| 000 | 00866pamuuu200265 a 4500 | |
| 001 | 000000024106 | |
| 005 | 19950414134447.0 | |
| 008 | 930721s1994 maua b 001 0 eng | |
| 010 | ▼a 93027113 | |
| 020 | ▼a 0205150829 | |
| 035 | ▼a 93027113 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC | |
| 050 | 0 0 | ▼a PN1990.9.A88 ▼b O7 1994 |
| 082 | 0 0 | ▼a 808/.066791 ▼2 20 |
| 090 | ▼a 808 ▼b O71b5 | |
| 100 | 1 | ▼a Orlik, Peter B. |
| 245 | 1 0 | ▼a Broadcast/cable copywriting / ▼c Peter B. Orlik. |
| 250 | ▼a 5th ed. | |
| 260 | ▼a Boston : ▼b Allyn and Bacon , ▼c c1994. | |
| 300 | ▼a xx, 540 p. : ▼b ill. ; ▼c 25 cm. | |
| 500 | ▼a "Previous editions were published under the title Broadcast copywriting ... "--T.p. verso. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Broadcast advertising. |
| 650 | 0 | ▼a Broadcasting ▼x Authorship. |
| 700 | 1 1 | ▼a Orlik, Peter B ▼t Broadcast copywriting. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/교육보존A/3A | 청구기호 808 O71b5 | 등록번호 111024314 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
Broadcast/Cable Copywriting is the most widely used book for learning how to write all types of copy for the electronic media. This book addresses the basic rules and techniques common to broadcast writing with a depth of coverage unmatched by its competitors, but without assuming any prior media writing, production, or advertising experience on the part of the reader.
정보제공 :
목차
CONTENTS List of Illustrations = xiii Preface = xvii PART ONE Copywriting Dimensions Chapter 1 The Copywriting Marketplace = 1 Freelance = 2 Advertising Agency = 3 Corporate In-House = 6 Government/Institutional In-House = 7 In-Station = 7 Other Employment Options = 9 Continuity - The Copywriter's Main Product = 10 Portfolio Creation = 11 Endnotes = 14 Chapter 2 Copywriting and the Communication process = 16 Communication Fundamentals = 16 The Radio/Television Communication Process = 19 Endnotes = 27 Chapter 3 Tools of Our Trade = 28 Print Punctuation Versus Radio/Television Punctuation = 28 Tools to Read/Consult = 41 Tools to Pound on, Write with, Write on = 43 Time - The Tool That's Master of All = 47 Tooling Up = 55 Endnotes = 56 Chapter 4 Rational and Emotional Attractions = 57 Rational Attractions = 58 Emotional Attractions = 70 An Appeals Addendum = 89 Endnotes = 89 Chapter 5 Making Sense of Our Audience = 91 Audiences and Attitudes = 91 Psychographics = 99 Progressive Motivation = 108 An Audience Sense Summation = 113 Endnotes = 114 Chapter 6 CDVP Factors = 115 Creation = 115 Definition = 124 Validation = 138 Prohibition(Regulatory) = 143 Prohibition(Stylistic) = 147 A CDVP Reassurance = 153 Endnotes = 154 PART TWO Radio Copywriting Chapter 7 Key Elements of Radio Writing = 156 Standard Radio Format = 158 Productional Terminology = 159 Using Sound Effects = 164 Using Music = 167 The Radio Copywriter as Poet = 171 Poetic Packaging = 173 Other Techniques for the Radio Poet = 176 Radio's Essence = 188 Endnotes = 189 Chapter 8 Radio Commercials = 190 Commercial Noncopy Data Block = 190 Generic Classification of Radio Commercials = 193 Putting 'PUNCH' in the Radio Spot = 208 The Ten Radio Commandments = 213 Commercial Conclusions = 233 Endnotes = 233 Chapter 9 Additional Radio Endeavors = 235 In-House Noncopy Data Block = 235 IDs and Transitions = 236 Program Promos = 244 Outlet Promos = 247 Enhancers and Features = 250 On/Off-Air Listener Participations = 254 Interviews and Semiscripts = 260 Special Commercial Challenges = 265 Endnotes = 277 PART THREE Television Copywriting Chapter 10 Key Elements of Television Writing = 278 Television Conceptual Vehicles = 278 A Bubble about Animation = 293 Basic Television Production Methods = 300 Television Productional Terminology = 303 The Audio-Video Coalition = 319 Endnotes = 323 Chapter 11 Television Commercials = 325 TV Commercial Noncopy Data Block = 325 Compulsory Demonstrability - The D.D.Q. = 327 Getting Recognized and Remembered = 337 Video DR, Infomercials, and Co-Op = 338 Retail and Business-to-Business Pitches = 348 The Storyboard Presentation = 356 Avoiding the Storyboard = 362 Endnotes = 366 Chapter 12 Additional Television Endeavors = 368 In-House Noncopy Data Block = 368 Outlet IDs and Promos = 368 Program Promos and Trailers = 374 Interviews and Semiscripts = 389 Trade and Consumer Presentation Events = 393 Specialized Venues = 397 Casting and Voice-Over Considerations = 403 Endnotes = 408 PART FOUR Campaign Copywriting Chapter 13 Radio/Television Campaign Construction = 410 Isolating Brand Character = 410 Concept Engineering - Fashioning the Campaign Proposal = 417 Proposal-Related Activities and Implements = 433 Four Case Studies = 438 A Campaign Conclusion = 451 Endnotes = 452 Chapter 14 Public Service Campaigns = 454 The Three Hallmarks of Successful PSAs = 455 PSA Noncopy Data Block = 462 Ten Public Service Postulates = 465 Campaign Case Studies = 480 What's in It for the Copywriter = 484 Endnotes = 486 Chapter 15 political, Controversy, and Crisis Campaigns = 487 Political Advertising = 487 Controversy Advertising = 502 Crisis Advertising = 515 A final Word from the Soda Bar = 526 Endnotes = 527 Index = 531
