All about music [electronic resource] : the complete ontology : realities, semiotics, communication, and embodiment
| 000 | 00000nam u2200205 a 4500 | |
| 001 | 000046030287 | |
| 005 | 20200608152920 | |
| 006 | m d | |
| 007 | cr | |
| 008 | 200601s2016 sz a ob 001 0 eng d | |
| 020 | ▼a 9783319473345 | |
| 040 | ▼a 211009 ▼c 211009 ▼d 211009 | |
| 082 | 0 4 | ▼a 780 ▼2 23 |
| 084 | ▼a 780 ▼2 DDCK | |
| 090 | ▼a 780 | |
| 245 | 0 0 | ▼a All about music ▼h [electronic resource] : ▼b the complete ontology : realities, semiotics, communication, and embodiment / ▼c Guerino Mazzola ... [et al.]. |
| 260 | ▼a Cham : ▼b Springer International Publishing : ▼b Imprint: Springer, ▼c 2016. | |
| 300 | ▼a 1 online resource (xiii, 191 p.) : ▼b ill. (some col.). | |
| 490 | 1 | ▼a Computational music science, ▼x 1868-0305 |
| 500 | ▼a Title from e-Book title page. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Introduction -- Physical Reality -- Psychological Reality -- Mental Reality -- Generalities about Signs, Neumes, Periods and Development Sentences -- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding -- Riemannian Harmony and The HarmonRubette Software -- De Saussure’s Six Dichotomies -- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory -- The Musical Case of Iterated Imbrication of Semiotic Components -- What Is Art? -- MIDI Code -- Global Music -- Gesture Theory in Music -- Frege’s Prison of Functions -- Music Without Scores. Neuroscience and Gestures -- Mathematical Gesture Theory -- Creativity Theory. |
| 520 | ▼a This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike. | |
| 530 | ▼a Issued also as a book. | |
| 538 | ▼a Mode of access: World Wide Web. | |
| 650 | 0 | ▼a Computer science. |
| 650 | 0 | ▼a Music. |
| 650 | 0 | ▼a Computer science ▼x Mathematics. |
| 650 | 0 | ▼a Artificial intelligence. |
| 650 | 0 | ▼a Application software. |
| 650 | 0 | ▼a Mathematics. |
| 700 | 1 | ▼a Mazzola, G. ▼q (Guerino). |
| 830 | 0 | ▼a Computational music science. |
| 856 | 4 0 | ▼u https://oca.korea.ac.kr/link.n2s?url=http://dx.doi.org/10.1007/978-3-319-47334-5 |
| 945 | ▼a KLPA | |
| 991 | ▼a E-Book(소장) |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 780 | 등록번호 E14023231 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |