| 000 | 00830camuu22002534a 4500 | |
| 001 | 000045201450 | |
| 005 | 20051114152453 | |
| 008 | 991001s2000 enkg b 001 0 eng | |
| 010 | ▼a 99050261 | |
| 020 | ▼a 0198238851 | |
| 040 | ▼a DLC ▼c DLC ▼d 211009 | |
| 042 | ▼a pcc | |
| 050 | 0 0 | ▼a ML3845 ▼b .S417 2000 |
| 082 | 0 4 | ▼a 781.1/7 ▼2 22 |
| 090 | ▼a 781.17 ▼b S532m | |
| 100 | 1 | ▼a Sharpe, R. A. |
| 245 | 1 0 | ▼a Music and humanism : ▼b an essay in the aesthetics of music / ▼c R.A. Sharpe. |
| 260 | ▼a Oxford ; ▼a New York : ▼b Oxford University Press , ▼c 2000. | |
| 300 | ▼a ix, 221 p. : ▼b music ; ▼c 23 cm. | |
| 504 | ▼a Includes bibliographical references (p. [209]-217) and index. | |
| 650 | 0 | ▼a Music ▼x Philosophy and aesthetics. |
| 650 | 0 | ▼a Music ▼x Psychological aspects. |
| 945 | ▼a KINS |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 781.17 S532m | 등록번호 111336223 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Robert Sharpe examines the humanist conception of music as a language - as expressive and intelligible - which has traditionally been dominant in Western culture. He argues against the view that the way in which music is expressive is by causing certain states in us: rather, our beliefs about music are integral to our appreciation of it. Differences in musical taste are not just irresolvable differences in sensitivity: they are the result of differences in
circumstance and upbringing, of associations and ideology.
Is music sad because it causes the listener to feel sad? Is it to be valued because of the pleasure it gives us? R. A. Sharpe argues that the views these questions enshrine underestimate the cognitive element in our response to music. Our beliefs about music and our knowledge of the culture in which it originated underlie the judgements we make. At their most general, these cognitive elements are ideological in nature and they play both a positive and a negative role
in our response to music?they both help and hinder. Music has long been thought of as a language. This metaphor underpins the way we hear music and the way we think about it. We conceive of music both as expressive and as something to be understood. Almost certainly the roots of this conception
lie in the fertilization of music by rhetoric during the Renaissance. Sharpe suggests that music may have entered a new period in which the language analogy and the humanist conception of music which it expresses are becoming less and less appropriate.
정보제공 :
목차
CONTENTS PART Ⅰ NATURALIZING MUSIC = 1 1 Naturalizing Music = 3 Causal Theories = 5 A Pure, Conceptless Experience of Music? Pleasure = 23 2 Language, Metaphor, Emotions, and Moods = 40 3 Music, Rhetoric, and Oratory = 66 PART Ⅱ PLAYING OFF OLD SCORES = 85 4 The Motivations for Musical Ontology : A German Ideology = 87 5 Performance = 126 Expression = 126 Technique = 141 Authenticity = 145 6 Music's Ruling Myths = 158 PART Ⅲ HUMANISM FOUNDERS? = 177 7. Humanism Founders? = 179 Select Biblography = 209 INDEX = 219