| 000 | 02080camuu2200337 a 4500 | |
| 001 | 000045678469 | |
| 005 | 20111117100130 | |
| 008 | 111116s2009 enkag b 001 0 eng d | |
| 010 | ▼a 2009921312 | |
| 015 | ▼a GBA939377 ▼2 bnb | |
| 020 | ▼a 9780754628521 | |
| 020 | ▼a 0754628523 | |
| 035 | ▼a (KERIS)REF000015722930 | |
| 040 | ▼a UKM ▼c UKM ▼d BTCTA ▼d BWKUK ▼d BWK ▼d BWX ▼d CDX ▼d BUF ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a MT90 ▼b .H47 2009 |
| 082 | 0 4 | ▼a 780.15 ▼2 22 |
| 084 | ▼a 780.15 ▼2 DDCK | |
| 090 | ▼a 780.15 ▼b H529m | |
| 100 | 1 | ▼a Hepokoski, James A. ▼q (James Arnold), ▼d 1946-. |
| 245 | 1 0 | ▼a Music, structure, thought : ▼b selected essays / ▼c James Hepokoski. |
| 260 | ▼a Farnham ; Burlington, VT : ▼b Ashgate, ▼c c2009. | |
| 300 | ▼a xx, 357 p. : ▼b ill., music ; ▼c 26 cm. | |
| 490 | 1 | ▼a Ashgate contemporary thinkers on critical musicology series |
| 504 | ▼a Includes bibliographical references (p. [xvii]-xx) and index. | |
| 505 | 0 | ▼a Introduction -- Complete bibliography -- Part 1: Historiography, history, methodology. The Dahlhaus project and its extra-musicological sources ; Beethoven reception: the symphonic tradition ; Some grounding principles of sonata theory -- Part 2: Italian opera. Ottocento opera as cultural drama: generic mixtures in Il Trovatore ; Staging Verdi's operas: the single "correct" performance ; Operatic stagings: positions and paradoxes: a reply to David J. Levin ; Structure, implication and the end of Suor Angelica ; Un bel di? Vedremo! Anatomy of a delusion -- Part 3: Structure and content: Shorter Essays. Formulaic openings in Debussy ; Culture clash ; Masculine/feminine ; Temps perdu -- Part 4: Symphonic Readings. Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated ; Framing Till Eulenspiegel ; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47. |
| 650 | 0 | ▼a Musical analysis. |
| 650 | 0 | ▼a Music appreciation. |
| 650 | 0 | ▼a Opera ▼z Italy. |
| 830 | 0 | ▼a Ashgate contemporary thinkers on critical musicology. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 780.15 H529m | 등록번호 111648444 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Among the most original and provocative musicological writers of his generation, James Hepokoski has elaborated new paradigms of inquiry for both music history and music theory. Advocating fundamental shifts of methodological reorientation within the quest for potential musical meanings, his work spans both disciplines and offers substantial challenges for each. At its core is the conviction that a close study of musical genres, procedures, and structures”those qualities of a composition that are specifically musical”is essential to any responsible hermeneutic enterprise. Selected from writings from 1984 to 2008, this collection of essays provides a generous introduction to the author’s most innovative and influential work on a wide variety of topics: musicological methodology, issues of staging and performance, Italian opera, program music, and exemplary studies of individual pieces.
This collection of essays selected from writings from 1984 to 2008, provides a generous introduction to James Hepokoski's most innovative and influential work on a wide variety of topics: musicological methodology, issues of staging and performance, Italian opera, program music, and exemplary studies of individual pieces.
정보제공 :
목차
Contents: Introduction; Complete bibliography; Part 1 Historiography, History, Methodology: The Dahlhaus project and its extra-musicological sources; Beethoven reception: the symphonic tradition; Some grounding principles of sonata theory. Part 2 Italian Operwa: Ottocento opera as cultural drama: generic mixtures in Il Trovatore; Staging Verdi's operas: the single 'correct' performance; Operatic stagings: positions and paradoxes: a reply to David J. Levin; Structure, implication and the end of Suor Angelica; Un bel dA￢? Vedremo! Anatomy of a delusion. Part 3 Structure and Content: Shorter Essays: Formulaic openings in Debussy; Culture clash; Masculine/feminine; Temps perdu. Part 4 Symphonic Readings: Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated; Framing Till Eulenspiegel; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47; Index.
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