상세정보

Honorable Mention, 2024 Aldo and Jeanne Scaglione Prize for East Asian Studies, Modern Language Association

When East Asia opened itself to the world in the nineteenth century, Chinese, Japanese, and Korean intellectuals had shared notions of literature because of the centuries-long cultural exchanges in the region. As modernization profoundly destabilized cultural norms, they ventured to create new literature for the new era.

Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms. He argues that modern literature came into being in East Asia through writerly attempts at reconstructing the present’s historical relationship to the past across the cultural transformations caused by modernization. Hashimoto examines writers’ anachronistic engagement with past cultures deemed obsolete or antithetical to new systems of values, showing that this transnational process was integral to the emergence of modern literature.

A groundbreaking cross-cultural excavation of the origins of modern literature in East Asia featuring remarkable linguistic scope, Afterlives of Letters bridges Asian studies and comparative literature and delivers a remapping of world literature.

Satoru Hashimoto offers a novel way of understanding the origins of modern literature in a transregional context, drawing on Chinese-, Japanese-, and Korean-language texts in both classical and vernacular forms.

정보제공 :

Acknowledgments
Conventions
Introduction
Part I: A Multilayered Contact Space in Turn-of-the-Century East Asia
1. Literature’s Search for Itself: Liang Qichao and Meiji Political Fiction
2. Literature and Life in Exile: Sin Ch’aeho’s Engagement with Liang Qichao’s Work
Part II: Reforming Language and Redefining “Literature”
3. Parody and Repetition: Rereading the Works of Lu Xun, Mori Ōgai, and Yi Kwangsu
4. History as Rewriting: The Historical Fiction of Lu Xun, Mori Ōgai, and Yi Kwangsu
Part III: Japan’s Imperial Mimicry and Its Critique
5. Archaeology of Resistance: Zhou Zuoren’s Cultural Criticism in Wartime East Asia
6. Transnational Allegory: Intertextualizing Lu Xun in Late Colonial Korean, Taiwanese, and Manchukuo Literatures
Conclusion
Notes
Bibliography
Index