| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000046153439 | |
| 005 | 20230713174024 | |
| 008 | 230711s1982 enkacgh b 001 0deng | |
| 010 | ▼a 82001348 | |
| 020 | ▼a 0521228077 | |
| 035 | ▼a (KERIS)REF000014545273 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a ML410.D28 ▼b O74 1982 |
| 082 | 0 0 | ▼a 782/.092/4 ▼2 19 |
| 082 | 0 4 | ▼a 780.92 ▼2 23 |
| 084 | ▼a 780.92 ▼2 DDCK | |
| 090 | ▼a 780.92 ▼b D289o | |
| 100 | 1 | ▼a Orledge, Robert. |
| 245 | 1 0 | ▼a Debussy and the theatre / ▼c Robert Orledge. |
| 260 | ▼a Cambridge [Cambridgeshire] ; ▼a New York : ▼b Cambridge University Press, ▼c 1982. | |
| 300 | ▼a xvii, 383 p. : ▼b ill., ports., music, facsims. ; ▼c 24 cm. | |
| 504 | ▼a Includes bibliographical references (p. 330-346) and index. | |
| 600 | 1 0 | ▼a Debussy, Claude, ▼d 1862-1918 ▼x Criticism and interpretation. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 780.92 D289o | 등록번호 511058485 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the only stage work Debussy chose and completed himself without a definite production in view. The opera both established Debussy's mature style and reputation in the forefront of contemporary composers and changed the course of operatic history. But Pelleas was also largely responsible for Debussy's `compulsive inachievement' in the theatre. Before it he delayed completing other works so that Albert Carre's production at the Opera-Comique would be his theatre debut; and then its traumatic dress-rehearsal in April 19o2 left him reluctant to undergo another similar experience. This, coupled with his search for lyrical librettos or scenarios that could inspire the rhythm and colour that he regarded as vital ingredients in theatre music, resulted in a career littered with abandoned projects. The story of this most fascinating of love?hate relationships with the stage is told, as far as possible, in the composer's own words or from contemporary documents.
Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.
정보제공 :
목차
1. Introduction; Part I. The Operas: 2. Before Pelleas: Axel, Rodrigue et Chimene and other early projects, including Diane au bois; 3. Pelleas et Mellsande (1893?5, 1901?2); 4. After Pelleas: the Poe operas (Le diable daps le beffroi, La chute de la Maison Usher); Part II. The Ballets: 5. Khamma (1911?13); 6. Nijinsky and Diaghilev's Ballets Russes (1909?13); 7. La boite a joujoux (1913); 8. The Alhambra Theatre: No-ja-li or Le palais du silence and Printemps (1913?14); 9. Crimen amoris, later Fetes galantes (1912?15); Part III. Incidental Music For The Theatre: 10. Le martyre de Saint Sebastien (1911); 11. The remaining incidental music (1899?1913) and the plays written in collaboration with Rene Peter; Part IV. Incomplete And Unstarted Projects; 12. As you like it; Lout's, Segalen and the projects from Pelleas onwards (1895?1917); Part V. In Perspective: 13. Debussy in and about the theatre: some observations and conclusions.
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