| 000 | 02976camuu22003254a 4500 | |
| 001 | 000045131449 | |
| 005 | 20041123105008 | |
| 008 | 041123s2003 ilua b 001 0 eng | |
| 010 | ▼a 2002035978 | |
| 020 | ▼a 0226571661 (cloth) | |
| 020 | ▼a 0226571688 (paper) | |
| 040 | ▼a DLC ▼c DLC ▼d VOC ▼d WSL ▼d 211009 | |
| 042 | ▼a pcc | |
| 049 | ▼a KUBA | |
| 050 | 0 0 | ▼a N34 ▼b .C75 2003 |
| 082 | 0 0 | ▼a 701/.4 ▼2 21 |
| 090 | ▼a 701.4 ▼b C934-2 | |
| 245 | 0 0 | ▼a Critical terms for art history / ▼c edited by Robert S. Nelson and Richard Shiff. |
| 250 | ▼a 2nd ed. | |
| 260 | ▼a Chicago : ▼b University of Chicago Press, ▼c c2003. | |
| 300 | ▼a xvi, 519 p. : ▼b ill. ; ▼c 25 cm. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a List of illustrations -- Mediation / Robert S. Nelson -- At the place of a foreword : someone looking, reading, and writing / Robert S. Nelson -- Operations -- Representation / David Summers ; Sign / Alex Potts ; Simulacrum / Michael Camille -- Communications -- Word and image / W.J.T. Mitchell ; Narrative / Wolfgang Kemp ; Performance / Kristine Stiles ; Style / Jas Elsner ; Context / Paul Mattick, Jr. / Meaning/interpretation / Stephen Bann -- Histories -- Originality / Richard Shiff ; Appropriation / Robert S. Nelson ; Art history / David Carrier ; Modernism / Charles Harrison ; Avant-garde / Ann Gibson ; Primitive / Mark Antliff & Patricia Leighten ; Memory/monument / James E. Young -- Social relations -- Body / Amelia Jones ; Beauty / Ivan Gaskell ; Ugliness / Nina Athanassoglou-Kallmyer ; Ritual / Suzanne P. Blier ; Fetish / William Pietz ; Gaze / Margaret Olin ; Gender / Whitney Davis ; Identity / Richard Meyer -- Societies -- Production / Terry Smith ; Commodity / Paul Wood ; Collecting/museums / Donald Preziosi ; Value / Joseph L. Koerner & Lisbet Rausing ; Postmodernism/postcolonialism / Homi K. Bhabha ; Visual culture/visual studies / James D. Herbert ; Social history of art / Craig Clunas ; Afterword : Figuration / Richard Shiff. |
| 520 | ▼a Edited by Robert Nelson and Richard Shiff, Critical terms for art history is both an exposition and a demonstration of contested terms from the current art historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art, reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are seeing them employed. In its wide representation of contemporary discourse, this book is a comprehensive effort to map historical and theoretical debates over the visual environment. | |
| 650 | 0 | ▼a Art ▼x Historiography ▼v Terminology. |
| 650 | 0 | ▼a English language ▼v Terms and phrases. |
| 700 | 1 | ▼a Nelson, Robert S, ▼d 1947-. |
| 700 | 1 | ▼a Shiff, Richard. |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 701.4 C934-2 | 등록번호 111300544 (17회 대출) | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.
Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.
In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.
Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.
In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.
Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
정보제공 :
저자소개
Richard Shiff(엮은이)
<Paul Cezanne>
로버트 S. 넬슨(엮은이)
미국 예일대학교 미술사학과 교수로 중세 미술과 미술사의 역사 및 방법론에 대한 많은 글을 발표했다. 그는 또한 2006~2007년 사이에 게티 미술관에서 열린 전시 《성스러운 이미지, 신성한 토대: 시나이 반도의 아이콘》의 공동기획자이다. 주요 저서로 『하기아 소피아 1850-1950』(2004), 『후기 비잔틴 회화: 예술과 전용』(2007) 등이 있다.