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Samuel Beckett and cinema [electronic resource]

Samuel Beckett and cinema [electronic resource]

Material type
E-Book(소장)
Personal Author
Paraskeva, Anthony.
Title Statement
Samuel Beckett and cinema [electronic resource] / Anthony Paraskeva.
Publication, Distribution, etc
London :   Bloomsbury Academic,   c2017.  
Physical Medium
1 online resource (vi, 202 p.).
Series Statement
Historicizing Modernism
ISBN
9781472533234 (electronic bk.) 1472533232 (electronic bk.) 9781472524980 1472524985 1472527372 (electronic bk.) 9781472527370 (electronic bk.)
요약
In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud.
General Note
Title from e-Book title page.  
Bibliography, Etc. Note
Includes bibliographical references and index.
이용가능한 다른형태자료
Issued also as a book.  
Subject Added Entry-Topical Term
Motion pictures and literature.
주제명(개인명)
Beckett, Samuel,   1906-1989   Criticism and interpretation.  
Short cut
URL
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100 1 ▼a Paraskeva, Anthony.
245 1 0 ▼a Samuel Beckett and cinema ▼h [electronic resource] / ▼c Anthony Paraskeva.
260 ▼a London : ▼b Bloomsbury Academic, ▼c c2017.
300 ▼a 1 online resource (vi, 202 p.).
490 1 ▼a Historicizing Modernism
500 ▼a Title from e-Book title page.
504 ▼a Includes bibliographical references and index.
520 8 ▼a In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud.
530 ▼a Issued also as a book.
538 ▼a Mode of access: World Wide Web.
600 1 0 ▼a Beckett, Samuel, ▼d 1906-1989 ▼x Criticism and interpretation.
650 0 ▼a Motion pictures and literature.
830 0 ▼a Historicizing modernism.
856 4 0 ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1441734
945 ▼a KLPA
991 ▼a E-Book(소장)

Holdings Information

No. Location Call Number Accession No. Availability Due Date Make a Reservation Service
No. 1 Location Main Library/e-Book Collection/ Call Number CR 848.909 Accession No. E14006017 Availability Loan can not(reference room) Due Date Make a Reservation Service M

Contents information

Table of Contents

1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film'': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance.

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