| 000 | 00000nam u2200205 a 4500 | |
| 001 | 000045971875 | |
| 005 | 20190724171348 | |
| 008 | 190226s2017 si b 001 0 eng d | |
| 020 | ▼a 9789811352065 (pbk.) | |
| 020 | ▼a 9789811047053 (ebk.) | |
| 040 | ▼a 211009 ▼c 211009 ▼d 211009 | |
| 082 | 0 4 | ▼a 700.1 ▼2 23 |
| 084 | ▼a 700.1 ▼2 DDCK | |
| 090 | ▼a 700.1 ▼b C496m | |
| 100 | 1 | ▼a Chau, Christina. |
| 245 | 1 0 | ▼a Movement, time, technology, and art / ▼c Christina Chau. |
| 260 | ▼a Singapore : ▼b Springer, ▼c c2017. | |
| 300 | ▼a vi, 148 p. ; ▼c 24 cm. | |
| 490 | 1 | ▼a Springer series cultural computing |
| 504 | ▼a Includes bibliographical references and index. | |
| 776 | 0 8 | ▼i Online version: ▼a Chau, Christina. ▼t Movement, time, technology, and art ▼z 9789811047053 ▼w (211009) 000045990018 |
| 830 | 0 | ▼a Springer series cultural computing. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 700.1 C496m | 등록번호 111805358 (1회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
This book explores the ways in which artists use technology to create different perceptions of time in art in order to reflect on contemporary relationships to technology. By considering the links between technology, movement and contemporary art, the book explores changing relationship between temporality in art, art history, media art theory, modernity, contemporary art, and digital art.
This book challenges the dominant view that kinetic art is an antiquated artistic experiment and considers the changing perception of kinetic art by focusing on exhibitions and institutions that have recently challenged the notion of kinetic art as a marginalised and forgotten artistic experiment with mechanical media. This is achieved by deconstructing Frank Popper’s argument that kinetic art is a precursor to subsequent explorations in the intersections between art, science and technology.
Rather than pandering to the prevailing art historical assumption that kinetic sculpture is merely a precursor to art in a digital culture, the book proposes that perhaps kineticism succeeded too well, where movement has become a ubiquitous element of the aesthetic of contemporary art. If, as Boris Groys has recently suggested, installation has become the dominant mode of art in the contemporary age, then movement in real time with the viewer is used to aestheticise and explore the facets of our peculiar time.
New feature
This book explores the ways in which artists use technology to create different perceptions of time in art in order to reflect on contemporary relationships to technology. By considering the links between technology, movement and contemporary art, the book explores changing relationship between temporality in art, art history, media art theory, modernity, contemporary art, and digital art.
This book challenges the dominant view that kinetic art is an antiquated artistic experiment and considers the changing perception of kinetic art by focusing on exhibitions and institutions that have recently challenged the notion of kinetic art as a marginalised and forgotten artistic experiment with mechanical media. This is achieved by deconstructing Frank Popper’s argument that kinetic art is a precursor to subsequent explorations in the intersections between art, science and technology.
Rather than pandering to the prevailing art historical assumption that kinetic sculpture is merely a precursor to art in a digital culture, the book proposes that perhaps kineticism succeeded too well, where movement has become a ubiquitous element of the aesthetic of contemporary art. If, as Boris Groys has recently suggested, installation has become the dominant mode of art in the contemporary age, then movement in real time with the viewer is used to aestheticise and explore the facets of our peculiar time.
정보제공 :
목차
Introduction Revolutions Directions in Kinetic Art Systems Aesthetics Digital Determinism Three Key Influences of the Kinetic Aesthetics Your Negotiable Panorama Our Consciousness of Time.