| 000 | 01238camuu2200325 a 4500 | |
| 001 | 000045676331 | |
| 005 | 20111107143121 | |
| 008 | 111104s1989 enka b 001 0 eng d | |
| 010 | ▼a 89007117 | |
| 020 | ▼a 9780521075138 (pbk.) | |
| 020 | ▼a 0521372739 | |
| 035 | ▼a (KERIS)REF000004837469 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a PR3716 ▼b .L28 1989 |
| 082 | 0 0 | ▼a 823/.6 ▼2 22 |
| 084 | ▼a 823.6 ▼2 DDCK | |
| 090 | ▼a 823.6 ▼b S839YLj | |
| 100 | 1 | ▼a Lamb, Jonathan, ▼d 1945-. |
| 245 | 1 0 | ▼a Sterne's fiction and the double principle / ▼c Jonathan Lamb. |
| 260 | ▼a Cambridge ; ▼a New York : ▼b Cambridge University Press, ▼c 1989. | |
| 300 | ▼a xii, 161 p. : ▼b ill. ; ▼c 24 cm. | |
| 490 | 1 | ▼a Cambridge studies in eighteenth-century English literature and thought ; ▼v 3 |
| 504 | ▼a Includes bibliographical references and index. | |
| 600 | 1 0 | ▼a Sterne, Laurence, ▼d 1713-1768 ▼x Criticism and interpretation. |
| 650 | 0 | ▼a Experimental fiction, English ▼x History and criticism. |
| 650 | 0 | ▼a Civilization, Modern ▼y 18th century. |
| 650 | 0 | ▼a Doubles in literature. |
| 830 | 0 | ▼a Cambridge studies in eighteenth-century English literature and thought ; ▼v 3. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 823.6 S839YLj | Accession No. 111646742 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Book Introduction
The author of Tristram Shandy made frequent use of literary fragments from other writers, as part of his own style. Laurence Sterne's quotations, plagiarisms and allusions were often employed in the service of the pleonasm, or 'performed pun'. Jonathan Lamb describes Sterne's operation of the pleonasm as his 'double principle'. He sees this style not as the key to some clever puzzle whose clues we go on solving in the hope of total disclosure of meaning (as some critics have claimed); rather the opposite, that it is a consoling reminder that neither we nor the text can ever be complete. Lamb severs Sterne from the Locke tradition and frees him from the 'influence' oriented studies which have aimed to authenticate him through his borrowings. This allows us to read him as a writer eagerly exploring the turns and paradoxes of associationist thought and adapting the rhetoric of the sublime to the stutterings of ordinary speech.
Jonathan Lamb describes Sterne's operation of the pleonasm as his 'double principle'.
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Table of Contents
Acknowledgements; Foreword; 1. Scepticism, job and the double principle; 2. Originality and the Hobbyhorse; 3. Associationism; 4. Narratives and readings; 5. The Shandean Sublime.
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