| 000 | 00000nam u2200205 a 4500 | |
| 001 | 000046153432 | |
| 005 | 20230713165212 | |
| 008 | 230711r19961993enka b 001 0 eng d | |
| 020 | ▼a 0521565448 | |
| 040 | ▼a 211009 ▼c 211009 ▼d 211009 | |
| 050 | 4 | ▼a ML410.C24 ▼b P7 1996 |
| 082 | 0 4 | ▼a 780/.92 ▼2 23 |
| 084 | ▼a 780.92 ▼2 DDCK | |
| 090 | ▼a 780.92 ▼b C131p | |
| 100 | 1 | ▼a Pritchett, James. |
| 245 | 1 4 | ▼a The music of John Cage / ▼c James Pritchett. |
| 250 | ▼a 1st pbk. ed. | |
| 260 | ▼a Cambridge ; ▼a New York : ▼b Cambridge University Press, ▼c 1996,1993. | |
| 300 | ▼a xiii, 223 p. : ▼b ill. ; ▼c 26 cm. | |
| 490 | 1 | ▼a Music in the twentieth century |
| 500 | ▼a First published 1993. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 600 | 1 0 | ▼a Cage, John ▼x Criticism and interpretation. |
| 830 | 0 | ▼a Music in the twentieth century. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 780.92 C131p | 등록번호 511058478 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Although John Cage has been almost universally recognised as the leading figure of the post-war musical avant-garde, this is the first book to present a complete and coherent picture of Cage the composer. Providing a historical account of Cage's musical concerns and changing style, James Pritchett describes just what it was Cage did and why and how he did it. The book is centred around extensive descriptions of the most important works and compositional techniques, including in-depth explanations of the role of chance and indeterminacy in Cage's music. Dr Pritchett also considers the relationship of Cage's musical thought to his interests in such diverse subjects as Eastern philosophy and religion, Marshall McLuhan, and anarchism (among many others). This book thus makes the essential introduction to Cage's musical world.
The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.
정보제공 :
목차
1. ''For more new sounds'' (1933–1948); 2. ''To sober and quiet the mind...'' (1946–1951); 3. ''Throwing sound into silence'' (1951–1956);4. Indeterminacy (1957–1961); 5. ''Music (not composition)'' (1962–1969); 6. ''Joy and bewilderment'' (1969–1992).