 650 | 0 | ▼a American literature ▼y 20th century ▼x History and criticism. |
| 650 | 0 | ▼a Music ▼x Philosophy and aesthetics. |
| 650 | 0 | ▼a Modernism (Literature) ▼z Great Britain. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 780.08 B925L | 등록번호 111231056 (4회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This book examines the theory and the practice of music, in relation to the writing of four major modernist figures: Walter Pater, Ezra Pound, James Joyce, and Gertrude Stein. Brad Bucknell argues that in the nineteenth century, music was often invoked as the paradigm of transcendent art. For the modernists, however, late nineteenth-century debates about music's powerful, but non-referential ability to make meaning became a significant focus for their written work. Bucknell examines modernist writers' relationship and engagement with music - from theories about music and musical-literary relations to the composition of music and libretti - to show how music actually became another complex trope deployed in modernism's justification of its own aesthetic practice. Bucknell's study investigates how music, as a discrete artistic mode of expression, and a recurring theme in the work of these four writers, reveals the intricate and varied nature of the modernist project.
This study examines the theory and the practice of music, in relation to modernist writing.
정보제공 :
목차
List of illustrations; Acknowledgments; Introduction; 1. Preliminaries: of music and modernism; 2. Walter Pater: music and the aesthetic resistance to history; 3. The musical aesthetic of Ezra Pound: its sorts and conditions from imagism and vorticism to the Cantos; 4. 'Sirens' and problem of literary and musical meaning; 5. Gertrude Stein and her saints; 6. Endings; Index.
정보제공 :