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| 005 | 20181210151456 | |
| 008 | 181206s2010 enk b 001 0 eng d | |
| 010 | ▼a 2009047477 | |
| 015 | ▼2 bnb ▼a GBA9C5370 | |
| 020 | ▼a 9780854881772 (Whitechapel) | |
| 020 | ▼a 9780262513920 (MIT Press : pbk. : alk. paper) | |
| 035 | ▼a (KERIS)REF000015570771 | |
| 040 | ▼a DLC ▼c DLC ▼d BTCTA ▼d ERASA ▼d C#P ▼d YDXCP ▼d BWX ▼d UKM ▼d CDX ▼d FDA ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a NX456.5.C46 ▼b C48 2010 |
| 082 | 0 0 | ▼a 701/.8 ▼2 23 |
| 084 | ▼a 701.8 ▼2 DDCK | |
| 090 | ▼a 701.8 ▼b C454 | |
| 245 | 0 0 | ▼a Chance / ▼c edited by Margaret Iversen. |
| 260 | ▼a London : ▼b Whitechapel Gallery ; ▼a Cambridge, Mass. : ▼b MIT Press, ▼c 2010. | |
| 300 | ▼a 238 p. ; ▼c 21 cm. | |
| 490 | 1 | ▼a Documents of contemporary art |
| 504 | ▼a Includes bibliographical references (p. 230-232) and index. | |
| 650 | 0 | ▼a Chance in art. |
| 650 | 0 | ▼a Arts, Modern ▼y 20th century. |
| 650 | 0 | ▼a Arts, Modern ▼y 21st century. |
| 700 | 1 | ▼a Iversen, Margaret. |
| 830 | 0 | ▼a Documents of contemporary art series. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 701.8 C454 | 등록번호 111800431 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
The chance situation or random event--whether as a strategy or as a subject of investigation--has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why--a century after Dada and Surrealism's first systematic enquiries--does chance remain a key strategy in artists' investigations into the contemporary world? The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging. Artists surveyed include Vito Acconci, Bas Jan Ader, Francis Alys, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Wolfgang Tillmans, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young Writers include Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Susan Laxton, Sarat Maharaj, Midori Matsui, John Miller, Alexandra Munroe, Gabriel Perez Barreiro, Jasia Reichardt, Julia Robinson, Eric L. Santner, Sarah Valdez, Katharina Vossenkuhl
정보제공 :
목차
Introduction -- Performance, process, possibility -- Repetitions, retracings, relapses.