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The Cambridge companion to Mendelssohn

The Cambridge companion to Mendelssohn (1회 대출)

자료유형
단행본
개인저자
Mercer-Taylor, Peter Jameson.
서명 / 저자사항
The Cambridge companion to Mendelssohn / edited by Peter Mercer-Taylor.
발행사항
Cambridge ;   New York :   Cambridge University Press,   2004.  
형태사항
xv, 315 p. : ill. ; 26 cm.
총서사항
Cambridge companions to music
ISBN
0521826039 (hardback) 0521533422 (pbk.)
서지주기
Includes bibliographical references (p. 297-300) and index.
주제명(개인명)
Mendelssohn-Bartholdy, Felix,   1809-1847.  
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300 ▼a xv, 315 p. : ▼b ill. ; ▼c 26 cm.
490 1 ▼a Cambridge companions to music
504 ▼a Includes bibliographical references (p. 297-300) and index.
600 1 0 ▼a Mendelssohn-Bartholdy, Felix, ▼d 1809-1847.
700 1 ▼a Mercer-Taylor, Peter Jameson.
830 0 ▼a Cambridge companions to music.
945 ▼a KLPA

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/서고7층/ 청구기호 780.92 M537m 등록번호 111598546 (1회 대출) 도서상태 대출가능 반납예정일 예약 서비스 B M

컨텐츠정보

책소개

The Companion to Mendelssohn, is written by leading scholars in the field. In fourteen chapters they explore the life, work, and reception of a composer-performer once thought uniquely untroubled in life and art alike, but who is now broadly understood as one of the nineteenth century's most deeply problematic musical figures. The first section of the volume considers issues of biography, with chapters dedicated to Mendelssohn's role in the emergence of Europe's modern musical institutions, to the persistent tensions of his German-Jewish identity, and to his close but enigmatic relationship with his gifted older sister, Fanny. The following nine essays survey Mendelssohn's expansive and multi-faceted musical output, marked as it was by successes in almost every contemporary musical genre outside of opera. The volume's two closing essays confront, in turn, the turbulent course of Mendelssohn's posthumous reception and some of the challenges his music continues to pose for modern performers.

This book surveys the life, work, and posthumous reception of nineteenth-century German-Jewish composer Felix Mendelssohn.


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목차

Introduction: Mendelssohn as border-dweller Peter Mercer-Taylor; Part I. Issues in Biography: 1. Mendelssohn and the institution(s) of German art music Peter Mercer-Taylor; 2. Mendelssohn and Judaism Michael P. Steinberg; 3. Felix and Fanny: gender, biography, and history Marian Wilson-Kimber; Part II. Situating the Compositions: 4. Mendelssohn and the rise of musical historicism James Garratt; 5. Mendelssohn as progressive Greg Vitercik; Part III. Profiles of the Music: 6. Symphony and Overture Douglass Seaton; 7. The works for solo instrument(s) and orchestra Steve Lindeman; 8. Mendelssohn's chamber music Thomas Schmidt-Beste; 9. The music for keyboard Glenn Stanley; 10. On Mendelssohn's sacred music, real and imaginary R. Larry Todd; 11. Mendelssohn's songs Susan Youens; 12. Felix Mendelssohn's dramatic compositions: from Liederspiel to Lorelei Monika Hennemann; Part IV. Reception and Performance: 13. Mendelssohn received John Michael Cooper; 14. Wagner as Mendelssohn: reversing habits and reclaiming meaning in the performance of Mendelssohn's music for orchestra and chorus Leon Botstein.


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