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Samuel Beckett and cinema [electronic resource]

Samuel Beckett and cinema [electronic resource]

자료유형
E-Book(소장)
개인저자
Paraskeva, Anthony.
서명 / 저자사항
Samuel Beckett and cinema [electronic resource] / Anthony Paraskeva.
발행사항
London :   Bloomsbury Academic,   c2017.  
형태사항
1 online resource (vi, 202 p.).
총서사항
Historicizing Modernism
ISBN
9781472533234 (electronic bk.) 1472533232 (electronic bk.) 9781472524980 1472524985 1472527372 (electronic bk.) 9781472527370 (electronic bk.)
요약
In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud.
일반주기
Title from e-Book title page.  
서지주기
Includes bibliographical references and index.
이용가능한 다른형태자료
Issued also as a book.  
일반주제명
Motion pictures and literature.
주제명(개인명)
Beckett, Samuel,   1906-1989   Criticism and interpretation.  
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245 1 0 ▼a Samuel Beckett and cinema ▼h [electronic resource] / ▼c Anthony Paraskeva.
260 ▼a London : ▼b Bloomsbury Academic, ▼c c2017.
300 ▼a 1 online resource (vi, 202 p.).
490 1 ▼a Historicizing Modernism
500 ▼a Title from e-Book title page.
504 ▼a Includes bibliographical references and index.
520 8 ▼a In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud.
530 ▼a Issued also as a book.
538 ▼a Mode of access: World Wide Web.
600 1 0 ▼a Beckett, Samuel, ▼d 1906-1989 ▼x Criticism and interpretation.
650 0 ▼a Motion pictures and literature.
830 0 ▼a Historicizing modernism.
856 4 0 ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1441734
945 ▼a KLPA
991 ▼a E-Book(소장)

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/e-Book 컬렉션/ 청구기호 CR 848.909 등록번호 E14006017 도서상태 대출불가(열람가능) 반납예정일 예약 서비스 M

컨텐츠정보

목차

1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film'': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance.

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