| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000046217639 | |
| 005 | 20260219134849 | |
| 008 | 260211s2020 enka b 001 0 eng | |
| 010 | ▼a 2019012535 | |
| 020 | ▼a 9781350068810 ▼q (paperback) | |
| 020 | ▼a 9781350068827 ▼q (hardback) | |
| 020 | ▼z 9781350068841 ▼q (pdf) | |
| 020 | ▼z 9781350068834 ▼q (epub) | |
| 035 | ▼a (KERIS)REF000019066179 | |
| 040 | ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d 211009 | |
| 042 | ▼a pcc | |
| 050 | 0 0 | ▼a PN1707 ▼b .V38 2019 |
| 082 | 0 0 | ▼a 808.2 ▼2 23 |
| 084 | ▼a 808.2 ▼2 DDCK | |
| 090 | ▼a 808.2 ▼b V368t | |
| 100 | 1 | ▼a Vaughan, Megan, ▼e author. |
| 245 | 1 0 | ▼a Theatre blogging : ▼b the emergence of a critical culture / ▼c Megan Vaughan. |
| 246 | 3 | ▼a Theater blogging |
| 260 | ▼a London : ▼b Metheun Drama, ▼c 2020. | |
| 264 | 1 | ▼a London : ▼b Metheun Drama, ▼c 2020. |
| 300 | ▼a vii, 270 p. : ▼b ill. ; ▼c 25 cm. | |
| 336 | ▼a text ▼b txt ▼2 rdacontent | |
| 337 | ▼a unmediated ▼b n ▼2 rdamedia | |
| 338 | ▼a volume ▼b nc ▼2 rdacarrier | |
| 504 | ▼a Includes bibliographical references (p. 257-262) and index. | |
| 505 | 0 | ▼a History and practice. Introduction -- Theatre blogging since 2003: a history -- Theatre blogging in practice: a WhatsApp dialogue -- Theatre blogging under threat -- Selected posts. A note on the texts -- Theatremaking and authorship -- Anger and dissent -- Reviews and reviewing -- Representation and visilibity -- On My name Is Rachel Corrie -- On Three kingdoms. |
| 520 | ▼a "Megan Vaughan contextualises the key debates and writings of more than forty bloggers with current research, and brings past and present practitioners into conversation with one another. The work of prominent and influential early adopters such as Encore Theatre Magazine and Chris Goode in London; George Hunka and Isaac Butler in New York; Jill Dolan at Princeton University and Alison Croggon in Melbourne is featured and considered alongside those who followed them. Vaughan presents arguments that have impacted on both arts journalism and the theatre industry. The book also includes: activist bloggers writing about fringe working conditions and diverse casting,explorations of new dramaturgical practices that have been developed and piloted by bloggers,a rigorous assessment of the institutional changes - in theatre, in academia, and for newspapers - which have been attributed to bloggers since their emergence. Vaughan concludes by posing two key questions: to what extent have theatre bloggers established a new critical culture? Has the potential of the form been realised?"--Provided by publisher. | |
| 650 | 0 | ▼a Theater ▼x Blogs. |
| 650 | 0 | ▼a Dramatic criticism. |
| 650 | 0 | ▼a Theater and social media. |
| 945 | ▼a ITMT |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 808.2 V368t | 등록번호 111919889 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
책소개
In this epic history-cum-anthology, Megan Vaughan tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today's digital newsletters and social media threads. Contextualising the key debates of fifteen years of theatre history, and featuring the writings of over 40 theatre bloggers, Theatre Blogging brings past and present practitioners into conversation with one another.
Starting with Encore Theatre Magazine and Chris Goode in London, George Hunka and Laura Axelrod in New York, Jill Dolan at Princeton University, and Alison Croggon in Melbourne, the work of these influential early adopters is considered alongside those who followed them.
Vaughan explores issues that have affected both arts journalism and the theatre industry, profiling the activist bloggers arguing for broader representation and better working conditions, highlighting the innovative dramaturgical practices that have been developed and piloted by bloggers, and offering powerful insights into the precarious systems of labour and economics in which these writers exist. She concludes by considering current threats to the theatre blogosphere, and how the form continues to evolve in response to them.
정보제공 :
목차
List of Illustrations viii Preface ix Part 1 History and Practice 1 1 Introduction 3 2 Theatre Blogging Since 2003 - a History 14 3 Theatre Blogging in Practice - a WhatsApp Dialogue 45 4 Theatre Blogging Under Threat 71 Part 2 Selected Posts 79 5 A Note on the Texts 81 6 Theatremaking and Authorship Laura Axelrod: The Fuzzy Factor 85 Mac Rogers: Director vs. Playwright - Intro 86 Mac Rogers: Director vs. Playwright Part 1 86 Isaac Butler: Directors and Writers (perhaps part one) 88 Laura Axelrod: Would You Like Ketchup With Your Worms? 90 Deborah Pearson: Imagine people took me seriously 92 Chris Goode: What''s It All About Albee? 93 Alison Croggon: The Writer, The Theatre, The Play 101 Adam Szymkowicz: a hammer 105 Matthew Freeman: Rules for the Writing of Plays 105 Chris Goode: Opening the house 107 Alex Swift: [… a short thing on work …] 110 7 Anger and Dissent ''Theatre Worker'', Encore: Bye Bye Sir Trevor Nunn 112 ''Theatre Worker'', Encore: Don''t Cry for Him 113 Frances d''Ath: It''s All About The Money 115 Andy Field: Michael Billington Being Rather Silly 116 Matt Trueman: Fussing Over Foss 117 Corinne Furness: I could have screamed but instead I wrote this 120 Don Hall: Why Isherwood Should Just Blog Instead 122 Eve Allin: A Response, From a young and unpaid critic (or theatre blogger - up to you) 123 Ava Wong Davies: Thoughts on The Writer and this DANG INDUSTRY 125 8 Reviews and Reviewing Alison Croggon: Forumitis 129 Andy Field: Attempts on Her Life at the National 131 David Eldridge: A major event in our theatre 132 Andrew and Phil, West End Whingers: Review - Love Never Dies, Adelphi Theatre 134 Maddy Costa: how you do this is up to you 138 Andrew Haydon: Embedded 144 Daniel Bye: Embedded Criticism: some Arguments, an Offer and a Dare 150 Catherine Love: Translunar Paradise & Critical Distance 155 Dan Hutton: The Strange Undoing of Prudencia Hart 157 Jill Dolan: Criticism Redux Redux Redux 160 Maddy Costa: Got life, got music, got theatre 162 Gareth K Vile: Behaviour: Lippy and Western Society 164 Megan Vaughan: Application for review 165 Kate Wyver: Revolt. She Said. Revolt Again 168 James Varney: revew: Walter Meierjohann - Uncle Vanya 171 9 Representation and Visibility Jill Dolan: On Women Directors 175 Mike Lew: "a fiercely provocative, insightful mediation on race" 178 Jill Dolan: Wondering about The Fiddler On The Roof at Arena Stage 180 Vinay Patel: Why I Wrote True Brits 185 Erin Quill: In the Depths of British Theatrical Racism @the_printroom 188 Daniel York Loh: Feature: Scenes From A Yellowface Execution 195 Melissa Hillman: The "Playwright''s Intent" and the Dangers of the "Purist" 196 Harry R McDonald: Road @ Royal Court: Somehow a Somehow 198 10 On My Name Is Rachel Corrie Garrett Eisler: Censorship Comes To Downtown 202 Garrett Eisler: NYTW 202 Isaac Butler: It Just Gets Worse and Worse 204 Matthew Freeman: The saga of Rachel Corrie 205 Isaac Butler: Response to Walter Kabak 207 George Hunka: Infamous Words 209 Ben Ellis: Ideas and text, the body and Rachel Corrie 211 11 On Three Kingdoms Andrew Haydon: Three Kingdoms - Lyric Hammersmith 219 Catherine Love: Three Kingdoms: New Ways of Seeing, Experiencing, Expressing 224 Dan Rebellato: Three Kingdoms 229 Matt Trueman: Review: Three Kingdoms, Lyric Hammersmith 233 Megan Vaughan: An incitement to smash some fucking shit up 237 Sarah Punshon: on walking out of Three Kingdoms 238 Maddy Costa: fanning the bonfire 240 Catherine Love: Revisiting Three Kingdoms 246 Biographies 253 Acknowledgements 255 References 257 Index 263