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| 001 | 000000746065 | |
| 005 | 20011224112340 | |
| 008 | 000504s2000 enka b 001 0 eng | |
| 010 | ▼a 00034712 | |
| 020 | ▼a 033520077X (HB) | |
| 020 | ▼a 0335200761 (PB) | |
| 040 | ▼a DLC ▼c DLC ▼d UKM ▼d C#P ▼d 211009 | |
| 043 | ▼a n-us-ca | |
| 049 | 1 | ▼l 111198919 |
| 050 | 0 0 | ▼a PN1993.5.U65 ▼b B675 2000 |
| 082 | 0 0 | ▼a 384/.8/0979494 ▼2 21 |
| 090 | ▼a 384.8 ▼b B821c | |
| 100 | 1 | ▼a Branston, Gill. |
| 245 | 1 0 | ▼a Cinema and cultural modernity / ▼c Gill Branston. |
| 260 | ▼a Buckingham [England] ; ▼a Philadelphia : ▼b Open University Press, ▼c 2000. | |
| 300 | ▼a viii, 207 p. : ▼b ill. ; ▼c 23 cm. | |
| 440 | 0 | ▼a Issues in cultural and media studies |
| 504 | ▼a Includes bibliographical references (p. [182]-196) and index. | |
| 650 | 0 | ▼a Motion picture industry ▼z California ▼z Los Angeles. |
| 650 | 0 | ▼a Motion pictures ▼x Social aspects. |
| 650 | 0 | ▼a Motion pictures ▼x Philosophy. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고6층/ | 청구기호 384.8 B821c | 등록번호 111198919 (6회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Branston (film studies, Cardiff U., UK) addresses the social and political contexts of film and cinema studies, addressing topics such as Hollywood's histories and how authorship, stardom, and globalized blockbuster cinema, its pleasures and disappointments, might be evaluated. She argues for the need for cinema study that is both sensitive to the formal "textiness" of films but also less anxious about arguing for its position within broad agendas of representation. She also shows how such debates and histories might connect both the pleasures of "consuming" cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity. Annotation c. Book News, Inc., Portland, OR (booknews.com)
정보제공 :
목차
CONTENTS SERIES EDITOR'S FOREWORD = ⅸ ACKNOWLEDGEMENTS = ⅹ INTRODUCTION = 1 Cinema is not dead = 2 Modernity = 2 Hollywood, cinema studies and this book = 4 1｜HOOLWOOD HISTORIES = 9 Early cinema histories = 10 Movies as culture industries = 17 Cultures of consumption = 20 The studio system = 24 Classical or standardized? = 29 A speculation on modernity and modernism = 33 Further reading = 36 2｜'NEW AGAIN' HOLLYWOOD = 38 Post-studio histories = 39 High concept and multi-marketed rollercoasters = 46 Full global media conglomeracy = 53 Further reading = 60 3｜'GLOBALLY POPULAR' CINEMA? = 61 Globalization, cultural imperialism and cinema = 62 'To be global is to be American'? = 66 FX and global narratives = 71 Exhibiting global／local inequalities = 76 Further reading = 85 4｜AUTHORS AND AGENCY = 86 Theories of authorship and cinema = 87 A note on mise-en-sc$$grave e$$ ne = 91 Cultural politics, agency, authorship = 92 Branding authors : the case of Hitchcock = 95 Collective production and agency = 99 Further reading = 105 5｜STARS, BODIES, GALAXIES = 106 Stars in studio histories = 108 Audiences and fans = 115 Performance, presence, acting = 118 Post-studio stars = 125 Further reading = 130 6｜MOVIES MOVE AUDIENCES = 131 The limits of textiness = 131 Mulvey and moving 'looks' = 136 Cine-psychoanalysis = 139 Identification and narratives = 143 From spectators to audiences = 146 'Eacape', utopias and cinemas = 148 Further reading = 154 7｜IDENTIFYING A CRITICAL POLITICS OF REPRESENTATION = 155 From representation to identities = 156 Representation, stereotyping, politics = 160 Realisms = 164 Audiences = 166 The burden of representation = 171 Back to the future? = 175 Further reading = 176 GLOSSARY = 177 BIBLIOGRAPHY = 182 INDEX = 197