![The musical-mathematical mind [electronic resource] : patterns and transformations](https://image.aladin.co.kr/product/9169/16/cover/3319473360_2.jpg)
| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045989907 | |
| 005 | 20190723175257 | |
| 006 | m d | |
| 007 | cr | |
| 008 | 190708s2017 sz a ob 000 0 eng d | |
| 020 | ▼a 9783319473369 | |
| 020 | ▼a 9783319473376 (e-book) | |
| 040 | ▼a 211009 ▼c 211009 ▼d 211009 | |
| 050 | 4 | ▼a NX260 |
| 082 | 0 4 | ▼a 780/.0519 ▼2 23 |
| 084 | ▼a 780.0519 ▼2 DDCK | |
| 090 | ▼a 780.0519 | |
| 245 | 0 4 | ▼a The musical-mathematical mind ▼h [electronic resource] : ▼b patterns and transformations / ▼c Gabriel Pareyon ... [et al.], editors. |
| 260 | ▼a Cham : ▼b Springer, ▼c c2017. | |
| 300 | ▼a 1 online resource (xxix, 345 p.) : ▼b ill. | |
| 490 | 1 | ▼a Computational Music Science, ▼x 1868-0305 |
| 500 | ▼a Title from e-Book title page. | |
| 504 | ▼a Includes bibliographical references. | |
| 505 | 0 | ▼a Introduction -- Extended Counterpoint Symmetries and Continuous Counterpoint -- A Survey of Applications of the Discrete Fourier Transform in Music Theory -- Gestures on Locales and Localic Topoi -- A Proposal for a Music Writing for the Visually Impaired -- Group Theory for Pitch Sequence Representation -- The Mechanics of Tipping Points -- Lexicographic Orderings of Modes and Morphisms -- Music of Quantum Circles -- Algebraic Combinatorics on Modes -- Proportion, Perception, Speculation -- Models and Algorithms for Music Generated by Physiological Processes -- Music, Expectation, and Information Theory -- Gestural Dynamics in Modulation: (Towards) A Musical String Theory -- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization -- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation -- Wooden Idiophones: Classification Through Phase Synchronization Analysis -- A Fuzzy Rule Model for High-Level Musical Features on Automated Composition Systems -- The Musical Experience Between Measurement and Computation -- Generic Additive Synthesis -- Dynamical Virtual Sounding Networks -- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem -- Diagrams, Games and Time (Towards the Analysis of Open Form Scores) -- On Minimal Change Musical Morphologies. |
| 520 | ▼a This book presents a deep spectrum of musical, mathematical, physical, and philosophical perspectives that have emerged in this field at the intersection of music and mathematics. In particular the contributed chapters introduce advanced techniques and concepts from modern mathematics and physics, deriving from successes in domains such as Topos theory and physical string theory. The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory. | |
| 530 | ▼a Issued also as a book. | |
| 538 | ▼a Mode of access: World Wide Web. | |
| 650 | 0 | ▼a Music ▼x Mathematics. |
| 650 | 0 | ▼a Music ▼x Psychological aspects. |
| 700 | 1 | ▼a Pareyon, Gabriel. |
| 830 | 0 | ▼a Computational Music Science. |
| 856 | 4 0 | ▼u https://oca.korea.ac.kr/link.n2s?url=https://doi.org/10.1007/978-3-319-47337-6 |
| 945 | ▼a KLPA | |
| 991 | ▼a E-Book(소장) |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 780.0519 | 등록번호 E14015449 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Introduction.- Extended Counterpoint Symmetries and Continuous Counterpoint.- A Survey of Applications of the Discrete Fourier Transform in Music Theory.- Gestures on Locales and Localic Topoi.- A Proposal for a Music Writing for the Visually Impaired.- Group Theory for Pitch Sequence Representation.- The Mechanics of Tipping Points.- Lexicographic Orderings of Modes and Morphisms.- Music of Quantum Circles.- Algebraic Combinatorics on Modes.- Proportion, Perception, Speculation.- Models and Algorithms for Music Generated by Physiological Processes.- Music, Expectation, and Information Theory.- Gestural Dynamics in Modulation: (Towards) A Musical String Theory.- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization.- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation.- Wooden Idiophones: Classification Through Phase Synchronization Analysis.- A Fuzzy Rule Model for High-Level Musical Features on Automated Composition Systems.- The Musical Experience Between Measurement and Computation.- Generic Additive Synthesis.- Dynamical Virtual Sounding Networks.- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem.- Diagrams, Games and Time (Towards the Analysis of Open Form Scores).- On Minimal Change Musical Morphologies.
정보제공 :
목차
Introduction Extended Counterpoint Symmetries and Continuous Counterpoint A Survey of Applications of the Discrete Fourier Transform in Music Theory Gestures on Locales and Localic Topoi A Proposal for a Music Writing for the Visually Impaired Group Theory for Pitch Sequence Representation The Mechanics of Tipping Points Lexicographic Orderings of Modes and Morphisms Music of Quantum Circles Algebraic Combinatorics on Modes Proportion, Perception, Speculation Models and Algorithms for Music Generated by Physiological Processes Music, Expectation, and Information Theory Gestural Dynamics in Modulation: (Towards) A Musical String Theory The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation Wooden Idiophones: Classification Through Phase Synchronization Analysis A Fuzzy Rule Model for High-Level Musical Features on Automated Composition Systems The Musical Experience Between Measurement and Computation Generic Additive Synthesis Dynamical Virtual Sounding Networks Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem Diagrams, Games and Time (Towards the Analysis of Open Form Scores) On Minimal Change Musical Morphologies.