| 000 | 02755camuu2200277 a 4500 | |
| 001 | 000045451541 | |
| 005 | 20080702111205 | |
| 008 | 080324s2007 nyuaf bk 001 0 eng | |
| 010 | ▼a 2007004504 | |
| 020 | ▼a 9780374249397 (hardcover : alk. paper) | |
| 020 | ▼a 0374249393 (hardcover : alk. paper) | |
| 035 | ▼a (KERIS)BIB000011250828 | |
| 040 | ▼a 211032 ▼c 211032 ▼d 244002 | |
| 050 | 0 0 | ▼a ML197 ▼b .R76 2007 |
| 082 | 0 0 | ▼a 780.904 ▼2 22 |
| 090 | ▼a 780.904 ▼b R823r | |
| 100 | 1 | ▼a Ross, Alex , ▼d 1968-. |
| 245 | 1 4 | ▼a The rest is noise : ▼b listening to the twentieth century / ▼c Alex Ross. |
| 260 | ▼a New York : ▼b Farrar, Straus and Giroux , ▼c c2007. | |
| 300 | ▼a xiv, 624 p., [8] p. of plates : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. [545]-593) and index. | |
| 504 | ▼a Discography: p. [595]. | |
| 505 | 0 | ▼a 1900-1933. The golden age : Strauss, Mahler, and the fin de si◆U00E8◆cle ; Doctor Faust : Schoenberg, Debussy, and atonality ; Dance of the earth : the Rite, the folk, le jazz ; Invisible men : American composers from Ives to Ellington ; Apparition from the woods : the loneliness of Jean Sibelius ; City of nets : Berlin in the twenties -- 1933-1945. The art of fear : music in Stalin's Russia ; Music for all : music in FDR's America ; Death fugue : music in Hitler's Germany -- 1945-2000. Zero hour : the U.S. army and German music, 1945-1949 ; Brave new world : the Cold War and the avant-garde of the fifties ; "Grimes! Grimes!" : the passion of Benjamin Britten ; Zion park : Messiaen, Ligeti, and the avant-garde of the sixties ; Beethoven was wrong : bop, rock, and the minimalists ; Sunken cathedrals : music at century's end. |
| 520 | ▼a The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description. | |
| 650 | 0 | ▼a Music ▼y 20th century ▼x History and criticism. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 세종학술정보원/인문자료실2(2층)/ | 청구기호 780.904 R823r | 등록번호 151258329 (2회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life.
The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art.
Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler’s Germany and Stalin’s Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama’s The Embarrassment of Riches and Louis Menand’s The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
정보제공 :
저자소개
알렉스 로스(지은이)
시카고에 있는 아메리칸 아카데미 오브 아트(the American Academy ot Art)에서 일러스트레이션을 전공했고, 그 후 만화계에 들어서기 전 스토리보드 아티스트로서 자신의 기술을 닦았다. 그의 미니시리즈 《Marvels》(마블 코믹스, 1993년)를 통해 만화에 회화적인 기법을 성공적으로 접목하였다. 이후 그는 마찬가지로 성공적이었던 《KINGDOM COME》(DC 코믹스, 1996년)을 제작했다. 이 베스트셀러들로 인해 여러 개의 상을 받고 호평을 얻은 로스는 만화라는 영역에서 대담한 실험을 거듭해 그림 작가와 스토리 작가로서 자신의 이름을 알렸다