| 000 | 00000nam u2200205 a 4500 | |
| 001 | 000046190281 | |
| 005 | 20241210091738 | |
| 008 | 241209s2020 it a b 001 0 eng d | |
| 020 | ▼a 9788899212148 | |
| 035 | ▼a (KERIS)BIB000015787766 | |
| 040 | ▼a 211046 ▼c 211046 ▼d 211009 | |
| 041 | 1 | ▼a eng ▼h ita |
| 050 | 4 | ▼a MT723 |
| 082 | 0 4 | ▼a 781.34 ▼2 23 |
| 084 | ▼a 781.34 ▼2 DDCK | |
| 090 | ▼a 781.34 ▼b C577mE3 ▼c 2 | |
| 100 | 1 | ▼a Cipriani, Alessandro, ▼d 1959-. |
| 240 | 1 0 | ▼a Musica elettronica e sound design. ▼l English |
| 245 | 1 0 | ▼a Electronic music and sound design : ▼b theory and practice with Max 8. ▼n Volume 2 / ▼c Alessandro Cipriani, Maurizio Giri ; translation by Richard Dudas. |
| 250 | ▼a 3rd ed. | |
| 260 | ▼a Rome, Italy : ▼b Contemponet, ▼c 2020. | |
| 300 | ▼a xvi, 730 p. : ▼b ill. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 719-721) and index. | |
| 650 | 0 | ▼a Electronic music ▼x Instruction and study. |
| 650 | 0 | ▼a Synthesizer (Musical instrument). |
| 650 | 0 | ▼a Computer music ▼x Instruction and study. |
| 650 | 0 | ▼a Computer composition (Music). |
| 700 | 1 | ▼a Giri, Maurizio, ▼e author. |
| 700 | 1 | ▼a Dudas, Richard, ▼d 1968-, ▼e translator. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 과학도서관/Sci-Info(2층서고)/ | 청구기호 781.34 C577mE3 2 | 등록번호 121268043 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
(Third Edition updated for MAX 8) This is the second in a series of volumes dedicated to digital synthesis and sound design. It is part of a teaching method incorporating a substantial amount of online supporting materials: hundreds of sound examples and interactive examples, programs written in Max, as well as a library of Max objects created especially for this book. Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. This book will provide a reader with skill and understanding in using Max/MSP for sound design and musical composition.
정보제공 :
목차
Chapter 5T - THEORY: DIGITAL AUDIO AND SAMPLED SOUNDS Chapter 5P - PRACTICE: DIGITAL AUDIO AND SAMPLED SOUNDS Interlude C - PRACTICE: MANAGING TIME, POLYPHONY, ATTRIBUTES AND ARGUMENTS Chapter 6T - THEORY: DELAY LINES Chapter 6P - PRACTICE: DELAY LINES Chapter 7T - THEORY: DYNAMICS PROCESSORS Chapter 7P - PRACTICE: DYNAMICS PROCESSORS Interlude D - PRACTICE: ADVANCED PRESET MANAGEMENT, BPATCHER, VARIABLE ARGUMENTS, DATA AND SCORE MANAGEMENT Chapter 8T - THEORY: THE ART OF ORGANIZING SOUND: MOTION PROCESSES Chapter 8P - PRACTICE: THE ART OF ORGANIZING SOUND: MOTION PROCESSES Chapter 9T - THEORY: MIDI Chapter 9P - PRACTICE: MIDI AND REAL-TIME CONTROL Interlude E - PRACTICE: MAX FOR LIVE