Patterns of intuition [electronic resource] : musical creativity in the light of algorithmic composition
| 000 | 00000nam u2200205 a 4500 | |
| 001 | 000046040234 | |
| 005 | 20200821092437 | |
| 006 | m d | |
| 007 | cr | |
| 008 | 200728s2015 ne a ob 000 0 eng d | |
| 020 | ▼a 9789401795616 | |
| 040 | ▼a 211009 ▼c 211009 ▼d 211009 | |
| 050 | 4 | ▼a Q334-342 |
| 082 | 0 4 | ▼a 781.34 ▼2 23 |
| 084 | ▼a 781.34 ▼2 DDCK | |
| 090 | ▼a 781.34 | |
| 245 | 0 0 | ▼a Patterns of intuition ▼h [electronic resource] : ▼b musical creativity in the light of algorithmic composition / ▼c Gerhard Nierhaus, editor. |
| 260 | ▼a Dordrecht : ▼b Springer Netherlands : ▼b Imprint: Springer, ▼c 2015. | |
| 300 | ▼a 1 online resource (viii, 421 p.) : ▼b ill. | |
| 500 | ▼a Title from e-Book title page. | |
| 504 | ▼a Includes bibliographical references. | |
| 505 | 0 | ▼a Outline of the compositional structure(s) to be investigated -- The algorithms/procedures used -- Findings -- Improvisation in Trees -- Electronic Music for an Acoustic Piano -- Forbidden Melodies -- The Semantics of a String Quartet -- Comments from renowned scientists from related research areas of Algorithmic Composition, Musicology, Artistic Research, Creativity. |
| 520 | ▼a The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields. | |
| 530 | ▼a Issued also as a book. | |
| 538 | ▼a Mode of access: World Wide Web. | |
| 650 | 0 | ▼a Computer composition. |
| 700 | 1 | ▼a Nierhaus, Gerhard. |
| 856 | 4 0 | ▼u https://oca.korea.ac.kr/link.n2s?url=http://dx.doi.org/10.1007/978-94-017-9561-6 |
| 945 | ▼a KLPA | |
| 991 | ▼a E-Book(소장) |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 781.34 | 등록번호 E14030063 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |