| 000 | 00000cam u22002058i 4500 | |
| 001 | 000046078508 | |
| 005 | 20210428164851 | |
| 008 | 210428s2015 vtu b 001 0 eng | |
| 010 | ▼a 2015017487 | |
| 020 | ▼a 9781409457763 (hardcover : alk. paper) | |
| 035 | ▼a (KERIS)REF000017753950 | |
| 040 | ▼a DLC ▼b eng ▼c DLC ▼e rda ▼d 211009 | |
| 082 | 0 4 | ▼a 780.78 ▼2 23 |
| 084 | ▼a 780.78 ▼2 DDCK | |
| 090 | ▼a 780.78 ▼b R663 m | |
| 100 | 1 | ▼a Robinson, Roxy. |
| 245 | 1 0 | ▼a Music festivals and the politics of participation / ▼c Roxy Robinson. |
| 260 | ▼a Burlington, VT : ▼b Ashgate, ▼c 2015. | |
| 300 | ▼a pages cm. | |
| 336 | ▼a text ▼2 rdacontent | |
| 337 | ▼a unmediated ▼2 rdamedia | |
| 338 | ▼a volume ▼2 rdacarrier | |
| 490 | 0 | ▼a Ashgate popular and folk music series |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Music festivals ▼x Social aspects. |
| 650 | 0 | ▼a Music festivals ▼z Great Britain. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 세종학술정보원/인문자료실2(2층)/ | 청구기호 780.78 R663 m | 등록번호 151353529 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? What has led to this change? In her richly detailed study, industry insider Dr Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry. Setting the scene as a fragmented, yet highly competitive market, Music Festivals and the Politics of Participation examines the emergence of key trends with a focus on surrealist production and popular theatricality. For the first time, the transatlantic relationship between British promoters and the social experiment-come-festival Burning Man is documented, uncovering its role in promoting a politics of participation that has dramatically altered the festival experience. Taking an in-depth approach to examining key events, including the fastest growing independent music festival in recent years (Hampshire’s BoomTown Fair) the UK market is shown to have produced a scene that champions co-production and the democratization of festival space. This is a vital text for anyone interested in British culture.
The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? In her richly detailed study, industry insider Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry.
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Music Festivals and the Politics of Participation
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