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| 005 | 20240205095549 | |
| 008 | 111121s2001 nyua b 000 0 eng d | |
| 010 | ▼a 2002728320 ▼z 2001096434 | |
| 020 | ▼a 0789306344 (pbk.) | |
| 035 | ▼a (KERIS)REF000006947729 | |
| 040 | ▼a PUL ▼c PUL ▼d DPL ▼d TXA ▼d JED ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a NA1053.J4 ▼b T98 2001 |
| 082 | 0 4 | ▼a 720.92 ▼2 22 |
| 084 | ▼a 720.92 ▼2 DDCK | |
| 090 | ▼a 720.92 ▼b L467t | |
| 100 | 1 | ▼a Tzonis, Alexander. |
| 245 | 1 0 | ▼a Le Corbusier : ▼b the poetics of machine and metaphor / ▼c Alexander Tzonis. |
| 246 | 3 0 | ▼a Poetics of machine and metaphor |
| 260 | ▼a New York, NY : ▼b Universe, ▼c 2001. | |
| 300 | ▼a 239 p. : ▼b ill. (some col.) ; ▼c 21 cm. | |
| 504 | ▼a Includes bibliographical references (p. 238-239). | |
| 505 | 0 | ▼a Preface: Everything is Architecture -- To observe is to discover, to invent -- Forging the tools of an epoch -- Palaces, Seascrapers, Virgilian dreams -- Between the sum of errors and the dawn of renewal -- Huts, Bottleracks, and Liners -- Landscape Acoustics and Light Canons -- Drama out of stone -- Cartesian Structures -- Epilogue: Everything Returns to the Sea. |
| 600 | 0 0 | ▼a Le Corbusier, ▼d 1887-1965 ▼x Criticism and interpretation. |
| 650 | 0 | ▼a Architecture, Modern ▼y 20th century. |
| 700 | 0 | ▼a Le Corbusier, ▼d 1887-1965 ▼0 AUTH(211009)35381. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 과학도서관/Sci-Info(2층서고)/ | 청구기호 720.92 L467t | 등록번호 121214863 (11회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
No other architect since Palladio has exercised such an immense influence as Le Corbusier. As with Einstein and Picasso, Le Corbusier made an impact that was felt within but also outside his special discipline. Through numerous buildings, urban projects, paintings, sculptures, drawings, and publications, he succeeded to develop a unique poetics of machine and metaphor, revolutionizing the way people see, use, and make architecture. More than a modern architect, Le Corbusier was the architect of modern life.
The present monograph discusses Le Corbusier's oeuvre in a concise global manner in relation to the revolutionary developments of the century in which it was born. It shows how Le Corbusier worked within the context of new philosophical ideas; the avant-garde culture; the social, economic, and political movements; and new technology, achieving more than a delicate balance-- a synthesis. But it demonstrates also that Le Corbusier was a creator who conceived, enticed, and shaped many of these developments. As well as being the architect of the twentieth century, Le Corbusier is a prototype of human creativity.
The present monograph discusses Le Corbusier's oeuvre in a concise global manner in relation to the revolutionary developments of the century in which it was born. It shows how Le Corbusier worked within the context of new philosophical ideas; the avant-garde culture; the social, economic, and political movements; and new technology, achieving more than a delicate balance-- a synthesis. But it demonstrates also that Le Corbusier was a creator who conceived, enticed, and shaped many of these developments. As well as being the architect of the twentieth century, Le Corbusier is a prototype of human creativity.
정보제공 :
저자소개
알렉산더 초니스(지은이)
예일대를 졸업했다. 1967년부터 1981년까지 하버드대학에서 교수직을 역임했으며, MIT등 여러 대학교에서 방문 교수로 활동하기도 했다. 이후 네덜란드 델프트 공대 건축이론 및 디자인 방법론 전공수석교수직을 지냈다. 2007년 현재 명예교수로 있으며, 건축적 인지에 대한 학제간 연구를 수행하는 디자인 지식시스템 연구소 소장으로 재직 중이다. 지은 책으로 <건축적 사고의 구조 Towards a nonoppressive Environment>, <고전건축의 시학> 등이 있다.