| 000 | 00939camuuu200265 a 4500 | |
| 001 | 000000578700 | |
| 003 | OCoLC | |
| 005 | 19980119114419.0 | |
| 008 | 890601s1989 miua 000 0 eng | |
| 010 | ▼a 89015726 //r91 | |
| 020 | ▼a 0939512394 (alk. paper) : ▼c $11.95 | |
| 040 | ▼a DLC ▼c DLC | |
| 041 | 1 | ▼a eng ▼h jpn |
| 049 | ▼a ACCL ▼l 111072604 | |
| 050 | 0 0 | ▼a PL835.G8 ▼b A24 1989 |
| 082 | 0 0 | ▼a 895.6/144 ▼2 20 |
| 090 | ▼a 895.6144 ▼b O35LE | |
| 100 | 1 | ▼a Oguma, Hideo, ▼d 1901-1940. |
| 245 | 1 0 | ▼a Long, long autumn nights : ▼b selected poems of Oguma Hideo, 1901-1940 / ▼c translated and with an introduction by David G. Goodman. |
| 260 | ▼a Ann Arbor : ▼b Center for Japanese Studies, University of Michigan, ▼c 1989. | |
| 300 | ▼a 123 p. : ▼b ill. ; ▼c 24 cm. | |
| 440 | 0 | ▼a Michigan monograph series in Japanese studies ; ▼v no. 3. |
| 600 | 1 0 | ▼a Oguma, Hideo, ▼d 1901-1940 ▼x Translations into English. |
| 700 | 1 | ▼a Goodman, David G., ▼d 1946-. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 895.6144 O35LE | 등록번호 111072604 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
In the deepening twilight before World War II, Oguma Hideo cried out against the darkness that was enveloping men’s souls. He died in 1940 at the age of 39, but during his brief lifetime he published some of the most politically powerful poems ever written in Japan.
In the deepening twilight before World War II, Oguma Hideo cried out against the darkness that was enveloping men's souls. He died in 1940 at the age of 39, but during his brief lifetime he published some of the most politically powerful poems ever written in Japan.
Oguma's best work displays an empathic vision and breadth of human concern unparalleled in Japanese poetry. He writes from the point of view of Chinese soldiers massacred by the Japanese forces, Ainu hunters trying to preserve their ethnic identity, and Korean grandmothers struggling in vain to preserve Korean culture under Japanese occupation. And, quite unusually for Japanese poets, who have tended to favor the shorter waka and haiku forms, Oguma excels at long poems with an epic-like quality.
About the Author
David G. Goodman is Associate Professor of Japanese and Comparative Literature at the University of Illinois, Urbana-Champaign. He is best known as a scholar and translator of modern Japanese drama and is the editor-translator of many books in English.정보제공 :
목차
CONTENTS Acknowledgements = ⅸ Introduction = 1 Ⅰ. From Sakhalin to Tokyo, 1920-1930 Child of the Beast(Kedamono no ko) = 24 Stolen Souls(Ubawareta tamashii) = 29 The Man in the Attic(Tenj o ? -ura no otoko) = 33 A Dangerous Hunter(Kiken na ry o ? shi) = 34 Ezo(Ezo) = 36 Suppertime in the Snow(○uki no y u ? ge) = 37 Luster of Home(Inaka no k o ? taku) = 39 Sound of the Sea(Shiosai) = 40 Ⅱ. The Proletarian Poet, 1928-1933 Give Me Talent!(Sain o ? o atae-tamae) = 44 The Battle Line(Sanpeisen) = 45 The Whetstone of Reality(Genjitsu no toishi) = 46 Ⅲ. Post-Tenk o ? Poems, 1934-1935 The Blacksmith's Song(Teitestuya no uta) = 49 Singing on Horseback(Baj o ? no uta) = 51 Why Don't You Sing?(Naze utaidasanai no ka) = 54 To the Sun(Taiy o ? e) = 56 Talk Up a Storm(Shaberimakure) = 58 Politics and Literature(Seiji to bungaku) = 60 My Enterprise(Watakushi no jigy o ? ) = 62 O, Precious Despair(Omae kawaii zetsub o ? yo) = 64 Ⅳ. Epic Poetry, Circa 1935 The Tumbleweed Company(Pulamubago ch u ? tai) = 68 The Flying Sled(Tobu sori) = 84 Long, Long Autumn Nights(Changjang Ch'uya) = 112 Setting-Out Song for Horse-Drawn Carriages(Basha no shuppatsu no uta) = 122