| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045945161 | |
| 005 | 20180621144811 | |
| 008 | 180621s2018 enka b 001 0 eng d | |
| 010 | ▼a 2017052033 | |
| 020 | ▼a 9781108422772 (hardback) | |
| 020 | ▼a 9781108436373 (paperback) | |
| 035 | ▼a (KERIS)REF000018533455 | |
| 040 | ▼a DLC ▼b eng ▼c DLC ▼e rda ▼d DLC ▼d 211009 | |
| 043 | ▼a e-ie--- | |
| 050 | 0 0 | ▼a PR6003.E282 ▼b Z5865 2018 |
| 082 | 0 0 | ▼a 848/.91409 ▼2 23 |
| 084 | ▼a 848.909 ▼2 DDCK | |
| 090 | ▼a 848.909 ▼b B396Ycr | |
| 100 | 1 | ▼a Carville, Conor, ▼d 1967-. |
| 245 | 1 0 | ▼a Samuel Beckett and the visual arts / ▼c Conor Carville. |
| 260 | ▼a Cambridge, United Kingdom : ▼b Cambridge University Press, ▼c c2018. | |
| 300 | ▼a ix, 265 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 8 | ▼a Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings. |
| 520 | ▼a "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- ▼c Provided by publisher. | |
| 600 | 1 0 | ▼a Beckett, Samuel, ▼d 1906-1989 ▼x Knowledge ▼x Art. |
| 650 | 0 | ▼a Art and literature ▼z Ireland ▼x History ▼y 20th century. |
| 650 | 0 | ▼a Arts, Modern ▼y 20th century. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 과학도서관/Sci-Info(2층서고)/ | 청구기호 848.909 B396Ycr | 등록번호 121245058 (2회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes.
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
정보제공 :
목차
Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett''s German Renaissance; 4. ''Terrifying Materiality'': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. ''Sordid Abstraction'': Prose, Plays, Paintings.