| 000 | 01126camuu2200301 a 4500 | |
| 001 | 000000797471 | |
| 005 | 20030325144146 | |
| 008 | 981110s2000 enkaf b 001 0 eng | |
| 010 | ▼a 98051718 | |
| 020 | ▼a 0521640954 (hardback) | |
| 040 | ▼a DLC ▼c DLC ▼d YDX ▼d UKM ▼d C3L ▼d LVB ▼d 211009 | |
| 043 | ▼a e-it--- | |
| 045 | ▼a t0u9 | |
| 049 | 1 | ▼l 111229849 |
| 050 | 0 0 | ▼a ND623.T7 ▼b A65 2000 |
| 082 | 0 0 | ▼a 759.5 ▼2 21 |
| 090 | ▼a 759.5 ▼b M513t | |
| 100 | 1 | ▼a Meilman, Patricia, ▼d 1947- |
| 245 | 1 0 | ▼a Titian and the altarpiece in Renaissance Venice / ▼c Patricia Meilman. |
| 260 | ▼a Cambridge ; ▼a New York : ▼b Cambridge University Press, ▼c 2000. | |
| 300 | ▼a xvi, 260 p., [8] p. of plates : ▼b ill. (some col.) ; ▼c 27 cm. | |
| 504 | ▼a Includes bibliographical references (p. 245-254) and index. | |
| 600 | 1 0 | ▼a Titian, ▼d ca. 1488-1576. ▼t Death of St. Peter Martyr. |
| 600 | 0 0 | ▼a Peter, ▼c the Apostle, Saint ▼x Art. |
| 600 | 0 6 | ▼a Titien, ▼d ca 1488-1576. ▼t Martyre de saint Pierre. |
| 600 | 0 6 | ▼a Pierre, ▼c l'apotre, saint ▼x Art. |
| 650 | 0 | ▼a Altarpieces, Renaissance ▼z Italy ▼z Venice. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 759.5 M513t | 등록번호 111229849 (3회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This study examines the development of the altarpiece in sixteenth-century Venice. Focusing closely on Titian's St Peter Martyr Altarpiece, which was the most famous work by this painter and which was destroyed in 1867, Patricia Meilman considers how this painting irrevocably changed the course of altar decoration. Demonstrating the legacy of the St Peter Martyr Altarpiece with a younger generation of painters, which continued well into the seventeenth century, she also examines the social, religious and historical events of the decades just before the Tridentine reforms and their impact on devotional imagery and practices.
This study examines the development of the altarpiece in sixteenth-century Venice.
정보제공 :
목차
CONTENTS List of Illustrations = ⅸ Acknowledgments = xv Introduction = 1 PART ONE - THE ENVIRONMENT Ⅰ VENETIAN ALTARPIECES OF SAINTS = 7 Sacre Conversazioni = 10 Dominican Altarpieces = 16 Tables of Dominican Commissions = 20 Early Narrative Altarpieces of Events from Saints' Lives = 27 Ⅱ THE MARTYRDOM ALTARPIECE : ITS HISTORY AND SIGNIFICANCE = 32 The Relationship between Martyrs and the Altar = 32 Martyrdom in Early Italian Renaissance Altarpieces = 36 Models in Venice = 48 Ⅲ THE STIMULUS FOR INNOVATION : THE MENACE TO FAITH = 52 Venetian Piety = 52 Events of the 1520s = 55 PART TWO - TITIAN'S PETER MARTYR ALTARPIECE Ⅳ PETER MARTYR AND VENICE : HIS LIFE AND CULT = 67 The Istoria = 69 Venetian Devotion = 71 Dominicans in Venice and at Santi Giovanni e Paolo = 72 The Scuola di San Pietro Martire at Santi Giovanni e Paolo = 77 Ⅴ THE PETER MARTYR ALTARPIECE COMES INTO BEING : THE PARTICULARS = 82 The Commission and the Documents = 82 A Competition = 84 Ⅵ TITIAN AT WORK : RESPONDING TO THE CHALLENGE = 90 Precursors = 90 Rivals = 94 PART THREE - MODIFICATIONS Ⅶ TITIAN'S ACHIEVEMENT : THE FABRICATION OF REALITY = 111 Invenzioni = 111 Colorito = 122 Titian's Altarpiece and Imitatio Christi = 128 Ⅷ NATURA SI VINTA DALL'ARTE : THE PETER MARTYR ALTARPIECE AS SIGN FOR THE VENETIAN AESTHETIC = 133 The Goals of Cinquecento Venetian Painting = 133 The Role of Pietro Aretino = 135 The Legacy of Alberti = 137 Ⅸ THE PETER MARTYR ALTARPIECE INTERPRETED : SUBSEQUENT ALTAR PAINTING IN VENICE = 144 Titian Altarpieces = 146 Other Altarpieces, 1530-1565 = 150 Post-Tridentine Altarpieces = 159 EXCURSUS : THE DRAWINGS CONNECTED WITH THE PETER MARTYR ALTARPIECE = 165 APPENDIX Ⅰ DOCUMENTS = 181 APPENDIX Ⅱ TEXTS = 192 APPENDIX Ⅲ RESTORATIONS = 199 APPENDIX Ⅳ SIGNIFICANT PAINTED COPIES = 201 Notes = 207 Select Bibliography = 245 Index = 255