| 000 | 00945camuu2200289 a 4500 | |
| 001 | 000045164649 | |
| 005 | 20050504150933 | |
| 008 | 970611s1995 caua b 001 0 eng | |
| 010 | ▼a 94042446 /MN | |
| 015 | ▼a GB96-19906 | |
| 020 | ▼a 0520201159 (alk. paper) | |
| 020 | ▼a 0520201167 (pbk. : alk. paper) | |
| 035 | ▼a KRIC00207400 | |
| 040 | ▼a 211032 ▼c 211032 ▼d 211009 | |
| 050 | 0 0 | ▼a ML3797 ▼b .V26 1995 |
| 082 | 0 0 | ▼a 781.1/7 ▼2 20 |
| 090 | ▼a 781.17 ▼b V217m | |
| 100 | 1 | ▼a Van den Toorn, Pieter C. , ▼d 1938-. |
| 245 | 1 0 | ▼a Music, politics, and the academy / ▼c Pieter C. van den Toorn. |
| 260 | ▼a Berkeley : ▼b University of California Press , ▼c c1995. | |
| 300 | ▼a x, 238 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Musicology. |
| 650 | 0 | ▼a Musical analysis. |
| 650 | 0 | ▼a Music ▼x Philosophy and aesthetics. |
| 653 | 0 | ▼a Musicology. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.17 V217m | 등록번호 111317527 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends?
Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.
Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.
정보제공 :
목차
CONTENTS Acknowledgments = ⅸ Introduction = 1 1. Feminism, Politics, and the Ninth = 11 2. In Defense of Music Theory and Analysis = 44 3. Politics Ho! = 65 4. Schenker and His Critics = 75 5. The Ninth and Beyond = 101 6. Neoclassicism Revised = 143 7. A Case in Point ： Context and Analytical Method in Stravinsky = 179 Epilogue = 220 Index = 231